Art

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Art

Portals Composed of Vivid Multi-Layered Colors Visually Represent Complex Scientific Concepts by Jen Stark

June 25, 2019

Kate Sierzputowski

All images courtesy of the artist and Joshua Liner Gallery

Los Angeles-based artist Jen Stark (previously) uses materials such as paper, wood, and metal to create optically-charged sculptures based on complex scientific and mathematic concepts. Layered colors with both smooth and warped edges create tunnels into the unknown, forming visual interpretations of ideas such as infinity, evolution, or sacred geometry. One wall piece by Stark lines up dozens of layers of brightly colored paper which are sliced to fold on top of each other in a descending order of size. Others hang from the ceiling, inviting observers to peer at the works from multiple angles, to understand its composition from beside, underneath, and between its layers.

Stark’s solo exhibition Dimensionality runs through July 19, 2019 at Joshua Liner Gallery in New York City. You can see more of her dizzying vortexes on her website and Instagram.

 

 



Art

A Towering Multi-Chromatic Tapestry of Giant Inflated Tubes Unveiled by Pneuhaus

June 24, 2019

Kate Sierzputowski

Pneuhaus (previously) builds inflatable structures and environments that give their audience a new perspective of the world around them. Recently, the Rhode Island-based design collective honored Providence’s history of textile manufacturing with a piece titled Pnit. The large-scale piece is illuminated by LED lights, and presents a macro exploration of a woven form. Inflatable tubes weave and out of each other along the wall of a concrete parking garage as they slowly rotate through different shades of yellows, greens, purples, and pinks.

“In our practice we push the boundaries of textile-based construction and so the image of the knitting swatch is also an ode to our love of fabrics, flexibility, and the strength of soft things,” Pneuhaus tells Colossal. “Pnit demonstrates these same qualities of textiles through its calligraphic curves and its weather ready durability.”

The installation was created for Providence’s art festival PVDFest, and will continuously introduce new color patterns throughout its five-month run. You can see a video of the color-changing tapestry in the video below, and view more work by Pneuhaus, such as their 2018 geodesic pinhole camera, on their website and Instagram.

 

 



Art

The Sandy Cliffs and Blue Skies of Martha’s Vineyard Abstracted into Paintings by Rachael Cassiani

June 23, 2019

Andrew LaSane

Moshup Moment. Images: Field Gallery

Massachusetts-based artist Rachael Cassiani finds inspiration in her local beaches, dunes, and cloud-strewn skies to create abstract landscape paintings in various sizes and shapes. With a limited but vibrant color palette, Cassiani strips each scene down to its essential elements. Different shapes and hues create the illusion of depth and separation between air, land, and sea.

“I choose the structure of the paintings by looking at my scene and seeing where the most dominant hues are,” Rachael Cassiani said in a statement. “I exaggerate the natural colors of the original landscape.” While painting almost exclusively in the Martha’s Vineyard and Vineyard Haven areas of Massachusetts, Cassiani manages to capture her surroundings in a way that is not repetitive or homogeneous. The time of day and changing seasons completely alter the view, as does the artist’s choices regarding positioning and perspective. Swirls and daubs of oil paint add texture to some of the works, but they each feel like a small piece of a larger abstract puzzle.

To see more of Cassiani’s paintings, follow the artist on Instagram.

The Cliff Side.

To the Beach / Sunset Shapes

Swimming in Blue

A Day In the Dunes

Beach Roses

Expressive Cliff Side

Sepiessa Sky

Summer on Tashmoo

 

 



Art

Insect Illustrations Inspired by Looney Tunes Characters and Horror Movie Icons

June 22, 2019

Andrew LaSane

UK-based illustrator Richard Wilkinson (previously) imagines new insect species inspired by familiar faces from popular culture. Two of his more recent series cover both ends of a fantastical spectrum, with bugs designed after horror movie villains and children’s cartoon characters.

For his horror icons Family: Timorpersonae collection, Wilkinson pays homage to classic slashers and newer terrors including Jason Voorhees, Pennywise the Clown, the Creature from the Black Lagoon, and the demon Valak. For each insect’s zoological nomenclature, Wilkinson creates a Latin phrase that serves as a description of the character or their respective film. For example, his Freddy Krueger “A Nightmare on Elm Street” piece is titled Insomnium ulmusvicus: insomnium from the Latin insomnis (sleep), ulmus (street), and vicus (elm).

