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Photography
A Massive Octopus and Floating Fish Comprise the Imaginary Universe in Ted Chin’s Surreal Composites

All images © Ted Chin, shared with permission
In Ted Chin’s surreal dreamland, it’s not uncommon to see massive anglerfish swimming through the sky or a figure scooping up shooting stars. The San Francisco-based artist merges idyllic landscapes and outdoor scenes with fantastical details, choosing to upturn an evergreen in mid-air or position an oversized octopus underneath a floating house. Simultaneously uncanny and calming, the composites are eye-catching and rooted in imagination. “There are things in the world that inspire childlike wonder and awe, and it is my passion to recreate and share them with the world,” the artist says.
All of the digital works here, which blend stock images and Chin’s own shots, fall under the scope of Ted’s Little Dream, the fictional universe that the artist created years ago and continues to work within. “Storytelling has always been something that inspired me. When I was in grad school, I was not able to travel as much as I wanted to,” he says. “I’ve always dreamed about visiting different places, to see and experience new things, and to tell stories.”
If you’re a Photoshop user, you’ve probably spotted Chin’s cloudy flamingo work (shown below) as part of the 2021 Photoshop splash screen. To dive further into his meditative universe, head to Instagram, and pick up a print from his shop.
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Design
Cut and Paste Your Surroundings into Photoshop with Amazing New AR Prototype
Say goodbye to the tedious process of taking a photo, importing it, and placing it in its final position. The Paris-based designer and artist Cyril Diagne recently launched a new image editing program that circumvents the traditional method using a single app.
When users take a photograph with AR Cut & Paste, the software finds distinct objects and automatically removes their backgrounds. In a video below, Diagne shows how a plant is captured on a mobile device before being snipped from the surrounding image. Once he hovers over the computer screen, the cut-out plant is placed directly into Photoshop.
AR Cut & Paste only works with the Adobe products currently, although Diagne says it may pair with others in the future. To try out the inventive software, download it for yourself from GitHub.
Update: Diagne announced an AR Copy Paste app for Android and iOS.
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Photography
Lovely Photo Manipulations Utilizing Stock Photography by Justin Peters
Graphic designer Justin Peters has an uncanny ability to compose fantastical landscapes and creatures by combining stock imagery using Photoshop. The 22-year-old German digital artist says that he’s often driven by the famous Picasso quote “Everything you can imagine is real,” choosing to use photography found on stock imagery sites as the source material for his digital collages. You can see more of his recent work on Instagram.
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Art Design Photography Science
Artful Swirls of Plastic Marine Debris Documented in Images by Photographer Mandy Barker

SOUP – Refused © Mandy Barker. Ingredients; plastic oceanic debris affected by chewing and attempted ingestion by animals. Includes a toothpaste tube. Additives; teeth from goats.
Photographer Mandy Barker creates deceptively eye-catching images to document the pandemic of plastic debris in the world’s waterways. Barker, who is based in Leeds, UK, works closely with scientists to collect trash from our oceans and beaches on the edges of nearly every continent. One research expedition covered the debris field (stretching to Hawaii) that resulted from Japan’s 2011 tsunami and earthquake; she has also explored the Inner Hebrides in Scotland with Greenpeace.
Barker manipulates her findings in Photoshop, mimicking the manner in which ocean water holds these objects in suspension. Swirls of colors and patterns draw in the viewer’s eye, only to realize that these visually appealing compositions consist of garbage that animals have attempted to chew, plastic pellets, tangles of fishing line, and water-logged soccer balls. The artist describes her work in a statement on her website:
The aim of my work is to engage with and stimulate an emotional response in the viewer by combining a contradiction between initial aesthetic attraction along with the subsequent message of awareness. The research process is a vital part of my development as the images I make are based on scientific fact which is essential to the integrity of my work.
Barker is currently a recipient of a 2018 National Geographic Society grant. Her work is on display through April 22nd at Mexico City’s Museum of Modern Art, at Photo London Art Fair in May 2018, at the Triennial of Photography in Hamburg in June, 2018, and at BredaPhoto in The Netherlands in September 2018. The artist’s book, Beyond Drifting: Imperfectly Known Animals, was named one of the ten best books of 2017 by Smithsonian. You can see more of Barker’s photographs on her website as well as on Instagram, Facebook, and Twitter.

