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Art

Elaborate Hand-Painted Persian Carpets by Jason Seife

August 12, 2016

Christopher Jobson

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In this new series of paintings, Miami-based artist Jason Seife deftly renders the intricate patterns of old Persian carpets with a mixture of acrylic and ink. While the paintings utilize familiar motifs in rug design like leaves and geometric shapes, Seife introduces colors not normally associated with the heavy textiles, creating his own interpretations that reflect his mood or thoughts while executing the painting. Via Robert Fontaine Gallery:

What initially drew him to these works was not only the aesthetic but the dense history and meaning behind the imagery. The way the weavers were able to link each rug’s particular pattern, palette, and style with a specific and identifiable geographic area or nomadic tribe really stood out to him. Jason aims to mirror this practice with his take on the carpets by having each color and pattern specifically correlate to what state of mind and emotion he was in while creating the specific work.

Seife has exhibited internationally and his work was recently incorporated into a special facade projection artwork with The Bronx and Brooklyn Museum. He’s currently represented by Robert Fontaine Gallery and you can see more of his new carpet paintings on Instagram.

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Craft Design Food

Handmade Floor Rugs in the Shape of Your Favorite Foods by SurfaceWerks

August 10, 2016

Kate Sierzputowski

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Wisconsin-based artist and educator Carly Dellger started her Etsy shop SurfaceWerks in 2012, a store dedicated to her crochet rugs in the shape of avocados, cacti, and sunny-side up eggs. Each of Dellger’s rugs is an original design and created without a pattern to ensure that each piece is completely unique. You can pick from one of these handmade designs, or request a custom rug on SurfaceWerks’ site. More of her rugs—as well as doodles and puppy pics—can be seen on her Instagram. (via So Super Awesome)

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Art Craft

A Breathtaking Quilled Paper Carpet and Gospel Book Cover by Lisa Nilsson

April 26, 2016

Christopher Jobson

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Jardin, 2016. Japanese mulberry paper, gilt edged paper. 27.5″ x 34.25″ x 2.5″

Working with compact rolls of Japanese mulberry paper in a myriad of colors, artist Lisa Nilsson painstakingly creates anatomical figures and textile patterns using a centuries-old technique called quilling. In her latest artworks Jardine and Gospel, Nilsson was inspired by the patterns of an Islamic carpet and an 8th century gospel cover. The carpet piece alone was nearly 8 months in the making as she created ornate figures of flowers, stars, and other patterns to fill a 27″ by 34″ inch frame, much of which was improvised as she worked outward from the center. For Gospel she in incorporated bright gilt edged paper to mimic the actual gold used for traditional religious book covers.

You can see more views of these artworks on Nilsson’s website, and she was recently intereviewed about the new pieces on All Things Paper.

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Jardin, detail.

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Jardin, detail.

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Gospel, 2016. Japanese mulberry paper, gilt edged paper. 19 3/8″ x 22 3/8″ x 2 3/8″

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Gospel, detail.

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Gospel, detail.

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Art Craft Design

One-of-Kind Wool Rug Artworks by Alexandra Kehayoglou Mimic Rolling Pastures and Mossy Textures

February 4, 2016

Christopher Jobson

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Using scraps leftover thread from her family’s carpet factory in Buenos Aires, artist Alexandra Kehayoglou embarks on a laborious hand-tufting process to fabricate wool carpets and rugs that mimic natural textures like moss, water, trees, and pastures. The carpets balance form and function and can powerfully transform an entire room into a lush meadow dotted with pools of water and tufts of grass. Many of her works even function as part tapestry and flow from walls to floor, or work as covers for chairs or stools.

You can find more of Kehayoglou’s carpet creations on Instagram, Artsy, and on her website. (via Faith is Torment)

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Art

Faig Ahmed Creates Glitched-Out Contemporary Rugs from Traditional Azerbaijani Textiles

November 17, 2015

Kate Sierzputowski

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Faig Ahmed distorts the patterns of traditional Azerbaijani rugs, dismantling their structure in order to build compositions that trick the eye by appearing to melt off the wall. By rearticulating the original design, he creates contemporary sculptural forms that look like digital glitches, patterns flatlining halfway through a tapestry or gradually morphing into a digital mosaic.

Ahmed explains that his fascination for textiles stems from their historical value, humanity utilizing fabric for nearly the entire length of human history. “Another thing that interests me is pattern,” says Ahmed. “Patterns and ornaments can be found in all cultures, sometimes similar, sometimes very different. I consider them words and phrases that can be read and translated to a language we understand.”

Ahmed lives and works in Baku, Azerbaijan and graduated from the sculpture department of Azerbaijan State Academy of Fine Art in 2004. The artist previously focused on painting, video, and installation, but now currently focuses on textile and sculpture. Ahmed recently had a solo exhibition with Italian gallery Montoro12 titled “Omnia Mutantur, Nihil Interit,” and is currently in the group exhibition “Crafted: Objects in Flux” at The Museum of Fine Arts in Boston until January 10, 2016. (via Booooooom)

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Art

Ornate Kaleidoscopic Installations That Mimic Patterned Textiles by Suzan Drummen

October 1, 2015

Kate Sierzputowski

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Meticulously placing small, ornate materials in eye-dazzling patterns Suzan Drummen (previously) produces kaleidoscopic installations that appear like three dimensional textiles. Within these pieces Drummen likes to explore how artwork can seduce and repulse, drawing the viewer in to take a closer look at the specific details that form the larger installation.

“From a distance they appear clear and orderly, yet upon closer inspection, the eyes become disoriented by the many details and visual stimuli,” said Drummen. “That moment of being able to take it all in or not is explored time and time again.”

Although many of her pieces when zoomed out appear like textiles, a recent installation takes this to heart, appearing like two oriental rugs—one in the color scheme of pink and red and the other in greens and blues. The first piece subtly climbs up the wall, playing further into the illusionistic quality of how her crystal constructions are perceived. This optical trickery is also reflected in her works that involve bodies, ordinarily dressed participants bedazzled to match the pattern on which they sit or lay.

You can see more of the Netherlands-based artist’s work on her Facebook page here.

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