While on a recent trip to Iceland, photographer Sarah Martinet had the opportunity to shoot these amazing landscapes from a plane with open windows. You can see much more of her work (as well as more from this trip) on 500px and Facebook.
Australian artist Andy Thomas creates what he describes as “audio life forms,” specifically 3D animations that respond to audio input. For these latest pieces he used archival bird recordings from the Netherlands Institute for Sound and Vision (in addition to one of his own recordings) to create these new digital sound sculptures that animate in different ways in reaction to the songs of each bird. Thomas uses more software tools than we could reasonably share here, but you can learn a bit more over on his website.
Artist Susanne Ussing (1940–1998) was a Danish visual artist and architect who worked in a variety of different mediums from photography and ceramics to large-scale installations and sensory exhibitions. One of her most impactful pieces was this 1980 installation titled I Drivhuset (In the Greenhouse) that was installed at the Ordrupgaard Museum in Copenhagen. The sculpture depicts a female figure who has seemingly grown too large for (or has become trapped by) a very tall glass greenhouse. Constructed from newspaper clippings, wood, and metal chimney vents, the figure is so large that her feet seem to penetrate the brick floor below. If Colossal had a physical manifestation, I imagine it would look almost exactly like this.
Architect and environmentalist Peter Bahouth designed and built this beautiful trio of treehouses linked by bridges in an Atlanta forest, which also happens to be his backyard. Inspired by the treehouses and adventures of his youth, the idea was to create a sort of fort for grown-ups. The three houses dubbed “Mind,” “Body,” and “Spirit,” include a living room and bedroom with a special bed that slides out for an improved view of the forest below. The photos here were taken for Jane Field-Lewis’ book My Cool Shed, provided courtesy photographer Lindsay Appel. (via iGNANT, CJ Who)
Artist Thomas Leveritt recently setup a special UV motion camera in Brooklyn’s Prospect Park with the intent of filming random passersby. Ultraviolet rays have the ability to expose not-yet-visible changes to human skin, namely freckles, that turn even the most unblemished faces into dark explosions of dots. Leveritt installed a monitor above the camera so people could instantly see the results, and then to heighten the effect, supplied them sunscreen in a vivid demonstration of why you should probably never again step outside without it. (via Laughing Squid, Co.Create)
With the exception of the repurposed containers, almost every aspect of these artworks by Singapore-based artist Keng Lye (previously) has been rendered in acrylic paint, carefully applied within layers of clear resin. A fish in a plastic bag, a tin can of tadpoles swirling under a frog on a lilypad, and even a completely convincing betta constructed from carved resin and painted with acrylic—each work a strange, lifelike amalgam of painting and sculpture. These are just a few of Lye’s work over the last year, you can see more over on Facebook.
With a neverending procession of distressing events in the news lately, you might be in need for a substantial dose of something absurdly happy. If so, this new music video for Cameroonian singer-songwriter Irma will surely fit the bill. The video was created by French design house SuperBien and directed by Xavier Maingon and Marc-Antoine Hélard who opted to shoot the entire piece on a single soundstage with the use of 7 digital projectors. The shoot must have been a Herculean effort on behalf of the kids who had to rock it out for 20-25 takes before getting the final version. The song is “Save Me” off her 2014 album Faces. (via Motionworks, Booooooom, and Jeff is right, this wins the award for most-fun-being-had-in-a-video)