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Photography

Tides and Tempests: Photographs from the English Coastline Document the Rhythms of a Tumultuous Sea

January 5, 2021

Grace Ebert

“Clearing Fog.” All images © Rachael Talibart, shared with permission

To introduce her new body of work, Rachael Talibart writes that “the rhythm of the tides, tethered to the waxing and waning of the moon, shapes our very sense of time.” The U.K.-based photographer captures the ebb and flow of the English coastline through photographs that frame both erupting waves and the days surrounding violent storms. An extension of her previous collection that framed what appears to be otherworldly creatures jumping from the water, Talibart’s recent work has culminated in a book titled Tides and Tempests.

While her subject matter is similar, she shares with Colossal that limiting herself to southern coastlines has been fruitful. “I think that what at first may seem like a restriction has actually made me more creative—it has forced me to dig deeper and look for images where I might perhaps not have found them if I was more of a generalist,” she says.

While Tides and Tempests at times displays the mythical qualities and creatures of the water, it also includes the quieter moments. Talibart writes that this broader focus has taught her patience and to find as much interest and delight in the slow sunsets and discarded shells as the frenzied storms. She expands on how the lengthy and varied story of the ocean has shifted her view of time:

The tidal cycle, the sound of waves, the shapes carved by wind and water on the shore, the call of sea birds, the curl of seafoam around a pebble, the shape of a shell, these all have a rhythm or pattern that I find both energizing and soothing. But they don’t always reveal themselves to you straight away—you have to be willing to invest time.

If you’re in the U.K., Talibart teaches photography workshops that focus on various aspects of her coastal subject matter. Otherwise, pick up a copy of Tides and Tempests, which features more than 120 images, from Kozu Books, and follow Talibart on Instagram.

 

“Apollo”

“Etain”

“Jade”

“Makara”

“Fringe II”

“The Lost World”

“Surf Study”

“Touch”

 

 

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Art

An Undulating Sculpture Recreates Hokusai’s ‘Great Wave’ in 50,000 LEGO Pieces

December 14, 2020

Grace Ebert

All images © Jumpei Mitsui, shared with permission

Japan-based artist Jumpei Mitsui is one of just 21 LEGO Certified Professionals in the world—this means his full-time job is to create artworks with the plastic building blocks—and is the youngest of the renowned group. He’s fulfilled this title most recently with a sculptural recreation of Katsushika Hokusai’s “The Great Wave off Kanagawa.” During the course of 400 hours, Mitsui snapped together 50,000 cobalt and white LEGO into an undulating wave that mimics the original woodblock print.

To recreate this iconic work in three-dimensions, Mitsui studied videos of waves crashing and pored over academic papers on the topic. He then sketched a detailed model before assembling the textured water, three boats, and Mount Fuji that span more than five feet.

If you’re in Osaka, Mitsui’s wave is on view permanently at the Hankyu Brick Museum. Otherwise, find a decade’s worth of the artist’s LEGO tutorials on YouTube, and follow his work on Twitter and Instagram. (via Spoon & Tamago)

 

 

 



Art Craft

Multi-Layered Ceramics by Artist Heesoo Lee Express the Movements of Land and Sea

July 9, 2020

Grace Ebert

All images © Heesoo Lee, shared with permission

Heesoo Lee has spent years carefully layering blades of grass, pine trees, and cherry blossoms to construct botanic entanglements that crawl across ceramic mugs and bowls. Inspired by seasonal woodlands and aspen forests, the Montana-based artist recreates bright pockets of landscapes that capture small motions, like falling fronds or rustling branches. “There is movement in trees, but it is slow and subtle, a leaf in wind, the slow growth of new leaves in spring,” she says.

While Lee has continued this tradition with many of her recent pieces, she’s expanded her source material to the ocean. For seven years, the artist lived in Maui, where she often surveyed the water. “I could sit on a beach all day and watch the waves, observe them, and feel calmed by them but also respectful of their energy and force,” she says. The memory has inspired a textured piece that swells upward to form a cavernous bowl. “Even in a small object, the waves are powerful and convey so much. For me, the waves connote freedom, the freedom to express myself and take risks,” the artist writes.

