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Art

Meticulous Wall Reliefs by Hayoon Jay Lee Undulate with Thousands of Grains of Rice

December 23, 2022

Kate Mothes

A painting with an abstract swirling pattern made from grains of rice.

“Eternal Mother II” (2019), rice, modeling paste, and acrylic, 28 x 35 x 4 inches. All images © Hayoon Jay Lee, shared with permission courtesy of Hollis Taggart

First documented in China in 2,500 B.C., the earliest evidence of the cultivation of rice has been found in archaeological sites dating back more than 5,000 years earlier. A versatile crop that can grow in numerous climates, the plentiful grain plays an integral role in cuisine and folkloric traditions and underpins artist Hayoon Jay Lee’s intricate wall reliefs.

Born in Daegu, South Korea, and currently based in New York City, Lee is interested in what she describes in a statement as the “fundamental tension between indulgence and abnegation”—the act of renouncing or rejecting something—in individual, social, and political dynamics. Contrasting ideas of attraction and repulsion, conflict and harmony, privilege and poverty, or East and West provide the groundwork for abstract compositions made by precisely placing thousands of grains into rippling patterns. The surfaces reference topographical overviews, shifting landmasses, swirling motion, and ruptures.

Across Asia, rice is grown primarily by small-scale producers. However, food-chain inequalities and critical impacts from climate change place farming systems, jobs, and food security on increasingly precarious footing. For Lee, rice is utilized “as object, motif, and metaphor: as the building block for civilizations and also as the basis for social inequities,” she explains.

Lee’s solo exhibition Fields of Vision will be on view at Hollis Taggart in New York City from January 5 to February 4, 2023. Find more of the artist’s work on her website.

 

A painting with an abstract swirling pattern made from grains of rice.

“Dream Land IV” (2019), rice, modeling paste, and acrylic, 35.75 x 35.9 x 6.5 inches

A painting with an abstract swirling pattern made from grains of rice.

“Unfamiliar Place I” (2022), rice, modeling paste, and mica, 12 inches diameter

Two paintings with abstract swirling patterns made from grains of rice.

Left: “Echo III” (2020), rice, modeling paste, and acrylic, 9.75 x 9.75 x 3 inches. Right: “Echo I” (2022), rice, modeling paste, and acrylic, 8.5 x 8.5 x 2.5 in.

A painting with an abstract swirling pattern made from grains of rice.

“My Mother’s Land” (2015), rice, modeling paste, and acrylic, 18 x 24 x 1.5 inches

A painting with an abstract swirling pattern made from grains of rice.

“Emotive Movement” (2022), rice, modeling paste, and acrylic, 48 x 36 x 3 inches

A painting with an abstract swirling pattern made from grains of rice.

“Echo II” (2022), rice, modeling paste, and acrylic, 8.5 x 8.5 x 2.25 inches

Four paintings with abstract swirling patterns made from grains of rice.

“Four Dimensions” (2017), rice, modeling paste, and acrylic, 17.6 x 17.75 inches

A painting with an abstract swirling pattern made from grains of rice.

“Echo III” (2020), rice, modeling paste, and acrylic, 9.75 x 9.75 x 3 inches

 

 

 

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Design

Dozens of Rice Varieties Form Colorful Drawings in the Fields of Inakadate, Japan

September 26, 2017

Kate Sierzputowski

The village of Inakadate is an area of Japan most known for its production of rice, an agricultural product that has grown in the surrounding fields for over 2,000 years. In order to increase tourism to the small village, officials began a traditional of creating large, elaborate images by strategically plantings different varieties of rice. Nearly 25 years later, the town is known throughout the country for its colorful rice drawings, which occur each year with the help of hundreds (and sometimes thousands) of local volunteers.

To begin the process for upcoming designs, there is first a conference to discuss possible ideas. Next government officials make simple computer mockups of the winning designs, which are then sent to local art teachers for more conceptual renderings. Finally, markers are placed into the fields to create what is essentially a large-scale paint-by-number, the entire process taking up to three months.

You can see more images of the famous rice paddy fields in the video above. (via Great Big Story)