oil painting

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Art

Michael Kagan’s Space-Based Paintings Explore the Fatalistic Power of Manmade Machinery

August 25, 2015

Kate Sierzputowski

Contact Light, 2014, Oil and linen, 60 x 45 inches

Contact Light, 2014, Oil and linen, 60 x 45 inches

Heavily tinted blue paintings form space stations, spacesuits, and rockets just after blast. Michael Kagan paints these large-scale works to celebrate the man-made object—machinery that both protects and holds the possibility of instantly killing those that operate the equipment from the inside. To paint the large works, Kagan utilizes an impasto technique with thick strokes that are deliberate and unique, showing an aggression in his application of oil paint on linen.

The New York-based artist focuses on iconic images in his practice, switching back and forth between abstract and representational styles. “The painting is finished when it can fall apart and come back together depending on how it is read and the closeness to the work,” said Kagan about his work. “Each painting is an image, a snapshot, a flash moment, a quick read that is locked into memory by the iconic silhouettes.”

Kagan exhibited this series of space-based paintings last year at Joshua Liner Gallery in an exhibition titled Thunder in the Distance. He was also recently commissioned by The Smithsonian to create three large paintings inspired by their air and space archives. You can see more of his work on his Instagram here. (via Fubiz)

One Day This Will All Be Yours, 2014, Oil and linen, 60 x 80 inches

One Day This Will All Be Yours, 2014, Oil and linen, 60 x 80 inches

Reflector, 2014, Oil and linen, 36 x 36 inches

Reflector, 2014, Oil and linen, 36 x 36 inches

We Live On In The Thoughts Of Others, 2014, Oil and linen, 36 x 36 inches

We Live On In The Thoughts Of Others, 2014, Oil and linen, 36 x 36 inches

Apollo, 2010, Oil and linen, 60 x 34 inches

Apollo, 2010, Oil and linen, 60 x 34 inches

Supersonic, 2014, Oil and linen, 72 x 54 inches

Supersonic, 2014, Oil and linen, 72 x 54 inches

Mankind, 2014, Oil and linen, 96 x 54 inches

Mankind, 2014, Oil and linen, 96 x 54 inches

With All The F*cking Force, 2011, Oil and linen, 60 x 80 inches

With All The Fucking Force, 2011, Oil and linen, 60 x 80 inches

 

 

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Art

Nathan Walsh’s Unusual Urban Landscapes Painted Atop Precise Graphite Sketches

July 21, 2015

Christopher Jobson

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Trying to pin down exactly what makes these urban landscape paintings by British artist Nathan Walsh (previously) so unusual is difficult, in part because of the variety of techniques he employs to get from a vision in his mind to the final, exacting artwork.

Starting with his own photographic references, Walsh first draws an elaborate blueprint of sorts by establishing a horizon line and a host of perspective strategies that varies from piece to piece. This is followed by several months of painting with oils to achieve the final landscape that appears to be a strange hybrid of both illustrative and photorealistic styles. Photography, architecture, and painting converge to create a “painted world which in some ways resembles the world we live in,” says Walsh. “The work aims to create credible and convincing space which whilst making reference to our world, displays its own distinct logic.”

Walsh is currently preparing for a group show titled “Cityscape Paintings: Looking from the Outside In” at Bernarducci Meisel Gallery in October, followed by a solo show during the same period in 2016. You can follow more of his work in progress on Facebook.

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Art

Birds and Fauna Sprout From Nunzio Paci’s New Graphite and Oil Anatomical Renderings

May 28, 2015

Kate Sierzputowski

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Taking the analogy comparing blood vessels and tree branches literally, Nunzio Paci (previously) creates oil and graphite paintings that connect humans back to nature. Paci’s works look almost straight from a medical textbook except for one flaw—the trees and animals that sprout from his subjects’ mouths, chests, and necks. Paci ultimately takes a painterly approach to his works, paint dripping down the canvas to add balance to his extreme detail.

Paci’s practice centers on the relationship between man and nature, especially focusing on the visual overlap of our intrinsic and extrinsic systems. The beautiful and minimally colored works could be interpreted as extremely morbid—Paci showing us our ultimate fate when nature takes over.

Paci lives and works in Italy. His last exhibition was titled In the Garden of Idne at Oxholm Gallery in Copenhagen this past January.

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Art

Brooding Seascapes and Marine Vessels Painted by Justyna Kopania

February 23, 2015

Christopher Jobson

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Polish painter Justyna Kopania depicts melancholy seascapes and towering ships obscured by mist with liberal applications of oil paint. Crashing waves are depicted with splashes of paint, and sails are formed with the stroke of a palette knife. You can see more over on Saatchi Art and Facebook. (via MEERESSTILLE)