multiples

Posts tagged
with multiples



Art Craft

Stitched Sculptural Installations of Everyday Objects and Gestures by Amanda McCavour

March 30, 2018

Laura Staugaitis

Toronto-based textile artist Amanda McCavour uses thread and a sewing machine to construct sculptural installations that dance between two and three dimensions. McCavour stitches on a special fabric that dissolves in water to create the surfaces of thread. Through renderings of objects like sofas, kitchen tables, and backpacks, as well as arms and hands engaged in work, she explores connections to home and the fibers of the body. In an artist statement McCavor states she is interested “in thread’s assumed vulnerability, its ability to unravel, and its strength when it is sewn together.”

McCavour holds an MFA from the Tyler School of Art in Philadelphia, and she exhibits widely. Currently, her Floating Garden installation is on display at the Cornell Art Museum in Florida as part of their Flora exhibition, which opens today, March 30th, and is on view through September 9, 2018. Flora also includes Tiffanie Turner (previously), and Miya Ando (previously). You can see more of McCavour’s work on her Facebook page and via Instagram.

 

 



Art

Oversized Crocheted Doilies by Ashley V Blalock Climb Up Trees and Gallery Walls

March 21, 2018

Laura Staugaitis

Artist Ashley V Blalock crochets enormous red doilies that she then installs in site-specific configurations ranging from galleries to stairwells to trees outside. Her ongoing project, Keeping Up Appearances, began in 2011 and has been installed at museums, galleries, and gardens across the United States.

The artist describes the meaning behind Keeping Up Appearances: “Although non-threatening in a domestic setting, in the gallery and at this scale the [doilies] overtake the viewer and cover the walls… Inherent is a compulsion to arrange and place and decorate in order to control or influence a perceived outward appearance. The red color gives away the futility of such an act and hints at the unease that lurks below the surface of an obsessive need to control and arrange.”

Blalock is based in Southern California. She received a bachelor’s and two master’s degrees in sculpture and art history. You can see more of her installation work on her website.

 

 



Photography

The Acrobatic Entanglements of Everyday Objects by Mauricio Alejo

March 20, 2018

Kate Sierzputowski

Photographer Mauricio Alejo uses everyday objects to create gravity-defying arrangements within his apartment, staging curious interventions and acrobatic feats on his kitchen counters and filing cabinets. Working within the confines of his living space has allowed Alejo to produce ideas as they come, rather than attempt to find the perfect backdrop for his spontaneous compositions.

“I didn’t always like the apartments I was living in, or better put, I didn’t always like the way some of the places I lived translated into the image,” explained Alejo. “They were somehow random and uninteresting, but I knew that it was just natural to photograph right where the ideas were conceived, besides if I started looking for the ‘right’ place to shoot it was going to be a never ending story.”

This immediacy of ideas has become embedded in the photographer’s practice, even with Alejo’s recent move towards studio-based photography. You can see more of his works on his website and Instagram. (via Ignant)

 

 



Art

A Menagerie of Ceramic Beasts and Curiosities at Messums Wiltshire’s ‘Material Earth II’

February 14, 2018

Laura Staugaitis

Caribou Antler and Bone Handled Forks by Ann Carrington, 210 x 127 x 20cm

In Material Earth II, a group show that just opened at Messums Wiltshire, artists explore how materials can be used to morph the meaning of traditional narratives—particularly in the context of Northern European myths and fairytales. In a statement on the show, Messums describes the exhibition as “an ode to all those that are magical, fantastical and ever-changing.” Artists include Livia Marin, Ann Carrington, Bouke de Vries, and Jessica Harrison. The works span a range of materials, with an emphasis on ceramics, which is unsurprising given both the fluid nature of the material and its historic prominence in narratives of everyday life. Material Earth is on view at Messums’ 13th century exhibition barn and adjoining modern space in southwest England until April 2, 2018.