Diverging from land posed new challenges in Lee’s process. For landscapes, the artist repeats elements in layers to create a fully formed piece, but the same technique didn’t translate to water. “The first time I tried to make waves I failed. I failed over and over and over after that. There were cracks, pieces broke off,” she says. “I realized the feeling of making a wave is so much different from making a landscape.” Instead, Lee retrained her hands to follow the movement of the water, using slip casting, carving, and a series of manual techniques to capture its energy and force. Her color palette changed from amalgamations that evoked seasons to a precise set of blues.

Despite her forays into aquatic forms, Lee maintains an affinity for grassy fields and windswept boughs, which she explains:

My seasonal work, landscapes that focus on all four seasons, are still a mainstay of my practice. The memories that fuel the images are so powerful for me, and it gives me great pleasure to share my interpretation of those memories with people… I have heard from people that drinking from a cup I made helped them channel their own memories of the outdoors and the seasons, even during a time when they are stuck inside.

To purchase one of the artist’s organic works, follow her on Instagram, where she often shares shop updates, in addition to early looks into her process.

 

 

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Art Design

A Massive Wave Crashes in a Seoul Aquarium as Part of the World’s Largest Anamorphic Illusion

May 17, 2020

Grace Ebert

An enormous aquarium with perpetually crashing waves has popped up amidst an urban landscape in South Korea, but don’t expect to hear the water sloshing around if you walk by. Designed by District, the elevated tank is actually a massive anamorphic illusion. The digital media company created the public project utilizing an advertising screen that spans 80.1 x 20.1 meters. As shown in the video, the deceptive aquarium looms over the outdoor area and splashes repeatedly into the sides.

For more of District’s illusory works, check out Vimeo and Instagram. (via Design You Trust)

Update: This article has been updated to correct an error that stated that the advertising screen was the world’s largest.

 

 

 



Photography Science

Lake Waves Appear Frozen in Time Amidst the Rocky Mountains in Photographs by Eric Gross

March 9, 2020

Grace Ebert

All images © Eric Gross, shared with permission

Shot at an elevation nearing 10,000 feet in Colorado’s Rocky Mountains, a series of images by Eric Gross capture a high-alpine lake covered in icy ridges and dips that mimic sleek waves. The Colorado-based photographer tells Colossal that local experts believe the phenomenon is caused by snowdrifts blowing onto the already frozen lake, melting there, and then refreezing. “Through multiple melt/freeze cycles and after periods of high winds, the mounds and divots are shaped into deep curves, sometimes with sharp ridges and lines that give the appearance of regular lake waves, frozen in time,” Gross says. “Composing images from ground level revealed that the dark ice waves exhibit psychedelic reflections of the surrounding mountainous landscape.” To see more of the photographer’s phenomenological works, head to Instagram.

 

 



Animation

A New Short Film Demonstrates the Difficulty of Escaping City Life

January 23, 2020

Grace Ebert

Breaking free from urban life is no easy feat for the main figure in “Le Silence de la rue,” or “The Silence of the street.” The monochromatic film produced by Miyu Productions, which is led by Emmanuel-Alain Raynal and Pierre Baussaron, details the stark dichotomy of spending time in unaltered natural spaces and in a dirty, bustling neighborhood. Opening with a blooming flower, the gloomy film turns to a black being who struggles to stay afoot in the dense streets as a horde of anonymous figures push by. Wave-like elements envelop him until he’s transported to a tiny boat at sea, where he momentarily finds peace. But soon enough, he’s hurled back into the crowd before finally losing his dark hue and joining others as they pile onto the public bus, proving his inability to escape city life.

The 2D digital animation was directed by Marie Opron in 2019 and is set to music by composer Francois Poitou. Find more of the company’s illustrated projects on Vimeo.