oil paint

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Art

New Oil Paintings That Trace Fictitious Memories by Joshua Flint

July 4, 2017

Kate Sierzputowski

Towards the door we never opened, oil on linen, 45″ x 28″

Joshua Flint (previously) paints scenes in relationship to the way we access old memories in our mind, blurring motions and obscuring the identities of his works’ subjects. The visual narratives are not linear, but rather create a surreal mash-up of landscapes and worlds, sourcing inspiration from digitized museum archives, vintage shops, and social media.

“The paintings fluctuate between the familiar and the unknown while simultaneously including the past and present,” said Flint in an artist statement. “By rearranging the hierarchy of elements the paintings become fictions that allow countless interpretations. Layered into works are references to liminality, ecological issues, neuroscience, psychological states, and the history of painting, among others.”

Flint has upcoming solo exhibitions at Seager / Gray Gallery in Mill Valley, California and Robert Lange Studios in Charleston, South Carolina this fall. You can see more of his oil paintings and studio sketches on his Instagram.

The World Between, oil on canvas, 48" x 48"

The World Between, oil on canvas, 48″ x 48″

The Guest, oil on wood panel, 36" x 36"

The Guest, oil on wood panel, 36″ x 36″

Carousel, oil on wood panel, 36" X 48"

Carousel, oil on wood panel, 36″ X 48″

The Volunteers, oil on wood panel, 30" x 40"

The Volunteers, oil on wood panel, 30″ x 40″

Threshold, oil on wood panel, 36" X 48"

Threshold, oil on wood panel, 36″ X 48″

The Assistant, oil on wood panel, 36" x 36"

The Assistant, oil on wood panel, 36″ x 36″

Future Present, oil on wood panel, 12" x 12"

Future Present, oil on wood panel, 12″ x 12″

The Projectionist, oil on wood panel,12" x 12"

The Projectionist, oil on wood panel,12″ x 12″

 

 



Art Photography

Oil Paintings That Integrate Oversized Animals Into Found Vintage Photographs by Anja Wülfing

June 30, 2017

Kate Sierzputowski

Anja Wulfing adds large animals into the black and white scenes of found vintage photographs, turning the attention away from the somber faces of its subjects and to the creatures that pose quite naturally behind their backs. The surprising inclusions are painted in by Wulfing, and often take the form of birds—such as crows, owls, ducks, and the occasional rooster. The animals either join the members of the photograph or merge with its occupants, sometimes replacing the heads of those posing to create hybrid and humorous creatures.

You can see more of Wulfing’s subtle animal additions on her Instagram and Behance. (via Lustik)

 

 



Art

Mimesis: New Anatomical Paintings Depicting Flora and Fauna by Nunzio Paci

June 5, 2017

Kate Sierzputowski

Bologna-based Italian artist Nunzio Paci (previously here and here) produces hauntingly detailed paintings that combine anatomical renderings with multi-colored blossoms and leaves. His latest series, Mimesis, is inspired by the idea of species evolving together over time, and the similarities shared by different organisms in order to better adapt to predators and climate.

“The concept, deriving from Plato and Aristotle’s theory on reality and imitation, draws inspiration from the natural phenomenon of mimicry in evolutionary biology and gives it a broader meaning,” Paci explained to Colossal. “In Mimesis, flora and fauna not only copy one another, they enmesh themselves in each other’s existence forming a cohesive organism, in an attempt to take shelter from the totality of the outside world.”

Within the series fauna helps to protect flora, creating a symbiotic relationship through the included animals’ death and rebirth. Flowers fill the hallows of presented carcasses while leaves grow to surround and overtake human skulls.

Paci recently exhibited these works as part of a solo show titled Mimesis at Galerie Stephanie in Manilla, Philippines and is currently a part of the group exhibition Dark Nature at Last Rites Gallery in New York City. You can see more of his work on Instagram and Facebook.

 

 



Art

Monochromatic Portraits Obscured by Colorful Abstract Markings by Guim Tió Zarraluki

April 5, 2017

Kate Sierzputowski

Barcelona-based artist Guim Tió Zarraluki paints pieces tied to memory and how it is obscured over time, covering the faces of his subjects in bright swaths of oil paint. His research as of late has brought him to topics such as how things slip into oblivion or are saved forever on our technological devices, areas which are abstractly displayed within his work.

In his latest series No Name Project, the individuals have minimal lines that mark their faces’, while in Now, Remember swirls and concentric circles take over the entirety of each visage. You can see more of his portraits from past series on his Instagram and Facebook.

 

 



Art

Rainy Australian Cityscapes by Mike Barr

December 28, 2016

Kate Sierzputowski

Australian painter Mike Barr focuses his work almost exclusively on rainy cityscapes, the moments of hazy gray that become illuminated by a city’s cars and traffic lights. There is a unity found in these dreary urban landscapes, a similarity of imagery which it makes it difficult to pinpoint which city is being captured. The city featured here however is Melbourne, a city Barr often focuses on in his umbrella spotted pieces. You can see more of Barr’s paintings on his Facebook and website.

 

 



Art

New Surreal Oil Paintings That Subvert Vintage Vacation Photos and Historical Landscapes by Paco Pomet

August 10, 2016

Kate Sierzputowski

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“Adam’s Office” (2016), oil on canvas, 120 x 160 cm

Spanish artist Paco Pomet (previously) references the appearance of vintage vacation photos and vast historical landscapes in his surreal oil paintings, works that offer a subtle humor from their often grayscale palette. By rendering limbs as freakishly elongated tubes and adding touches of neon green and orange, Pomet brings his images of the past into the future, hinting at a post-apocalyptic realm where humans are forced to live beside the radioactive waste that has lead to their bodies’ defects.

Pomet had his third solo exhibition with Richard Heller Gallery in Santa Monica earlier this summer. You can see more of his work on his portfolio site.

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“Childhood” (2016), oil on canvas, 60 x 80 cm

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“The Visitor” (2016), oil on canvas, 120 x 140 cm

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“The Vermilion Case” (2016), oil on canvas, 60 x 80

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“Social” (2016), diptych, oil on canvas, 120 x 180 cm

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“The Landlord” (2016), oil on canvas, 120 x 140 cm

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Art

Memories of Paintings: A Soothing Technicolor Mix of Paint, Oil, Milk and Liquid Soap

March 31, 2016

Christopher Jobson

Here’s a new experimental short titled Memories of Paintings from director Thomas Blanchard (previously) who continues to experiment with colorful paint, oil, milk, and liquid soap filmed with a macro lens as it mixes and cascades in front of the camera. I could watch footage like this forever. Set to music by Bronix.

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