thread

Posts tagged
with thread



Art

Trimmed in Gold, Ceramic Vessels by Artist Yurim Gough Challenge Notions of Gender

January 22, 2021

Christopher Jobson

All images courtesy of Paradigm Gallery, shared with permission

Through nine ceramic bowls, Yurim Gough untangles the complex narratives surrounding performance, appearance, and gender fluidity. Her identity-centric pieces—which are infused with layers of pencil renderings, thread, and other materials that can require nearly a dozen rounds of firing at multiple temperatures to complete—depict figures outfitted with ostentatious costumes and elaborately painted faces. Drawing on aspects of queer culture, Gough’s vessels are disruptive and revisionary, simultaneously exposing the dated and constructed nature of traditional gender categories while reveling in the history of those who’ve subverted norms.

Gough’s gold-trimmed collection will be on view as part of Salvage, a group exhibition curated by Colossal’s Founder and Editor-in-Chief Christopher Jobson at Paradigm Gallery + Studio in Philadelphia. Opening tonight, January 22, Salvage shares how artists are revitalizing fragments of tradition and culture that were destined to be lost, relegated to the periphery, or buried forever. The exhibition, which you can tour virtually, launches with a live talk with Jobson, Gough, André Schulze (previously), and Debra Broz (previously)—tickets are available on Eventbrite—and runs through February 20.

Now based in the U.K., the South Korean artist has a background in fashion. Explore more of her work, which includes a variety of self-portraiture and considerations of contemporary culture, on her site and Instagram.

 

 

 



Art Craft

Vibrant Botanic Embroideries Embellish the Dried Leaf Sculptures of Hillary Waters Fayle

December 29, 2020

Grace Ebert

All images via the artist and Momentum Gallery

Merging traditional craft techniques and the natural world’s abundant materials, Hillary Waters Fayle (previously) meticulously stitches brightly hued florals into found camellia leaves and other foliage. From simple lines and ribbing to fully rendered botanics, the thread-based embellishments interrupt the fragile matter. The resulting sculptures evidence nature’s durability while juxtaposing the organic material with the fabricated additions.

In the interview below, Waters Fayle describes how she gathers leaves and seed pods from areas around her home in Richmond, Virginia, and notes that her practice is rooted in sustainability. By using materials that are already available, like thread from her grandmother, the artist strives for zero-waste in her practice. Overall, her intention is to “bind nature and human touch,” magnifying how the two interact.

Head to Waters Fayle’s site or Instagram to view a larger collection of her embroidered works. You also might enjoy Susanna Bauer’s crocheted leaves.

 

“Inherent,” hand-stitched camellia leaves, 5 x 5 inches

“Implications,” hand-stitched camellia leaves, 4-3/4 x 4-3/4 inches

“Circle Inscribed,” hand-stitched camellia leaves, 5 x 5 inches

“Reaching Toward The Other,” hand-stitched camellia leaves, 4-1/2 x 2 inches

“Flora Series 7,” hand-embroidered foliage, 6 x 6 inches

 

 



Craft Design

Embroider Away Your Worries with Pela's DIY Stitch Case

December 10, 2020

Grace Ebert

All images via Pela

Gripping your phone in anxiety for hours on end? Why not embellish it with your own artwork to ease your dread? That’s the idea behind Pela’s new Stitch Case, which features a rectangular grid for embroidering a mystical landscape, minimal scene, or other quirky renderings. Made of flax shive and a plant-based biopolymer, the black cases are 100% compostable and are only available for older iPhone models. Pick one up from Pela’s site and start stitching.

 

 

 



Art

Arresting Sculptural Reliefs by Artist Anne Samat Layer Everyday Objects with Meticulously Woven Threads

November 18, 2020

Grace Ebert

“Follow Your Heart Wholeheartedly” (2020), rattan sticks, yarn, rakes, washers, plastic swords, toy soldiers, beads, metal and plastic ornaments, 131.5 x 141.75 x 11.75 inches. Installation view of Asia Society Triennial: “We Do Not Dream Alone” at Asia Society Museum, New York. Photograph by Bruce M. White. All images courtesy of Asia Society, shared with permission

In her fiber-based reliefs, Malaysian artist Anne Samat disrupts classic woven patterns with unusual objects: toy soldiers, rakes, and plastic swords are intertwined in the multi-color threads that fan outward and billow down onto the floor. Comprised of a trio of wall hangings and a free-standing sculpture, “Follow Your Heart Wholeheartedly” meticulously juxtaposes beadwork and traditional South Asian weaving techniques with common items, a project that questions the boundaries of craft and art.

Each section is incredibly complex and infused with references to Samat’s family, identity, and experiences with loss. The largest work, for example, features five sections, with the innermost piece paying homage to her late brother who recently died after a long illness. Flanking the central portion are two stately pillars with pink and blue details that represent her mother and father. The outermost layers that sprawl from floor to ceiling evoke the artist herself and her sister, who are the only two living members of her family. Even the title is derived from advice Samat received from her father before he died.

