Art

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Art

Trimmed in Gold, Ceramic Vessels by Artist Yurim Gough Challenge Notions of Gender

January 22, 2021

Christopher Jobson

All images courtesy of Paradigm Gallery, shared with permission

Through nine ceramic bowls, Yurim Gough untangles the complex narratives surrounding performance, appearance, and gender fluidity. Her identity-centric pieces—which are infused with layers of pencil renderings, thread, and other materials that can require nearly a dozen rounds of firing at multiple temperatures to complete—depict figures outfitted with ostentatious costumes and elaborately painted faces. Drawing on aspects of queer culture, Gough’s vessels are disruptive and revisionary, simultaneously exposing the dated and constructed nature of traditional gender categories while reveling in the history of those who’ve subverted norms.

Gough’s gold-trimmed collection will be on view as part of Salvage, a group exhibition curated by Colossal’s Founder and Editor-in-Chief Christopher Jobson at Paradigm Gallery + Studio in Philadelphia. Opening tonight, January 22, Salvage shares how artists are revitalizing fragments of tradition and culture that were destined to be lost, relegated to the periphery, or buried forever. The exhibition, which you can tour virtually, launches with a live talk with Jobson, Gough, André Schulze (previously), and Debra Broz (previously)—tickets are available on Eventbrite—and runs through February 20.

Now based in the U.K., the South Korean artist has a background in fashion. Explore more of her work, which includes a variety of self-portraiture and considerations of contemporary culture, on her site and Instagram.

 

 

 



Art Design

An Innovative Installation Embeds Lights into a Five-Acre Field to Spur Crop Growth

January 22, 2021

Grace Ebert

Spread across a thick field of leeks in the Netherlands is Daan Roosegaarde’s new installation that illuminates the practice of modern farming, highlighting the plants that feed us and their plights. In “Grow,” the Dutch artist and designer, who’s known for glowing, interactive exhibits, implanted the rows with red, blue, and ultraviolet lights that shine vertically across the crop and shift in entrancing motion.

Spanning 20,000-square-meters, the multi-faceted project is both aesthetic and practical: the radiant landscape is visually stunning, while the embedded elements enhance plant growth and cut pesticide use in half. Roosegaarde worked with existing photobiological technology and distinct “light recipes” that are thought to improve crop resistance and their metabolisms without added chemicals. “It gives a new meaning to the word ‘agri-culture’ by reframing the landscape as a living cultural artwork,” the studio says in a statement.

In a conversation with Dezeen, Roosegaarde noted that a trip to a local farm spurred the project, which the designer now hopes will act as a blueprint for similar works. The Netherlands is the second-largest agricultural exporter in the world—the U.S. is first—and is known for innovating more sustainable technologies. With some shifts in the combination of lights and placement, this singular project could have wide-reaching implications for crop production around the world.

“Grow” took Roosegaarde’s studio about two years to complete and is part of Rabobank’s artist-in-residence program. It’s slated to tour 40 countries in the coming months. For more of Roosegaarde’s work that falls at the intersection of art, design, and science, head to Instagram.

 

All images © Daan Roosegaarde, shared with permission

 

 



Art Photography

Explore Vermeer's ‘Girl With a Pearl Earring’ in Incredible Detail with an Interactive 10-Billion Pixel Panorama

January 21, 2021

Grace Ebert

Last year, researchers released records from nearly two years of analysis of Johannes Vermeer’s most-recognized artwork, “Girl With a Pearl Earring.” While their findings didn’t include the subject’s highly sought-after identity, they did reveal that the gray backdrop is actually a dark green curtain and that the figure has eyelashes only visible with magnification. Thanks to Emilien Leonhardt and Vincent Sabatier, of Hirox Europe, we all can study the intricacies of Vermeer’s elusive work and peer directly into the paint cracks with an interactive 10-billion pixel panorama.

The duo began the undertaking to determine the surface condition of the iconic piece after multiple restorations, measure the space between the fractured pigments, and elucidate the artist’s technique. Using a custom microscope, Leonhardt and Sabatier took 9,100 photographs of the painting that were then woven together into the massive panorama. It reveals particulars down to 4.4-microns per pixel.

Head to Hirox Europe’s site to explore the incredible intricacies of “Girl With a Pearl Earring” in both 2- and 3-D, and watch the video above for details into the technical aspects of capturing minuscule details. (via Peta Pixel)

 

 

 



Art

A Short Film Chronicles Mural Fest Kosovo, Void Projects' Initiative to Infuse a War-Torn City with Public Art

January 20, 2021

Grace Ebert

“At that time it wasn’t easy for me to be in the public with my camera because the country was very sensitive to reporters like me,” photojournalist Hazir Reka tells a group of muralists. “Being in the public with a camera was no different to being in public with a weapon because of how much it could affect reality.” Reka’s referring to a tumultuous time in Kosovo’s history when the region was in the midst of war, an experience he shares with the artists who traveled to the region in September 2020 for Mural Fest Kosovo.

