Art

Section



Art Design

SpaceWalk: A Spectacular Rollercoaster-Esque Staircase Loops Through a South Korean Park

January 27, 2022

Grace Ebert

All images © Heike Mutter and Ulrich Genth

Towering 70-meters above ground at its highest point, “SpaceWalk” is the latest undulating sculpture by Hamburg-based artists Heike Mutter and Ulrich Genth. The monumental staircase winds in loops and elevations similar to that of a rollercoaster throughout Hwanho Park in Pohang, South Korea, and is almost entirely accessible for pedestrians except for the innermost circuit. It’s the largest contemporary public sculpture ever installed in the country.

A follow-up to the pair’s 2011 project “Tiger & Turtle – Magic Mountain” in Duisburg, Germany, “SpaceWalk” is built of galvanized and stainless steels atop a cement foundation and embedded rows of LED lights. “At night in particular, the brightly-illuminated walkway appears like a sigil drawn in the sky, appearing to represent different things depending on where one is standing,” Mutter and Genth say. “Thus, the sculpture also references local mythology and a tradition of sky-gazing and also makes playful use of relativity.”

Pedestrians enter the work at a central staircase, which breaks into two paths: one gently sloped walkway leads to a view of Yeongil Bay and the surrounding city, while the other is a steeper climb through a helix. Both are designed to mimic an otherworldly experience. “The title ‘SpaceWalk’ is taken from the terminology of outer space missions. It describes the act of exiting the space vehicle in the weightlessness of outer space. More literally, ‘SpaceWalk’ can be understood to mean ‘a walk through space,'” they say.

For more of the duo’s architectural projects, head to their site. (via This Isn’t Happiness)

 

 

 



Art Craft

Knit Coral Suits and Vibrant Marine Creatures Spring From Mulyana's Whimsical Yarn-Based Ecosystems

January 26, 2022

Grace Ebert

All images © Mulyana, courtesy of Sapar Contemporary, shared with permission

In Mulyana’s Fragile Ecologies, two figures cloaked in coral and algae tower over beds of fiber-based sea creatures. The Indonesian artist continues his playful and eccentric approach to marine life conservation in his solo show on view through March 4 at Sapar Contemporary, which brings some of his life-sized costumes and an array of woolen specimens to the gallery. Each piece is knit or crocheted with recycled, brightly colored yarn, which the artist fashions into sprawling ecosystems and immersive installations that dangle from the ceiling.

Mulyana puts a fantastic twist on the natural lifeforms, especially when crafting his signature Mogus character: most recently, the reimagined octopus is outfitted with a mustache in leopard print, innumerable eyes all over its body, and polka-dotted horns. Lighthearted in presentation, the works are rooted in more urgent issues like the effects of the climate crisis, isolation, and how we collectively configure identities that are always evolving. A statement about Fragile Ecologies says:

On a macro level, Mulyana’s profound concern for the eroding environment and our collective lack of care for the natural world parallels the importance of self-care on a micro level. His message encourages a holistic path to self-preservation amidst a chaotic and uncertain post-pandemic world. While Mulyana does not overtly reference gender and sexuality in his intricate installations, the diversity of his colorful environments and spectacular costumes allude to the fluidity of human identity.

For more of Mulyana’s underwater knits and costumes, head to his site and Instagram.

 

A person wearing a knit costume evoking sea creatures by artist Mulyana.

 

 



Art

Dense Fields of Colored String Comprise Expressive Portraits by Artist Joshua Adokuru

January 26, 2022

Grace Ebert

All images © Joshua Adokuru, shared with permission

Blending sturdy metal with the soft warmth of wool, Joshua Adokuru winds vibrant fibers around precisely placed nails that anchor his expressive and abstract portraits. The Abuja-based artist always incorporates strings in shades of blue, which fill amorphous shapes highlighting the subject’s face or defining the checkered pattern of a sweater. It’s “a natural color, a color of the sky, a color of the sea,” he says, noting that he gravitates toward bold, fantastical hues for skin tones. “Blue has this feeling of peace, a feeling of serenity.”

Formally trained in computer science, Adokuru has been experimenting with different mediums since secondary school, but it wasn’t until spring of 2020 that he started working with thread. His pieces, which are often larger than life, begin with a photograph of a child or friend, which are then translated into a simple sketch on a wooden board. Adokuru accentuates the figure’s silhouette, facial features, and any motif on their clothing or in the backdrop with nails that are glued in place, sprayed with black paint, and finally covered in taught thread. Because the artist is most concerned with capturing his subjects’ exact expressions, he always completes the eyes last.

