London-based artist Leonardo Ulian (previously) merges two disparate elements in his sprawling assemblages: he speckles analog equipment with an array of electronic pieces found in digital devices. Created while in quarantine, Ulian’s Contrived Object series is comprised of vintage tennis rackets displaying intricate constellations of metal parts, microchips, and other found objects that form an abstract face.
The egg shape of the “head” of these vintage rackets reminded me of something yet familiar but at the moment lost. The result is a composition that resembles vaguely a human face made from a recycled object from the past, the racket, clashing with the rest of the elements, electronic parts, and the found objects. Then, an anomaly called “pareidolia,” the mechanism that leads our brain to bring things and objects of all kinds back to known and sensible forms does the rest. Will these be the faces of the future?
To view more of Ulian’s precisely arranged projects, follow him on Instagram.
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Spanish visual artist Ana Soler is known for working with a multitude of objects from dangling hundreds of pairs of scissors or spoons, to creating dense clouds of string, coins, and paper cranes. In her most recent work, Causa-Efecto (Cause & Effect), she hung 2,000 tennis balls in spaces throughout the Mustang Art Gallery in Alicante, Spain. The balls are carefully aligned in suspended trajectories that appear to bounce off walls, floors, and other surfaces providing an uncanny sense of motion similar to a photograph taken with a strobe light. See much more on Soler’s fancy Flash website. (via collabcubed)
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