Nomad Patterns (i) by Livia Marin, 2017, Ceramic, 38 x 21 x 10

Broken Things (i) by Livia Marin, 2018, Ceramic, 15 x 10.5 x 5cm

Royal Doulton Figurine ‘Elaine’ by Jessica Harrison, found ceramic, glaze, H19 x W18.5 x D13.5cm

The Polar Bear by Barnaby Barford, 2016, Porcelain, sculpted foam, steel frame, enameled wire, painted plywood, H245 x L85 x D135cm

Troll #8 by Marlene Hartman Rasmussen, 2017, H51 x W42 x D11cm

Sissure (ommateum) by Kate MccGwire, 2016, Mixed media with goose down and pigeon quills, H42 x H42 x D6cm (framed)

Still Life with Kinfisher, 2017 by Bouke de Vries, 17th century Chinese porcelain bowl, taxidermy, wax fruit and mixed media, H33 x W33 x D24cm

Forest Fruits – Bear by Claire Partington, Earthenware, Glaze, Enamel, Lustre & Mixed Media with two interchangeable heads, 2017, H62 x W39 x D20cm

 

 



Art

New Textural Sculptures Made With Swirls of Seashells by Rowan Mersh

February 13, 2018

Laura Staugaitis

Pithváva Praegressus II 2017, H30 X W19 XD17cm, Dentalium Shells

Rowan Mersh (previously) creates textural artworks that toe the line between two and three dimensions, using carefully placed swirls of seashells. Each artwork is made up one only one kind of shell, which the artist uses in multiples as he explores the physical qualities and hidden beauties of the material. Mersh explains his process to Colossal:

On beginning a new project I first make a small sample to understand how best to work with the material, using elements of my chosen material such as size, shape and colour of the material to inform surface pattern. This gives me a guide as to how scale and shape the resulting project. My aim with every project is to expose the true and often hidden beauty of the material I am working with and I feel this is only possible by listening to the material from day one.

The seashells are sourced from sustainable shell farmers and harvesters around the world, and Mersh creates his sculptural pieces in London, where he lives and works. Mersh is represented by Gallery FUMI and currently has new work in the gallery’s winter group show, up until February 24th.

Asabikeshiinh IV, 2017, Sliced Turritella Shells, Fluorocarbon

Asabikeshiinh IV (detail), 2017, Sliced Turritella Shells, Fluorocarbon

Pithváva Praegressus I, 2017, H40 x W21 x D27.5cm, Dentalium Shells

Pithváva Praegressus I (detail), 2017, H40 x W21 x D27.5cm, Dentalium Shells

Asabikeshiinh V, 2017, H155 x W137 x D0.07cm, Sliced Doxander Vittatus Shells, Fluorocarbon

Asabikeshiinh V (detail) 2017, H155 x W137 x D0.07cm, Sliced Doxander Vittatus Shells, Fluorocarbon

Asabikeshiinh V, 2017, H155 x W137 x D0.07cm, Sliced Doxander Vittatus Shells, Fluorocarbon

Echinothrix Imaginem Sui, 2017. H125 x W80 x D27cm, Tiger Sea Urchin Spines 

Echinothrix Imaginem Sui (detail), 2017. H125 x W80 x D27cm, Tiger Sea Urchin Spines

 

 



Art

James Brunt Organizes Leaves and Rocks Into Elaborate Cairns and Mandalas

February 8, 2018

Laura Staugaitis

James Brunt creates elaborate ephemeral artworks using the natural materials he finds in forests, parks, and beaches near his home in Yorkshire, England. This form of land art, popularized and often associated with fellow Brit Andy Goldsworthy, involves detailed patterns, textures, and shapes formed using multiples of one kind of material. Brunt collects twigs, rocks, and leaves and arranges them in mandala-like spirals and concentric circles. He photographs his finished work to document it before nature once again takes hold of his materials. The artist frequently shares updates via Twitter and Facebook where he sometimes invites the public to join him as he works. Brunt also offers prints of his photographed artworks on his website.

  

 

 



Art

Nora Fok’s Ethereal Hand-Knit Jewelry is Inspired by Nature and Science

February 5, 2018

Laura Staugaitis

Nora Fok combines jewelry design with textile art in her science- and math-inspired wearable artworks. Fok, who is based in southeast England, works in her home studio creating all of her pieces manually, using hand tools, fine nylon microfilament and basic processes like weaving, knitting, braiding, and knotting. The work above is comprised of 3,500 knit spheres, and finished pieces can take weeks to produce. The artist describes her inspiration on her website:

She is intrigued by the world around her; she also asks questions and tries to find answers to them. She is fascinated by different aspects of nature, structure, systems and order, and the mysteries and magic which she sets out to capture in her work.

Fok has artwork that is currently being shown in the Jewelry of Ideas exhibit at the Cooper Hewitt Smithsonian Design Museum in New York City, which is up through May 2018, and she shares exhibition dates and a small archive of jewelry on her website. If you like Nora’s work, also check out Mariko Kusumoto.