For his Family: Insanusmelodiae series, Wilkinson incorporated the faces of iconic Looney Tunes characters into the bodies of beetles and bugs who inherited unfortunate but funny traits from their cartoon counterparts. “Their distinctive characteristics include loud and often odd vocalizations and the very distinctive fast and erratic movements,” the artist wrote in a statement. He added that the “most peculiar aspect of the Insanusmelodiae’s behaviour is their clumsiness. They often meet their end under a falling stone or twig, or after falling from a long drop. Their wings, also vestigial, can produce enough uplift to keep them in the air for a moment or two before they fall.”

To see more of Wilkinson’s buggy mashups, fly on over to his Instagram page.

 

 



Art Colossal

Colossal & Sugarlift Present ‘Mother & Child Vol. II’ Exhibition Fundraiser in NYC Featuring 50+ Artists

June 21, 2019

Colossal

Artwork courtesy Seth Globepainter

Colossal is thrilled to announce a joint fundraiser exhibition in New York with Sugarlift this July. Mother & Child Vol. II will raise funds for three non-profits helping with direct assistance and legal defense for families and children caught in the humanitarian crisis at the US/Mexico border. All proceeds from the sale of artworks donated by this outstanding group of contributing artists will be split between Kids in Need of Defense, The Young Center, and The Florence Project.

The show will feature original artworks, prints, and drawings by Faith 47, Collin van der Sluijs, Icy & Sot, Seth Globepainter, Ali Cavanaugh, Pixel Pancho, Guno Park, Kristin Texeira, London Kaye, Shana Levenson, Tiffany Bozic, Axel Void, David de la Mano, Jess X. Snow, Klone, Anna Park, Dina Brodsky, Nicolas V Sanchez, Mark Powell, and dozens more.

Please come join us on Monday, July 15th from 6-9pm (one night only) for drinks, light food, and a phenomenal collection of art at the 198 Allen Street pop-up space. If you can’t make it to New York, works will eventually be made available online, stay tuned. Mother & Child Vol. 2 is co-curated and produced by Sugarlift, RVD Communications, and Colossal.

We invite you to please RSVP and bring your friends, family, neighbors, and coworkers. Stay tuned for further updates on Instagram.

Pixel Pancho

Tiffany Bozic

Faith 47

Collin van der Sluijs

Ramiro Davaro-Comas

Ali Cavanaugh

 

 



Art Design

Vintage Clothing and Found Objects Compose Decorative Masks Designed by Magnhild Kennedy

June 21, 2019

Kate Sierzputowski

Magnhild Kennedy, who makes work under the name Damselfrau, creates intricate headpieces and masks that are comprised of both high and lowbrow elements. The London and Oslo-based artist mixes together sequins, vintage clothing scraps, and random materials she finds on the street to compose works that expose minimal elements of the wearer’s face.

The pieces are intended to operate as both art objects and wearable sculptures, and were initially inspired by the elegant clothing seen during her days working at a London vintage shop. As a completely self-taught artist, Kennedy learns techniques as she forms new masks, trouble-shooting new methods alongside her more elaborate designs. You can see more of her wearable works on her website and Instagram.

 

 



Art Craft

Macro Views of British Beaches Become Abstract Textural Embroideries by Emily Botelho

June 21, 2019

Laura Staugaitis

Although she doesn’t live right by the ocean, artist Emily Botelho channels her passion for marine landscapes with frequent trips to explore where soil and sea meet. On these trips, she photographs the colors and textures that appear on the rocky waterfront: lichen, seaweed, and small sea creatures all create unique visual patterns. The Manchester, U.K.-based artist then prints her photographs on cotton fabric and embellishes them with long straight stitches, tight beadwork, sea shells, semi-precious stones, and three-dimensional tufts.

Botelho, who creates work under the name Salt Stitches, formerly had a career in the fashion industry, and only took up embroidery about a year ago. In that time she has built a substantial following sharing and selling her hoop-based works on Instagram and Etsy. Botelho is also participating in an online auction with fiber art curator The Fiber Studio, which launches on June 28, 2019.