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Delicate Lace Patterns Overlay Facades in Ornate Large-Scale Murals by NeSpoon

Yffiniac, France (2022). All images © NeSpoon, shared with permission
Polish artist NeSpoon (previously) continues to add to her expansive collection of murals that merge local craft traditions and street art. Having traveled around Europe in recent months, she’s completed pieces in France, Spain, and Italy, to name a few, and each oversized motif recreates a lace pattern sourced from a museum or resident at a massive scale. The resulting works, which are spray-painted in white, are intricate studies of the region’s florals, ornamental styles, and tatting methods and how they differ throughout cultures and eras.
NeSpoon, who is based in Warsaw, generously shares in-progress and production photos on her site, and you can follow her latest pieces on Instagram.

Montpellier, France (2021)

Corsica, France (2022)

Brescia, Italy (2022)

Penelles, Spain (2022)

Montpellier, France (2021)

Detail of mural in Montpellier, France (2021)

Mendicino, Italy (2022)
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Ornate Murals by Nespoon Cloak Blank Facades in Traditional Lace Patterns

Mostar, Bosnia and Herzegovina. All images © Nespoon, shared with permission
Every inch of Nespoon’s elaborately designed murals is rooted in local history. Prior to sketching one of her large-scale lace patterns on a residential building or commercial facade, the Warsaw-based artist (previously) visits museums and meets with residents to learn more about the region’s culture and its ties to fiber arts. “I respect and commemorate the emotional bound between individual patterns and particular cities or even particular groups of lacemakers. If there is no tradition of lace making in the area where I work, I ask for laces in the homes of elderly people living nearby,” she tells Colossal. “I always find something.”
The resulting murals envelop concrete and brick structures in intricate webbing embellished with oversized florals or fringed edges. Often splaying across multiple levels and wrapping around corners, the massive works showcase the intricacies of the craft and bring the adornment traditionally associated with domestic life out into a public space.

Craponne-Sur-Arzon, France
Because women produced almost all of the decorative textiles for centuries, their stories remain at the forefront of Nespoon’s body of work, which ranges from stenciled graffiti pieces to smaller ceramic installations imprinted with patterns. Still today, lace museums and makers tend to be women, the artist says, veiling each of her site-specific projects within a broader, global context of feminine art, craft, and tradition.
While many of her projects are celebratory and honor the local customs that manifest in the lace pieces, others, like humble motif painted in Mostar, Bosnia and Herzegovina, necessarily confront a community’s struggles. “For the first time in my life, my wall had such clear traces of war, dozens of bullet holes all over the facade,” Nespoon writes, explaining further:
While working, I thought about the fate of women who are victims of wars all over the world. Here, in Bosnia and Herzegovina, however, it had an extraordinary dimension. Institutionalized sexual violence and mass rape were a cruel instrument of terror used in this conflict, in front of the whole world. I wanted to not think about it, but I did. The bullet holes became part of my mural.
Next week, Nespoon will be installing a lace web at the Triennale di Maroggia in Switzerland. She’s also preparing for a solo exhibition next May in Brescia, Italy, and working on a book compiling her works from the last 12 years, many of which you can find on Behance and Instagram.

Craponne-Sur-Arzon, France

Callac, France

Callac, France

Patras, Greece

Patras, Greece

Malmö, Sweden

Nespoon working on the mural in Mostar, Bosnia and Herzegovina
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An Intricate Lace Mural Envelops the Facade of a French Fashion Museum

All images © Nespoon
On France’s northern shores lies the port city of Calais, a municipality that once was a destination for lace manufacturers. To escape economic and social difficulties, English textile artists and engineers immigrated in the late 19th Century, often establishing clandestine operations that defied patent laws by bringing specialty machines and practices to the region. Soon after, Calais became an industrial hub for lace manufacturing, employing around 40,000 residents.
A new mural by Warsaw-based artist Nespoon (previously) celebrates that rich history through an oversized textile that envelops the facade of a factory. The public artwork features delicate mesh and floral elements that cover the side of the Cité de la Dentelle et de la Mode, the city’s fashion and lace museum. Nespoon chose this particular motif, which dates back to 1894, from the institution’s archive before spray painting its intricate details onto the building.
Check out the video below to see the lace motif in-progress, and find more of the artist’s textile-based pieces on Behance and Instagram.
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Traditional Lace Patterns Spray-Painted onto Museums, Residences, and Walls by NeSpoon

Museum of Fine Art and Lace (Musée des Beaux-arts et de la Dentelle) in Alençon, France (2018), all images courtesy of NeSpoon
Polish artist NeSpoon (previously) creates spray-painted murals and textile installations based on traditional lace motifs. Her public paintings often stretch the height of multi-story urban structures, while her yarn works cling to passageways and trees like enlarged spiderwebs. Recent public pieces include a mural for the Museum of Fine Art and Lace (Musée des Beaux-arts et de la Dentelle) in Alençon, France based on the designs of French lace makers Brigitte Lefebvre and Thérèse Lemoine, a piece for the Emergence Festival in Valverde, Sicily, and textile installations across Finland, Armenia, Germany, and Poland. You can follow her upcoming travels and view new installations on Instagram and Behance. (via Colossal Submissions)

Museum of Fine Art and Lace (Musée des Beaux-arts et de la Dentelle) in Alençon, France (2018), all images via NeSpoon

NO LIMIT Festival, in Borås, Sweden (September 2017)

Póvoa da Atalaia, Portugal (2017)

Emergence Festival in Valverde, Sicily (2018)

Pasila District, Helsinki, Finland (June 2018)

Lofoten, Norway (2017)

Lofoten, Norway (2017)

Mural painted for Urban Nation, during opening weekend of Urban Art Museum in Berlin (2017)

NO LIMIT Festival, in Borås, Sweden (September 2017)
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New Lace Street Art Created with Ceramic, Textile, and Spray Paint by NeSpoon
Polish artist NeSpoon (previously here and here) focuses on lace motifs that cover the walls, streets, and public parks found in urban environments. The lace works are either painted directly onto the surface or formed from clay, each handmade by herself or the traditional folk artists with whom she works.
“In lace there is an aesthetic code which is deeply embedded in every culture,” says NeSpoon. “In every lace we find symmetry, and some kind of order and harmony. Isn’t that what we all seek for instinctively?”
Recently NeSpoon has created work in Wroclaw, Auckland, Pont-l’Abbé, and Warsaw. You can see more of her public murals and installations on Behance.
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Urban Jewelry: New Lace Street Art by NeSpoon
Since we last learned about NeSpoon last year, the Polish street artist has popped up everywhere with new pieces in Perth, Tunisia, Portugal, and elsewhere. NeSpoon translates traditional lace patterns into large-scale murals or stencils, ceramic installations, and even embroidery. The artworks are part of her ongoing series of “public jewelry” that seeks to turn unadorned spaces and surfaces into something beautiful. You can see more over on Behance.
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