with Simon Laveuve
Paris-based artist Simon Laveuve (previously) continues to build out his dystopian universe with rickety structures that tower above land and sea. Heavy with dirt and the occasional graffiti tag, the miniature constructions are eerie, disquieting safe havens in what appears to be a post-apocalyptic landscape. Salvaged objects like tires, wooden panels, and lengths of chain support the shelters, which tend to contain tiny outlooks with seating and remnants of provisions. In his most recent mixed-media sculptures like “Le 122,” Laveuve considers lawlessness and what it means to live in an organized society without rule.
The artist has an upcoming show in New York, and you can follow news about that exhibition on Instagram.
Share this story
Tagged with graffiti and pockmarked with decay, the ramshackle structures by Simon Laveuve envision a disquieting safe haven in a post-apocalyptic world. The Paris-based artist (previously) creates miniature shelters on wooden support beams or atop grassy hills that soar high into the air, appearing to offer refuge from below. Constructed as assemblages of worn materials, vintage signs with peeling paint, and a stockpile of everyday objects, the mixed-media sculptures imagine a landscape where only the remnants of life remain. Laveuve writes about his 2021 work “The Island”:
There is the world of yesterday, but today destroyed it to build the world of tomorrow… This is where tomorrow lives, on Resurrection Island. In the heart of the abyss, we find refuges hoisted, like the banner of hope. Perched ever higher, with the secret ambition to reach the dreamy sky, the wandering clouds, and discover freedom.
A few of Laveuve’s vertical environments are included in the upcoming Small Is Beautiful exhibition in London—if you’re able to visit, you’ll also see artists previously featured on Colossal like Vincent Bal and Juho Könkkölä—and he also has a show slated for September in France. Until then, follow Laveuve’s practice on Instagram.
Share this story
Enveloped by trailing vines and mosses, the dilapidated shelters that Paris-based artist Simon Laveuve crafts appear to emerge from a post-apocalyptic universe as eerie safe-havens. Often elevated aboveground, the miniature buildings feature vertical constructions with various platforms and stairs leading upward. “My pieces, for the most part, have this aspect of shelter… I like to work on the height and the inaccessible. Protection and surrender. Fallen icons and their symbolism. Resistance and insubordination,” the artist says.
Marked with signage and advertisements plastered on the walls, the decaying dioramas showcase an alternate world now abandoned. Graffiti marks the siding, and thick vegetation cradles the remaining environments. Each sculpture displays the destructive qualities of humanity, while ultimately showing the natural world’s ability to survive.
Laveuve’s shelters are featured in Small Scale, Big World: The Culture of Mini Crafts, which is available from Bookshop. Explore more of the uncanny works on the artist’s site and Instagram, where he also shares glimpses into his process.
Share this story
Editor's Picks: Design
Highlights below. For the full collection click here.