Animation

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Animation

'The House' Is a Mysterious Animated Trilogy Following Three Generations of Stop-Motion Characters

January 14, 2022

Grace Ebert

A destitute family, an uneasy property developer, and an unrealistic landlady clinging to the past all find themselves grappling with control when they inhabit The House. The mysterious dwelling is the titular character of Netflix’s new three-part series that brings some of the most promising names of stop-motion animation to the major television platform.

Created at Nexus Studios, the dark comedy is a collaboration between Emma de Swaef and Marc Roels (previously), Niki Lindroth von Bahr, and Paloma Baeza, who each created a different segment of the story. The first part, set in the 1800s, features de Swaef and Roels’s pudgy, woolen characters, the second zeroes in on Lindroth von Bahr’s anxious rat in a present-day nightmare of cockroaches and hospital visits, and the final ventures to the near future with Baeza’s cats experiencing a post-climate crisis world. “The House is a collection of cinematic stories that are intelligent, witty, inquisitive, warm, and yet packed with offbeat humor,” Nexus co-founder Charlotte Bavasso said.

Ahead of its release today on Netflix, Short of The Week went behind-the-scenes with the animators and producers involved in the surreal trilogy, and get a tease of what’s to come in the trailer below.

 

 

 



Animation Music

Merry Christmas, Happy New Year: A Stop-Motion Music Video Tells the Warm and Fuzzy Story of Woodland Friends

December 23, 2021

Grace Ebert

Illustrator Phoebe Wahl and animator Andrea Love teamed up to gift us with a delightful stop-motion short full of cozy felted sweaters, wooly swirls of steam puffing from teacups, and (too much) snow just in time for the holidays. The whimsical animation is the music video for “Merry Christmas, Happy New Year,” a duet between Ingrid Michaelson and Zooey Deschanel, that tells the sweet story of Bunny, Rabbit, and their needle-felted friends as they prepare for the holidays. Watch the heartfelt film above, and go behind-the-scenes with Wahl and Love, who also collaborated on an adaptation of Hans Christian Anderson’s Thumbelina, on Hello Hornet. (via The Kids Should See This)

 

 

 



Animation

Blip: A Minimal Animation about Screen Addictions Unleashes a Barrage of Pings and Notifications

December 17, 2021

Grace Ebert

We’ve all been there: spending the entire day scrolling through social, responding to texts and DMs and email, descending into internet rabbit holes, and just generally escaping the world through our devices. A quirky, 2D animation titled “Blip” by Hannah Sun weighs in on this unending screen addiction as it plunges into a visual soundscape of incessant pings, bells, and other tones. Watch the colorful commentary above, and find more of the New York City-based designer’s projects on Vimeo and Instagram.

 

 

 



Animation Documentary

Absurd Office Etiquette and Sincere Storytelling: Colossal's Top Short Films of 2021

December 14, 2021

Grace Ebert

Suffice to say, 2021 has been an emotional rollercoaster, so it’s no surprise that the short films topping Colossal’s list span the gamut: there are uncomfortable situations of poor (and relatable) office etiquette, heartwrenching indictments of the injustices around us, and purely fun works of animation. We’ve listed the most-watched shorts here and included a few extras in case you need to escape from end-of-year work projects or family gatherings.

 

“Moonwalk” by Nalle Sjoblad

Nalle Sjoblad’s “Moonwalk” uses brutal Home Alone-esque sequences of poor planning, office rage, and failure to appreciate even basic spatial relationships in order to remind us that the most uncomfortable, humiliating scenarios only last for a moment.

 

“Career Limiting” by Anna Mantzaris

Swedish director Anna Mantzaris follows a mischievous character through a series of wildly inappropriate misdeeds and poor office etiquette. Created collaboratively by Passion Pictures and Saatchi & Saatchi New Zealand, the lighthearted-turned-sincere short film compares snipping off a coworker’s tie or wreaking workplace havoc to the unfair penalties of being a mother.