Organized by the art collective Void Projects (previously), which is helmed by Axel Void, the initiative sought to revitalize the public spaces within Ferizaj, a small city desolated by war. Fifteen international muralists—the list includesAruallan, Emilio Cerezo, Doa Oa, Alba Fabre, Maria Jose Gallardo, and Zane Prater—gathered for the project that U.K.-based filmmaker Doug Gillen documents in a new short film.

Throughout “Change,” Gillen follows ten of the artists as they immerse themselves in local life and engage with the city’s youngest residents through workshops and school initiatives that directly involved the children and teens in the creative process. Their resulting artworks are a reflection of these interactions and large-scale depictions of the area’s ecology, citizens, and cultural milieu. While each is distinct in aesthetic—Aruallan and Void produced a photorealistic rendering of an 11-year-old boy they met on the street, while Fabre’s ethereal mural depicts an unknown woman lying in the water in traditional clothing, for example—they’re all infused with themes surrounding the city’s unique environment and more universal understandings of shared humanity.

“The greater this connection, the more effective the work. Exploring the human stories of Ferizaj in this way, at this very unique moment in time, felt like an important opportunity to document meaningfully,” Gillen said.

Watch the full film above to dive further into Kosovo’s history, and see all of the murals and glimpses into the artists’ experiences collaborating with Ferizaj residents on Void Projects’ Instagram.

 

 

 



Art

Surreal Scenes and Pixelation Overlay Vintage Artworks in Hybrid Oil Paintings by André Schulze

January 20, 2021

Grace Ebert

All images courtesy of Paradigm Gallery

André Schulze scours dusty thrift store bins and private advertisements for vintage paintings and photographs created in the first half of the 20th Century. The German artist restores the found artworks and then dramatically alters them by working directly on the canvas, layering each rendering with boldly new scenes: a stodgy bookworm finds himself in a sea of fish, an elderly woman peers out her window only to see a neighboring home ablaze, and a vintage portrait is transformed into a feathered hybrid creature. The surreal additions are steeped in the artist’s distinct wit and humor that expand the decades-old narratives or that shape a rich and complex account within his original non-vintage pieces.

Schulze’s whimsical paintings are included in Salvage, a group exhibition curated by Colossal’s Founder and Editor-in-Chief Christopher Jobson at Paradigm Gallery + Studio in Philadelphia. Examining how artists are revitalizing fragments of tradition and culture that were destined to be lost, relegated to the periphery, or buried forever, Salvage opens on January 22 with a live talk with Jobson, Schulze, Debra Broz (previously), and Yurim Gough—tickets are available on Eventbrite—and runs through February 20. Take a virtual tour on Paradigm’s site.

Explore more of Schulze’s revisionary pieces on Instagram and Singulart.

 

 

 



Art Design

Rael San Fratello's Pink Teeter-Totters at the U.S.-Mexico Border Win Beazley Design of the Year

January 19, 2021

Grace Ebert

The three neon pink seesaws that slotted through the U.S.-Mexico border were just named the 2020 Beazley Design of the Year. Conceived by Oakland-based artists Ronald Rael and Virginia San Fratello (previously), the playful, subversive project was installed in July 2019 between El Paso, Texas, and Ciudad Juárez and physically connected the two communities despite the 20-foot barrier. The prestigious, annual award comes from London’s Design Museum.

Rael and San Fratello spent a decade working on “Teeter-Totter Wall” before its installation at the border during a particularly divisive time under the Trump administration. Although it was in use for less than an hour, the interactive work intended to foster and display unity between children and adults from both countries as they physically lifted each other up. In response to the administration separating families at the border, Rael wrote about the project:

The teeter-totters represented the kind of balance necessary for any two people, two nations, to achieve equality, with the understanding that the actions on one side have direct consequences on the other. The teeter-totter is the physical manifestation of the Golden Rule—treat others as you would like others to treat you—a maxim that is shared by all cultures and religions. To experience joy on a teeter-totter, you must allow the other person to experience joy as well.

Among the other winners are a 3D rendering of SARS-CoV-2 by Alissa Eckert and Dan Higgins for the CDC and Social Design Collaborative’s “ModSkool,” a moveable building that can be easily assembled and taken down in response to evictions of farming communities in India. Check out all the top designs through the museum’s virtual exhibition that runs until March 28, and head to Rael San Fratello’s site and Instagram to see more of the duo’s socially minded projects.

 

 

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