murals

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Art

A Finger-painted Mural Made with Charcoal Dust

I first discovered the work of Judith Braun about a year ago and wrote a short piece about her beautifully symmetrical finger drawings that she refers to as “fingerings”. Braun’s work recently exploded in both scale and complexity, shifting from the abstract to the literal in this new mural entitled Diamond Dust. The piece was painted over several days in February in front of a live audience at the Chrysler Museum of Art in Norfolk, Virginia using fingerprints created from the fine powder of ground charcoal. Diamond Dust is on display through June 1.

Art

Visitors Tunnel at the JVA/Prison in Düsseldorf by Markus Linnenbrink

Artist Markus Linnenbrink was recently commissioned to paint the visitors tunnel at the new Justiz Vollzugs Anstalt (Prison) in Düsseldorf, Germany. According to Linnenbrink the prison is a model institution and has been designed to deal with security and humanity as best as possible, thus the desire for a unique approach to a common entrance for family, lawyers and police.

Visitor access has to be underground by law in newly constructed prisons in Germany. This tunnel covers the 40m (about 132 feet) between the security check in the front building and the visitors area in one of the inner prison buildings. Concept for the installation was to create a 3 dimensional painting that follows and surrounds the visitor during the walk through the tunnel. Two sets of diagonal stripes that both grow wider while covering the distance build two different perspectives.

Born in Germany, Linnenbrink now lives and works in Brooklyn. You can see many more of his paintings, sculptures and installations on his website.

Art

Aggravure III: A Mural Using 450,000 Staples

Aggravure is an ongoing series of large wall installations by Baptiste Debombourg. His latest, Aggravure III, was inspired by drawings from 16th century engravers Hendrick Goltzius, Jan Harmensz, Cherubino Alberti and utilizes nearly a half million metal staples tacked to a wall, taking 340 hours to complete. Via the artist:

I then use some images by “worsening” the scale, the form or the context to produce an installation in the architecture by means of staples. The recurring theme in these paintings revolves around the collapse that resonates with staples. Here the staple is a material and a media that plays with contemporary aggression and daily life’s secular usefulness.

You can see much more of Aggravure I, II, and III on his website.