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Animation
Blip: A Minimal Animation about Screen Addictions Unleashes a Barrage of Pings and Notifications
We’ve all been there: spending the entire day scrolling through social, responding to texts and DMs and email, descending into internet rabbit holes, and just generally escaping the world through our devices. A quirky, 2D animation titled “Blip” by Hannah Sun weighs in on this unending screen addiction as it plunges into a visual soundscape of incessant pings, bells, and other tones. Watch the colorful commentary above, and find more of the New York City-based designer’s projects on Vimeo and Instagram.
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Colossal
Follow Colossal: Get the Best in Art, Design, and Visual Culture Directly to Your Inbox and Elsewhere

Photo © Jan Erik Waider
During the last few months, Colossal has been evaluating our relationships with massive companies in lieu of more equitable options. In February, we stopped directing buyers to Amazon in favor of Bookshop, which directly supports independent bookstores. Although we will continue publishing to platforms like Facebook and Instagram, we’ve begun to deemphasize our growth in those spaces. Those who want to keep Colossal in their feeds always can find us on Pinterest, Tumblr, Twitter, and Flipboard, and now, Mix (formerly StumbleUpon) and LinkedIn, too. We also will be removing services from Google and other data-hungry trackers in favor of privacy-based analytics and tools.
Going forward, the best way to stay up to date with the latest in art, design, and visual culture is to sign up for our email newsletters. We offer both a short daily option, which includes the previous day’s articles and a pick from our 10-year archive, and a weekly update with a recap of the best articles of the week. Both newsletters often include interesting news we don’t share anywhere else. Check out some previous editions, and sign up.
PS: Our monthly Member Newsletter almost always includes a giveaway, including prints and products you read about on the site each week. Join us!
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Animation
The Attention Economy: An Animation Visualizes the Endless Onslaught of Digital Distractions
If you’ve scrolled through Twitter while reading Jenny Odell’s How to Do Nothing or Cal Newport’s Digital Minimalism, you understand the wide-reaching grip technology has on our attention. A new project by London-based animator Olga Makarchuk visualizes the daily abundance of digital distractions, from texts to social media pings to neverending email. Through quirky illustrations that are constantly in motion, “The Attention Economy” captures the modern desire to scroll endlessly and grab a device when there’s a moment of downtime. It’s based on research from James Williams, a former Google employee, who’s critical of the ways companies capitalize on distraction and have turned attention into a commodity.
Makarchuk has worked with a variety of media organizations and brands to tell a diverse array of stories ranging from the effects of anthropocentrism to the life of an Olympian. To watch more of her work, head to Vimeo and Instagram.
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History Science
Intrusive Clowns, Preserved Cats, and Centuries-Old Hair: Museums Are Sharing Their Creepiest Objects

Top left via GR Public Museum, bottom left via Yorkshire Museum, right via Bell Museum
If you’re not into clowns, taxidermied creatures, or centuries-old piles of hair, you probably should avoid the #CreepiestObject hashtag on Twitter. In recent days, museums worldwide have been digging into their nightmare-inducing archives to uncover the most disturbing pieces their collections have to offer. Findings include a preserved mermaid-like animal, a cross-section of a pregnant cat, and a children’s toy that’s rumored to move on its own.
Similar to the virtual bouquets and the challenge to recreate famous artworks, the movement is one of the ways shuttered museums are engaging with—and now terrifying—their quarantined audiences. We’ve gathered some of their picks below, but please consider this your warning before you scroll down or dive deeper into the hashtag. (via Hyperallergic)
Our #CreepiestObject has to be this ‘mermaid’… 😱💀🧜♀️ #CURATORBATTLE #TroublingTaxidermy pic.twitter.com/GMSosyuqIX
— Natural Sciences NMS (@NatSciNMS) April 17, 2020
@RedHeadedAli how can we ignore such a call to arms?
This particular item has caused a few nightmares for our followers this week.
Our #CreepiestObject is…this pincushion! Complete with tiny children’s heads. You’re welcome, Twitter.#CURATORBATTLE pic.twitter.com/0YdmCE5dYD
— Norwich Castle (@NorwichCastle) April 17, 2020

