nature

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Photography

Wearable Sculptures Blend Humans into Surrounding Landscapes in Photographs by Nordic Artists

March 9, 2020

Vanessa Ruiz

“Brit” (Norway 2018). All images © Karoline Hjorth and Riitta Ikonen, shared with permission

Norwegian-Finnish artist duo Karoline Hjorth and Riitta Ikonen bring a folklore-inspired vision to the relationship between humans and nature. The majority of their subjects are elders who often have a deeper connection to the lands they inhabit, work on, or cultivate.

In 2011, the pair started an imaginative series called Eyes as Big as Plates as a contemporary exploration of characters from Nordic folklore. Their photographic odyssey across 15 countries and creation of more than 100 portraits evolved into a general exploration of modern humans’ relationships to nature. The title of the series not only comes from a folktale but also represents the curiosity that guides the way Hjorth and Ikonen interact with the world.

Each photograph features a solitary figure in a landscape wearing a sculpture of the natural elements of their choosing. For example, Brit (above), a ceramic artist, is shown plastered to a rock with the blue clay that underlies much of her hometown in Norway. Bob (below), a retired fashion photography expert, wears a giant hat and coat of pine needles while sitting in Forest Park in Queens, New York.

Hjorth and Ikonen consider their subjects to be integral parts of their artistic practice, and in doing so, refer to them as collaborators rather than models. The two artists exude a natural, almost magical excitement for people and life. This is key to not only finding and connecting with the people in their photographs but also to convincing them to immerse themselves in the wonders of a landscape.

This ultimate harmony is the result of a long process of preparing for and setting up the photo shoot. Materials such as moss, bull kelp, puffball mushrooms, and millet must be gathered and assembled into what amounts to a wearable sculpture. The strangest materials they tell Colossal include “sea urchins and starfish. And there was the time we collected a whole load of Rhododendron tomentosum (marsh Labrador tea) while in the very north of Norway, luckily the intense smell made us look the plant up in more detail before engulfing our collaborator in its poisonous terpenes. Collecting wearable-sized-icebergs in Greenland was one of those moments that we both remember vividly also!”

On-site, Hjorth and Ikonen shoot with analog cameras on film. The process also can be long and challenging for the collaborator, who sometimes is wearing a delicate sculpture of itchy twigs or kneeling for hours in wet moss, not to mention dealing the variable conditions—wind, rain, sleet, and dense fog—that the environment throws at them day-to-day. The end result is a portrait of a subject who exudes a playful confidence as they are one with the landscape.

As for the future, the duo shares their vision with Colossal. “We are open to working with all curious souls and as we re-angle ourselves to looking at the effects of climate change and our role in it. The intergenerational movers and shakers exist in all demographics across ages!”

Hjorth and Ikonen currently are working on Eyes as Big as Plates Vol. 2, which they are attempting to fund via Kickstarter before March 15. Follow their fascinating journeys around the world on both Karoline’s and Riitta’s Instagrams and their growing project Eyes as Big as Plates.

“Karin” (Norway 2019)

“Bob II” (USA 2013)

“Pupi” (Finland 2012)

“Mane” (Senegal 2019)

“Jakob” (Greenland 2015)

“Astrid I” (Norway 2011)

“Halvar I” (Norway 2011)

“Niels” (Faroe Islands 2015)

“Arnold II” (Faroe Islands 2015)

“Edda” (Iceland 2013)

 

 



Craft

Moss, Coral, and Lichen Inspired Embroidery Hoops Stitched by Hannah Kwasnycia

February 20, 2020

Andrew LaSane

All images © Hannah Kwasnycia, shared with permission

Canadian artist Hannah Kwasnycia stitches embroidery hoops inspired by moss, lichen, coral, mold, and bacteria cultures. Colorful strands are layered to form three-dimensional representations of living organisms. Kwasnycia freehands the abstract compositions, which means that no two hoops are ever the same.

Variation in stitching patterns, as well as occasional beading and sequins, give the embroidery texture and depth. Shapes are defined by changes in hue, but the limited color palettes bring each design together as one natural colony. Kwasnycia sells the unique hoops via her MildMoss Etsy shop and also accepts commissions via her Instagram page. Head over there to watch in-progress videos and to see more of luscious moss and vibrant coral come to life. (via MyModernMet)

 

 



Photography

Nature Reclaims Abandoned Castles, Theaters, and Monasteries in Photographs by Jonk

January 25, 2020

Andrew LaSane

All images © Jonk, shared with permission

Inspired by a wildlife documentary he saw as a child, Paris-based photographer Jonk (Jonathan Jimenez) travels the world in search of man-made structures that have been abandoned and reclaimed by nature. A jungle fills a dilapidated theater in Cuba, roots snake through a mansion in Taiwan, and a wild garden sprouts in a former greenhouse in Belgium. A reflection of his ecological consciousness, Jonk’s photography shows that in the power struggle between man and nature, nature always wins.

Throughout his career, the photographer has visited more than 1,000 abandoned structures in 50 countries on four different continents. The Naturalia: Chronicle of Contemporary Ruins series has led to the publication of a hardcover photography book, and Jonk says that he is working on a second volume. The juxtaposition of weakened architecture with thriving plant life tells a full story. The images capture specific moments in time and allude to the past, but for Jonk, they hint at an inevitable future. “This series also tells the story of the progression of Nature,” he said in a statement, “from the infiltration in abandoned places, through the moment where She grows inside them, until their collapse. Burial comes next along with the disappearance of all traces of Man.”