EVERY… snowflake is different (detail) © Mandy Barker. Ingredients; white marine plastic debris objects collected in two single visits to a nature reserve on the East Coast of England.

EVERY… snowflake is different © Mandy Barker. Ingredients: white marine plastic debris objects collected in two single visits to a nature reserve on the East Coast of England.

Hong Kong Soup:1826 – Lighter © Mandy Barker. Discarded cigarette lighters make reference to our single-use throw away society. The panda, a national emblem of China represents endangered species and faces away from the group symbolizing mother nature turning its back on man’s inability to take ownership of its waste.

Hong Kong Soup:1826 – Spilt © Mandy Barker. 150 tonnes of pre-production plastic pellets (nurdles) spilt from a cargo container during Typhoon Vincente on 23rd July 2012 adds to Hong Kong’s waste issues in its seas and on its beaches.

PENALTY – Europe © Mandy Barker. 633 marine plastic debris footballs (and pieces of) recovered from 23 countries and islands within Europe, from 104 different beaches, and by 62 members of the public, in just 4 months.

PENALTY – The World © Mandy Barker. 769 marine plastic debris footballs (and pieces of) collected from 41 countries and islands around the world, from 144 different beaches and by 89 members of the public in just 4 months.

PENALTY – 24 Footballs © Mandy Barker.

SHOAL – 30.41N, 157.51E © Mandy Barker.Included in trawl: child’s ball and Japanese character – fridge magnet found on the tsunami shoreline. Fishing buoy found in trawl sample, North pacific Ocean

SHOAL 33.15N, 151.15E © Mandy Barker. Included in trawl: tatami mat from the floor of a Japanese home, fishing related plastics, buoys, nylon rope, buckets, fish trays, polystyrene floats, shampoo bottle, caps, balloon & holder, petrol container.

SOUP – Alphabet © Mandy Barker. Ingredients; plastic debris that includes surface text. Ironic random arrangement of 4 pieces of plastic that suggest a warning; ‘Sea’ ‘AND’ ‘HAZARDOUS SUBSTANCES’ ‘FOUL’

SOUP: Bird’s Nest © Mandy Barker. Ingredients; discarded fishing line that has formed nest-like balls due to tidal and oceanic movement. Additives; other debris collected in its path.

SOUP – Ruinous Remembrance © Mandy Barker. Ingredients; plastic flowers, leaves, stems, and fishing line. Additives; bones, skulls, feathers, and fish.

SOUP: Turtle © Mandy Barker.

WHERE © Mandy Barker. Ingredients; marine debris balloons collected from around the world.

WHERE (detail) © Mandy Barker. Ingredients; marine debris balloons collected from around the world.
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Photography
Photographer Introduces Himself to His Childhood Self in Series of Hilarious Photoshopped Images
Montreal-based photographer Conor Nickerson was flipping through family photos when he wondered what it might look like to see his present self Photoshopped next to his childhood self, a version he only remembered through old photographs. After gathering clothing, hats, and shoes that would match his boyhood self, he spent several hours in Photoshop learning how to accurately match his image to the photo’s time period.
The series, Childhood, is described as “Myself hanging out with myself, c. 1997-2005,” and took Nickerson about 6 months to complete. You can find more of Nickerson’s work on his website and Facebook. (via PetaPixel)
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Photography
The Serendipitous Clouds and Faux Reflections of Photographer KangHee Kim
Photographer KangHee Kim juxtaposes day-to-day moments to create scenes that peek into an alternate world, subtly placing faux reflections in coils of cable or in the streak of a rear windshield. The Brooklyn-based photographer’s manipulations come from the desire to manifest magical moments in the mundane, using post-production edits as an additional artistic medium within her work.
“I started to think of [my photography] as a painting and allow the post-production process to act as a kind of mark-making,” said Kanghee to i-D. “Photoshop is widely used in commercial photography to refine the details and make the images look flawless.”
Kanghee decided that she wanted to do the opposite with the tool, keeping the flaws that appeared in her images rather than editing them out. The works’ small imperfections highlight the human quality of each combined moment rather than glossing over it. You can view more of the photographer’s softly edited images and unexpected reflections on her website and Instagram. (via This Isn’t Happiness)
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