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Art
Intricate Metal Root Sculptures by Sun-Hyuk Kim Take Human Form
South Korean artist Sun-Hyuk Kim (previously) cuts, welds, melts, and curves pipes and wires into structures that are part human anatomy and part twisted plant root systems. The branch-like metal blood vessels create the outline of limbs, abdomens, and heads, as well as the trees that appear to have sprouted from them. Made entirely of stainless steel, the sculptures are meant to signify our imperfect and incomplete existence in relation to the natural world.
“My art is a tool to discover the truth and remind myself [and] viewers through various media,” Sun-Hyuk told Colossal. From large head-shaped root sculptures connected at the nose, to full body works with large trunks protruding from the head, back, and torso, the sculptures are often dramatic depictions of the human experience and what the artist considers truth.
New sculptures and drawings will be shown at Sun-Hyuk’s upcoming solo show at the Suhadam Art Space in South Korea from June 7 through August 5, 2019. To see more of his current and future works, you can also follow the artist on Instagram. (via Ignant)
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Design
A System of Root-Like Benches Spreads Organically Through a South Korean Public Park
Root Bench is a multi-height bench system installed in Hangang Park in Seoul, South Korea. The design is a winning proposal by Yong Ju Lee, which creates a circular protrusion of roots that provides space for rest and relaxation. The nearly 100-foot diameter installation is formed from conjoined slats of wood attached to a metal frame, and sprawls from a centralized point in the park. Three different heights accommodate children’s seating, adult chairs, and tables for picnicking. This provides space for all sizes, and allows gatherings that vary from intimate to community-wide celebrations. (via designboom)
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Art
New Fusion Frames by Darryl Cox Fuse Gnarled Tree Roots with Ornate Picture Frames
Since 2011, Oregon-artist Darryl Cox (previously) has been making “Fusion Frames,” sculptural hybrids of picture frames and segments of tree roots. Each piece begins with a search to find a frame that closely matches the reclaimed roots he obtains from manzanita, juniper, and aspen trees, or even from grapevines. The pieces require extensive amounts of woodworking and painting to seamlessly fuse the two objects together, meaning Cox can only produce around 25 or so pieces each year.
Cox will have work on view later this year at the The Art Museum of Greater Lafayette, and he’s now reperesented by the Vickers Collection. You can see more of his recent work on Facebook.
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Editor's Picks: Animation
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