Adokuru will show some of his works in New York this fall, and you can glimpse his process on Instagram. (via Lustik)

 

 

 



Art

Stars, Circles, and Symbols in Primary Colors Form Astrological Maps and Coded Works by Shane Drinkwater

January 25, 2022

Grace Ebert

All images © Shane Drinkwater, shared with permission

As a child, Australian artist Shane Drinkwater (previously) was fascinated by maps, astronomical charts, and ciphers. “This possibly relates to my dyslexia: images and shapes had a strong attraction whereas words on paper were a difficult subject,” he tells Colossal. “I found maps on paper quite appealing, coloured shapes and unraveling a code to find a path in the real world.”

This cartographic interest permeates the artist’s current body of work, which features dots, stars, dashes, and concentric circles arranged in vast systems and imaginary cosmic charts. Rendered in acrylic on paper or canvas, the hypnotizing works rely mostly on neutral tones similar to that of weathered parchment combined with reds, blues, and yellows. This influence comes from medieval illuminated manuscripts, which used “primary colours for maximum visual impact,” he says.

Drinkwater, who was born in Tasmania and currently lives in Queensland, has pieces available at Cavin-Morris Gallery, Pulp, and Copenhagen Outsider Art Gallery, along with a solo show slated for June at Boom Gallery in Victoria. He recently collaborated with the clothing brand indi + ash to create patterns for some of its garments, which you can see more of on Instagram.

 

 

 



Art

6,000 Strips of Washi Tape Intersect in a Kaleidoscopic Installation by Artist Emmanuelle Moureaux

January 25, 2022

Grace Ebert

All images by Daisuke Shima, courtesy of Emmanuelle Moureaux, shared with permission

One hundred colors and 6,000 strips of masking tape later, Tokyo-based French architect and artist Emmanuelle Moureaux (previously) has constructed an elaborate installation of intersecting lines in Kurashiki, Japan. The immersive work, which was a commission from the brand mt, extends from the factory floor to ceiling in a crisscrossing mishmash of diagonals and pigments. To complete the piece, which is part of Moureaux’s 100 Colors series, the artist fastened 15-millimeter tape in a vibrant, rainbow gradient throughout the space, leaving a tunnel-like walkway for visitors to pass through and experience how perspectives shift depending on the angle.

Explore more of the artist’s architectural installations on her site and Instagram. (via designboom)

 

 

 



Art

Dreamlike Sculptures by Christina Bothwell Meld Ceramic, Glass, and Oil Paint into Otherworldly Figures

January 24, 2022

Grace Ebert

“Two Violets.” All images © Christina Bothwell, shared with permission

From her Pennsylvania studio, Christina Bothwell (previously) sculpts surreal hybrid creatures and figures that occupy the unearthly space between dreams and wakefulness. She works with a combination of annealed glass, pit-fired ceramics, oil paint, and small mosaic tiles, which each correspond to a conceptual element. “I always come back to the idea that the physical part of us is just a small part of who we are in our entirety,” the artist tells Colossal. “The translucent parts of my pieces are meant to suggest the soul or that part of us that is more than just our bodies.  The ceramic portions of my pieces represent our grounded, tangible parts.”

In her most recent body of work, Bothwell continues her explorations into the liminal and states of flux: a slumbering child appears to float from its sleeping counterpart in “Lucid Dream,” while another lies upside down in “Mood Swing.” Many of the sculptures are tinged with themes of magic, imagination, and escapism, which are reflected in the ways that human bodies meld with birds, monkeys, octopuses, and deer. She explains:

I was a sensitive child with eccentric parents who didn’t fit in. I didn’t even fit in with my family a lot of the time. It was like I was a changeling or an alien they were forced to live with. I felt like an outsider for most of my life, and it always felt precarious, unsafe, being who I was. For this reason, I think I identify with deer… despite their beauty and grace, they are not protected or valued (at least not where I live), and their vulnerability and innocence resonates with something deep within me.

Bothwell’s fantastical works will be on view at Habatat Gallery and Muskegon Museum of Art as part of the upcoming Beyond the Glass Ceiling, Influential Women in Glass exhibition and again this summer at Tory Folliard Gallery in Milwaukee. Until then, explore more of her sculptures on Instagram.

 

“Simian Dream”

“Lucid Dream”

“Snail”

“Little Deer”

“Mood Swing”

“Speak No Evil See No Evil Hear No Evil”

Left: “Here and Now.” Right: “Safe Haven”

“Dream State”

Top: “New Sunday.” Bottom left: “Tea with Cows.” Bottom right: “Tea Party”