“STEP ASIDE ALL. These are hand-made models of figures playing cards and of gold miners hauling gold nuggets to the surface. BUT the figures are made from crab’s legs and claws… Typical Victorians, they loved weird/creepy stuff. #CreepiestObject” —York Castle Museum
We’re convinced the people on the horse don’t know the clown is there … #CuratorBattle #CreepiestObject pic.twitter.com/iX2yEw9UyK
— GR Public Museum (@GRMuseum) April 20, 2020
We have quite a few creepy specimen. According to many visitors, our #CreepiestObject is this one – half a pregnant cat in fluid: pic.twitter.com/OQuShfv2pN
— Grant Museum of Zoology (@GrantMuseum) April 17, 2020

“Bringin’ our A-game for this #CURATORBATTLE! What is it? Just a CURSED CHILDREN’S TOY that we found inside the walls of a 155-year-old mansion. We call it ‘Wheelie’ – and it MOVES ON ITS OWN: Staff put it in one place and find it in another spot later on…. #Creepiestobject” —PEI Museum
So we couldn’t let the moment for #CreepiestObject #CURATORBATTLE pass us by… From the Dept of Creepy in our Education Collection: a naturally mummified pigeon. Sealed into the wall of a building, this pigeon died, desiccated and then its feathers were eaten clean by insects. pic.twitter.com/qpfE7kA02t
— Bell Museum (@BellMuseum) April 20, 2020
Thanks for thinking of us @HottyCouture and wow, will we be having nightmares tonight with all these #CreepiestObject|s ! Here is the one we just can’t hide from you, one of our many creepy gems – our Plague Mask (1650/1750)! #curatorbattle pic.twitter.com/JrMjqAJSIM
— Deutsches Historisches Museum (@DHMBerlin) April 17, 2020

“Imagine rummaging through an archive and unwrapping this Down pointing backhand index MC 490A: Broken Dolls head in many parts with fair hair c.1920 Found on the grounds of @StJudesHead . Let’s hope they treat the pupils better Face with tears of joy #CuratorBattle #CreepiestObject” —Egham Museum
As the only staff member at Red Lake Regional Heritage Centre (Ontario, Canada) with a Twitter, allow me to present creepy kids costumes for #CreepiestObject #CURATORBATTLE pic.twitter.com/u4LPWi0xjf
— Jenna Locke (@JennaLocke) April 20, 2020
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Art
People are Recreating Famous Artworks Using Whatever They Have at Home During Quarantine

Image via Between Art & Quarantine
By sporting a bonnet fashioned out of toilet paper and clutching a celery-stalk cigarette, people are finding ways to engage with their favorite artworks from a distance. This week, the Getty challenged folks to imitate classic pieces with whatever they can find around their homes and since has gotten thousands of hilarious (and well-done) responses.
The Los Angeles museum’s call was inspired by the account Between Art & Quarantine, which has been asking people to choose three aspects of their favorite works to recreate using anything they’ve got at home, hence the pets, kids, and vegetables in the mix. Check out a few of the Getty’s picks on its Instagram, and don’t forget to take a peek this hashtag for some gems. (via Design You Trust)
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Amazing
The World’s First Bee Influencer Uses Social Media to Raise Funds for Lifesaving Pollinator Research
We can only imagine the job description: Science Foundation seeks expert visual effects designer to create robust social media presence for imaginary insect influencer. B., billed as the world’s first bee influencer, reports from Instagram-friendly locations like Montemartre in Paris and beachfront lounge chairs. Channelling trends among young female influencers, B. flaunts her figure, does yoga in pretty places, and hosts Story A.M.A’s, answering queries about her favorite musicians (Beethoven, the Bee Gees, Beeyonce). B’s captions are a blend of educational and quippy—a “photo” of her rowing is captioned “I have only one flaw… (LOL) I don’t know how to swim!”
Following in the footsteps of other scientific non-profits like the California Academy of Sciences and the Field Museum in Chicago, Fondation de France seeks to meet people where they’re at—which is, by and large, on social media. Humor, au courant language, and memes have become powerful tools to convey important messages about our past, present, and future world.
But whereas other institutions use strong voices on social channels to indirectly raise funds through increased museum attendance and perhaps larger sponsorships for exhibitions, the foundation is channeling income directly from their in-house influencer. Companies and organizations who feel that their brand identity aligns with B. can pay the rising-star insect to promote their products in the same way that a #vanlife influencer might pose with a brand of potato chips or shampoo. The fees that a company pays for exposure with B. go directly to Fondation de France’s BEE FUND, which the 50 year-old foundation created “to fund the actions considered as the most fundamental and urgent in the protection of all species of bees.”
You can follow along with B. on Instagram. If you or your company is interested in working with her as an influencer, find out more on the Fondation de France’s BEE FUND microsite.
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Editor's Picks: Science
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