Stephen Wong Chun Hei

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Art

Memories Emerge in Stephen Wong Chun Hei’s Paintings as Vivid Saturated Landscapes

January 25, 2023

Grace Ebert

A painting of a natural landscape in vivid saturated colors

“MacLehose Trail Section 4” (2022), acrylic on canvas, 150 x 200 centimeters. Photos by Bonhams HK, all images © Stephen Wong Chun Hei

Vivid palettes of blues, greens, and pink saturate Stephen Wong Chun Hei’s landscapes, which translate memories of travel into dream-like paintings in acrylic. The artist considers each work a vessel for the impressions of places he’s traveled or hiked. “I never try to capture just one moment in a landscape. The colours are ever-changing through time,” Hei tells Colossal. “This is the reason that the colours in my paintings are not realistic or naturalistic in appearance. I would like them to be more subjective.”

Many of the paintings originate in a sketchbook, which the artist brings along on his adventures and back to his Hong Kong-based studio. “When I work on canvas, I also got the feeling of travel with every brushstroke and colour used,” he shares.

Hei is currently preparing for a show in May at Tang Contemporary, and one of his works will also be on view with Gallery Exit for Art Basel Hong Kong. He’s currently traveling to multiple countries to explore their landscapes, which he hasn’t been able to do since before the COVID-19 pandemic. Follow those excursions on his site and Instagram. (via This Isn’t Happiness)

 

A painting of a natural landscape in vivid saturated colors

“MacLehose Trail Section 2” (2022), acrylic on canvas, 150 x 200 centimeters

A painting of a natural landscape in vivid saturated colors

“MacLehose Trail Section 5” (2022), acrylic on canvas, 150 x 150 centimeters

A painting of a natural landscape in vivid saturated colors

A painting of a natural landscape in vivid saturated colors

“MacLehose Trail Section 6” (2022), acrylic on canvas, 150 x 120 centimeters

A painting of a natural landscape in vivid saturated colors

“MacLehose Trail Uphill at Section 5” (2022), acrylic on canvas, 40 x 30 centimeters

 

 

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