Images from the Naturalia series are currently being exhibited at the André Planson Museum in Paris through March 1, 2020, with other exhibitions planned this year. To see more of Jonk’s urban ruin photography and to follow his travels, head over to Instagram.

 

 



Craft

Countless Hand-Scored Notches Comprise Aquatic Sculptures by Lisa Stevens

January 7, 2020

Grace Ebert

All images © Lisa Stevens, shared with permission

From her home studio near Bristol, Lisa Stevens designs heavily detailed sculptures that mimic sea life and natural elements. Her small bowls are complete with ridges and plant-like protrusions, while her organ-shaped sculptures are teeming with seemingly endless dots and scores that imitate coral reefs, flowers, minerals, moss, and lichen. Formerly a sculptor for Aardman Animations, Stevens forgoes stamps, texture sheets, or molds to craft each mark with a small set of tools, ensuring no pieces are identical. Most of her works are made of high-fired porcelain clay that becomes translucent when light shines through it. The sculptor often uses stoneware glazes, underglaze, or melted glass to finish her pieces with vibrant pigments.

Stevens said in an artist’s statement that she intends “to highlight the issues that human activity has on the environment. Small differences in each of our behaviours can add up to make a big difference.” More of Steven’s geologically inspired sculptures can be found on Instagram, and some are even available for purchase on Etsy.

 

 



Illustration

Combining Vibrant Shapes and Simple Lines, Illustrator Willian Santiago Evokes Scenes of Brazil

January 3, 2020

Grace Ebert

All images © Willian Santiago

With an affinity for bold colors, Willian Santiago documents what he sees around Londrina, the city in southern Brazil where he lives. He utilizes bright blues, greens, and reds to create his illustrations of wild animals and posed female figures that often resemble the geometric shapes and lines of woodblock prints frequently seen in Brazilian art.

“I love exploring,” Santiago said in an interview with WePresent. “It may be the step I spend most of my time on when creating an illustration. Color arouses different feelings in people. I ultimately want my work to create feelings of joy.” With a background in textile and pattern design, the artist says “old Vogue magazine covers, Art Deco and overly posed figures” often serve as inspiration, in addition to being “surrounded by strong women” as a child. Follow Santiago’s striking digital illustrations on Instagram, and check out his available prints on Society6. (via Tu Recepcja)

 

 



Photography

Bare Tree Branches Captured in Layers of Eerie Morning Fog by Michael Schlegel

January 2, 2020

Grace Ebert

All images © Michael Schlegel, shared with permission

Berlin-based photographer Michael Schlegel is fascinated by trees and their splaying branches. From his series featuring a Spanish olive grove to another capturing snow-covered trees in Germany, Schlegel consistently documents native plants around the world. The black and white photographs in his recent Fanal series spotlight trees with bare and twisting branches as they are enveloped by thick fog. The uncanny images were taken in the Fanal region of Madeira, Portugal.

The photographer tells Colossal that he visited the area in March 2019, hoping to experience the region’s cloudy weather.

It was only dense fog all day long and from the moment I first arrived at the trees. I photographed there for five consequent days and really enjoyed the atmosphere of walking around lonely, only being able to see what the fog allows me to and being alone with maybe one or a few of these old, mysterious trees at a time.

In each one of his works, Schlegel tries to shoot exactly what he sees on location. “With my photos I also don’t actively try to express an artistic message or interpretation—I rather simply try to show my vision of how I experienced the location,” the photographer writes. Find more of Schlegel’s monochromatic landscape shots on Instagram.

 

 



Craft

Using More Than 4,000 Pieces of Paper, Artist Lisa Lloyd Painstakingly Constructs Birds and Butterflies

December 20, 2019

Grace Ebert

Robin. All images © Lisa Lloyd, shared with permission

Employing tweezers to place each bit of paper, London-based artist Lisa Lloyd (previously) meticulously assembles birds and butterflies. Her realistic sculptures feature geometric pieces that are arranged in a pattern by color and then glued in place. Lloyd’s birds are constructed internally with a card, paper, and tissue paper skeleton before they are outfitted with more than 4,000 individual paper pieces that the artist hand-scores and fringes. Wire covered in tissue paper creates the birds’ feet, and the eyes are Filmo with a high gloss varnish. A recent butterfly sculpture posed a particular challenge, the artist says, because each wing had to be perfectly symmetrical, just like the real-life insect.

“Through practice, I’ve learned how to sculpt the paper so they look like they’re titling and turning their heads, which makes them feel more alive. Also, I try to give the wings the appearance that the birds are ruffling their feathers, also to make them seem more alive,” Lloyd shares with Colossal. It took her about two months to make three birds: the robin, the great spotted woodpecker, and the blue tit, which have found their permanent home perched on willow branches in a glass display, thanks to one of Lloyd’s London-based clients. You can add one of the artist’s vibrant sculptures to your own collection by purchasing from her shop, and follow her latest work on Instagram.

Great spotted woodpecker

Countryfile butterfly

A blue tit (top), great spotted woodpecker (left), and robin (right)

Blue tit

Blue tit

Robin