“Follow Your Heart Wholeheartedly” is on view through February 7, 2021, as part of the Asia Society Triennial.

 

“Follow Your Heart Wholeheartedly” (2020), rattan sticks, yarn, rakes, washers, plastic swords, toy soldiers, beads, metal and plastic ornaments, 98 x 48 x 7 inches

“Follow Your Heart Wholeheartedly” (2020), rattan sticks, yarn, rakes, washers, plastic swords, toy soldiers, beads, metal and plastic ornaments, 131.5 x 141.75 x 11.75 inches.

“Follow Your Heart Wholeheartedly” (2020), rattan sticks, yarn, rakes, washers, plastic swords, toy soldiers, beads, metal and plastic ornaments, 98 x 48 x 7 inches

“Follow Your Heart Wholeheartedly” (2020), rattan sticks, yarn, rakes, washers, plastic swords, toy soldiers, beads, metal and plastic ornaments, 98 x 48 x 7 inches (left) and 131.5 x 141.75 x 11.75 inches (center)

“Follow Your Heart Wholeheartedly” (2020), rattan sticks, yarn, rakes, washers, plastic swords, toy soldiers, beads, metal and plastic ornaments, 131.5 x 141.75 x 11.75 inches

“Follow Your Heart Wholeheartedly” (2020), rattan sticks, yarn, rakes, washers, plastic swords, toy soldiers, beads, metal and plastic ornaments, 131.5 x 141.75 x 11.75 inches (center) and 105 x 48 x 7 inches (right)

 

 



Design Photography

Ethereal Photographs Capture Mono Giraud's Sculptural Garments Formed with Organic Materials

October 9, 2020

Grace Ebert

All images © Mono Giraud, shared with permission

Through dreamy photographs, multi-disciplinary artist Mono Giraud accentuates the feathered fronds of wheat stalks and paper’s smooth curves. Based in the Palermo neighborhood of Buenos Aires, Giraud consistently strives for simplicity and a focus on humble items in her practice that spans design, photography, and fine art. “I’m interested in the conjunction of energy between objects and people, like in a dance,” she shares with Colossal.

Evoking sprawling sculptures, Giraud’s garments are often neutral-toned to maintain the integrity of the original material. Dresses flow down into pools of fabric that then form wrinkly backdrops, spools of twine are arranged to mimic a sash and headdress, and a woven basket pocked with straw perches on a subject’s head.

Giraud manages an atelier and shop in the Argentinian capital, where she sells many of the goods used in her photographs. Despite working across mediums, she describes her practice as cohesive and as a search “to express my personal views and emotions of the soul.” The artist expands on the idea:

My work is about living the process. And this process has to be healthy, the energy is renewed instead of running out… and simplicity must be felt in each step. I go across the process to finally get to discovery. The travel is about feeling, touching, smelling, breathing, and crossing boundaries. I focus on the journey more than to reach a goal or arrive (at) a destination.

Explore more of the elegant objects and garments highlighted in Giraud’s photography on her site and Instagram.

 

 

 



Art Craft

Swaths of Colorful Fringe Disguise Animalistic Sculptures by Artist Troy Emery

July 13, 2020

Grace Ebert

“small sweet pink lump” (2020), polyester, polyurethane, pins, and adhesive, 40 x 44 x 39 centimeters. All images © Troy Emery, shared with permission

Many pet owners are quick to name their dog or cat’s breed, but those bringing home one of Troy Emery’s colorful sculptures might need to figure out what species they’ve adopted first. The Melbourne-based artist creates amorphous artworks that resemble a range of four-legged friends, although their figures are enveloped with swaths of long, flowing fringe rather than distinct characteristics.

In a note to Colossal, Emery shares that his tassel-covered sculptures consider how both fine arts and craft are portrayed broadly, in addition to the unique position non-human creatures hold as “tokens of ecological ruination… Along with the theme of animals within decorative arts, my practice plays with both scientific and cultural categorization of the ‘natural’ world, creating ‘fake taxidermy’ that falls between reality and fantasy as exotic hybrid creatures,” he says.

Emery’s indeterminate sculptures are currently on view through an online exhibition with Martin Browne Contemporary, and more of his textile-based projects can be found on Instagram. (via The Jealous Curator)

 

“Bird Catcher” (2017), rayon fringing, polyurethane, glue, and pins

“ingot eater” (2019), polyester, polyurethane, pins, and adhesive, 78 x 98 x 54 centimeters

“pink peony” (2020), polyester, polyurethane, pins, and adhesive, 39 x 68 x 22 centimeters

“shadow” (2019), polyester, polyurethane, pins, and adhesive, 51 x 50 x 45 centimeters

“savage” (2020), polyester, polyurethane, wire, fiberglass, pins, and adhesive, 32 x 90 x 40 centimeters