 

“Voice Above Water” by Dana Frankoff

Each day, 90-year-old Wayan gathers his nets and mesh sacks and sets his small boat out on the coast of Bali, although he’s adapted his routine in recent years: rather than harvesting food for his family and community, he scoops up wrappers, bottles, and other refuse and carries the discarded material back to the beach for recycling. San Francisco-based director Dana Frankoff visits Wayan at his coastal home in her impactful debut “Voice Above Water.”

 

“Save Ralph” by Arch Model Studio

Created for the Humane Society of the United States, “Save Ralph” is a poignant and heartbreaking critique of animal testing. It follows a modest rabbit whose life revolves around his role as a product tester and chronicles his struggles to brush his teeth, back pain, and a harsh round of trials for various beauty-related goods.

 

“Dead Meat” by Adnan Peer Mohamed

Selfish, hungry, and more cunning than he appears, the zany seagull in Adnan Peer Mohamed’s “Dead Meat” sends feathers flying. The animated short opens with the creature scouring a boardwalk for food, and after mistaking a bolt for a snack, he snatches an entire hotdog only to find a fellow bird is after the same sausage.

 

We also enjoyed: Pascal Schelbli’s poignant animation that reimagines plastic waste as ocean life, Roman De Giuli’s mesmerizing timelapse of ink gushing across the earth like water, and Patrick Smith’s hypnotic short film that rhythmically spins through 3,745 masks from around the world.

 

 



Animation

Two Curious Rats Endure the Disastrous Effects of an Experiment Gone Haywire in an Animated Short

December 1, 2021

Grace Ebert

What happens when a pair of curious (and hungry) rats find themselves in a kitchen of potions, tonics, and jars of strange preservatives? “Experiment” is a short film by Zoé Berton-Bojko and Susana Covo Perez—they produced the piece as part of their graduation project at the School of New Images—that follows two dueling rodents as they spar over a single dried mushroom. Once they each finally take a bite of the magical fungi, glass-shattering, fiery chaos ensues in a manner that’s as graceful as it is humorously bizarre.

Watch the full animation above, and find more student projects on the Avignon-based school’s Vimeo.

 

 

 



Animation Craft

Winter In The Rainforest: Porcelain Characters Navigate the Amazon in a Surreal Stop-Motion Short

November 30, 2021

Grace Ebert

In Anu-Laura Tuttelberg’s stop-motion short “Winter In The Rainforest,” time passes at an unusual pace. The Estonian writer, director, and animator (previously) sets a cast of fragile, porcelain puppets within the lush rainforests of Chiapas, Mexico, and the Peruvian Amazon, a contrast of real and manufactured that grounds the surreal story. Throughout the film, carnivorous flowers trap their prey, an articulate grasshopper climbs a tree, and a miniature girl wakes from a stupor at a clip that’s wildly different from their timelapsed surroundings, which are evident through leaves shaking in the wind and shadows rolling across the landscape at a quickened tempo.

Shot with 16-millimeter film, the grainy short is years in the making—Tuttelberg details the process on her site—and blurs the boundaries between the imagined and real in both material and narrative. Rather than create an illusion of the characters occupying the tropical ecosystem in a lifelike manner, each element progresses at its own speed. She explains:

While moving the puppets frame by frame, I let the light and the nature in the background move naturally. In this way, the puppets are moving smoothly in their own pace and the nature around them is changing rapidly. This creates a new obscure reality of time and space in the film. It keeps the viewer aware of the stop motion technique in the film. I don’t want to hide the animation technique behind the scene but rather to bring it out and observe the new strange reality it creates.

“Winter In The Rainforest” has already won numerous festival awards, and Tuttelberg tells Colossal she’s working on a sequel titled “On Weary Wings Go By,” which brings the same cast to the frigid beaches of Estonia and Norway. You can keep an eye out for that project, and watch the animator’s previous works, on Vimeo.

 

 

 

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