projection mapping

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Art

Over 2.5 Acres of Projected Images and Videos Illuminate Chicago’s Riverfront

December 10, 2018

Kate Sierzputowski

Animation by Obscura Digital

ART ON theMART is a new Chicago-based art program that amplifies the works of contemporary artists, transforming their pieces into dazzling displays along the city’s riverfront. The new project uses large-scale projection to illuminate the 2.5 acre facade of theMART downtown for a series of curated digital animations.

The initial project included commissioned works by Jan Tichy, Diana Thater, Zheng Chongbin, and Jason Salavon. Thater’s work True Life Adventures explored the plight of elephants, zebras, giraffes and other animals who live in danger of poaching in Kenya, and included a soundtrack that was recorded in the their natural habitat. Salavon’s work Homage in Between presented 5 minutes and 35 seconds of neural network-rendered video that sampled imagery from Chicago art and design history and ended with mined images of common internet images such as cats and celebrity faces.

ART ON theMART is projecting a seasonal program of winter holiday images that run through the end of the year. Works will be projected five days a week (Wednesday – Sunday) for two hours each evening over the span of 10 months (March – December). Currently the project is accepting calls for entry for their March programming. You can enter on their website where you can also find more documentation from previous iterations.

Jason Salavon, image courtesy of Joshua Brott, Obscura Digital

All images courtesy of Joshua Brott at Obscura Digital

Diana Thater

Jason Salavon

Jan TicheyJan Tichey, image courtesy of Joshua Brott, Obscura Digital

Jan Tichey

Jason Salavon

Jason Salavon

Zheng Chongbin

Zheng Chongbin

 

 



Art Design

Light Leaks: A Shimmering Room Filled with Fifty Disco Balls and Hundreds of Reflected Points of Light

April 10, 2018

Laura Staugaitis

Installation at The Music Center LA

Kyle McDonald and Jonas Jongejan filled a darkened room with fifty disco balls and created colored and timed lighting sequences to cast mesmerizing reflections that surround visitors. However, rather than simply relying on scattershot reflections, McDonald and Jongejan used hundreds of structured light scans to capture the volumetric position of every pixel being projected by each of the three projectors. The pair then used SketchUp to predict the reflected pixel positions.

The designers describe Light Leaks as “a curious space that alternates between a meditative state, and an uneasy imbalance. An experiment in combining a found object with computer vision to create a profound and unusual experience.” It has since been installed at La Gaîté Lyrique (Paris, 2014) and Scopitone Festival (Nantes, 2015), and most recently at The Music Center LA (2018).

Based in Los Angeles, McDonald is an artist working with code. He has been an adjunct professor at NYU and an artist in residence at Carnegie Mellon. You can find more of his recent projects on his website and Twitter. Jongejan lives and works in New York City, where he is a creative technologist at Google Creative Lab, and previously worked in theater and television building interactive sets. He shares his work on his website and Twitter. Light Leaks was produced by Juliette Bibasse.

Installation at CLICK Festival 2013, photo by Kyle McDonald

Installation at CLICK Festival 2013, photo by Kyle McDonald

Installation at CLICK Festival 2013, photo by Kyle McDonald

Installation at CLICK Festival 2013, photo by Kyle McDonald

Installation at CLICK Festival 2013, photo by Kyle McDonald

Installation at CLICK Festival 2013, photo by Kyle McDonald

Installation at CLICK Festival 2013, photo by Kyle McDonald

Installing “Light Leaks” at La Gaîté Lyrique for the Capitaine Futur show, photo by Kyle McDonald

Installation at The Music Center LA

 

 

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