Animation

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Animation Art

A Geometric Light Projection by Joanie Lemercier Invites Viewers to Take a Trip Through the Stars

March 18, 2019

Kate Sierzputowski

Constellations is a light-based audio-visual installation by Joanie Lemercier that explores the great expanse of our universe through the presentation of morphing geometric shapes and bright glowing orbs. The three-dimensional light work is projected onto water, which gives it a rippling, holographic effect, further intensified by an electronic soundscape produced by Paul Jebanasam. “It’s an exploration of the stars, constellations and the vastness of the cosmos, suggesting the beauty of geometry, simple and complex structures of the universe,” explains Lemercier. The project was first shown in Bristol, UK in March 2018 at Layered Realities in Millennium Square, and is produced by Juliette Bibasse. You can see a full preview of the Constellations in the video below, and follow the tour schedule on Instagram and Twitter.

 

 



Animation

Over 1,400 Hand-Painted and Drawn Frames Create a Maze of Emotion in a New Music Video for Mitski

March 12, 2019

Kate Sierzputowski

For the recent music video for American singer Mitski, designers and animators Saad Moosajee and Danaé Gosset teamed up with creative studio Art Camp to create an animation from 1,480 hand-painted and drawn frames. Pearl follows a single character as she free-falls through a series of scenes, crashing through an ocean to finally land in the same environment where the music video started. 3D renderings merge with traditional mediums such as charcoal, paint, dry pastel, oil pastel, ink, and colored pencils. The result is a swirling and chaotic world that consumes the main character in a wave of adrenaline-pumping emotion. You can see the full video for Pearl below. (via Vimeo Staff Picks)

 

 



Animation Illustration

Paper Illustrations and GIFs Explore the Body and Mind in New Work by Eiko Ojala

March 6, 2019

Kate Sierzputowski

New York Times Sunday Review cover, animation for "Life After a hear Attack at Age 38"

New York Times Sunday Review cover, animation for “Life After a hear Attack at Age 38”

New Zealand and Estonia-based illustrator Eiko Ojala (previously) creates cut paper illustrations that present shadow and depth through creative layering of colorful pieces of paper. Recently, his editorial illustrations have been focused on the mind and body, like a cut paper GIF he created for a story on heart attacks in the New York Times. Others, like two Washington Post illustrations, attempt to uncover the thoughts and feelings sequestered in children’s minds by layering images inside the shape of a boy’s profile. You can see more of Ojala’s designs on his Instagram and Behance.

Washington Post cover illustration for "Kids Special."

Washington Post cover illustration for “Kids Special.”

New York Times Sunday Review illustration for "I Did a Terrible Thing. I Needed to Apologize".

New York Times Sunday Review illustration for “I Did a Terrible Thing. I Needed to Apologize.”

New York Times Sunday Review cover, animation and spot illustration for "Life After a hear Attack at Age 38"

New York Times Sunday Review cover, animation and spot illustration for “Life After a hear Attack at Age 38”

 

New Yorker illustrations for "Literary Hoaxes and the Ethics of Authorship."

New Yorker illustrations for “Literary Hoaxes and the Ethics of Authorship.”

Washington Post cover illustration for "Kids Special."

Washington Post cover illustration for “Kids Special.”

New York Times Sunday Review cover, animation and spot illustration for "Life After a hear Attack at Age 38"

New York Times Sunday Review cover, animation and spot illustration for “Life After a hear Attack at Age 38”

 

 



Animation

A Relaxing Animation Bursts Into Color as it Morphs Through Abstract Line Drawings

February 26, 2019

Kate Sierzputowski


Watching the animation Idle, Torrent by Alex Moy is like watching the most relaxing screen saver ever produced, or perhaps an old school music visualizer that slowly morphs between trippy patterns and colors. Although it is akin to familiar technological systems, there really isn’t an easy way to describe the deeply harmonious flow that occurs during the two and a half minute short film. We suggest you just sit back, relax, and enjoy, especially in tandem with the soundtrack created by Brian “The Bee” Natalio. For more of Moy’s animations, including an interactive line drawing located on the home page, check out his website. (via Vimeo Staff Picks)

 

 



Animation

Dozens of Expressive Puppets Encourage Kindness and Acceptance in a Series of Sing-A-Long Short Films

February 19, 2019

Kate Sierzputowski

Irish director and animator Johnny Kelly (previously) is known for his puppet-based films, most notably his 2011 piece for Chipotle titled Back to the Start. His most recent project, Right on Tracks, is a series of short sing-a-long videos for Cheerios. Kelly worked with the art collective Nous Vous and Andy Gent, who was also the lead of the puppets department for Isle of Dogs.

The catchy anthems have an inclusive message that focuses on building confidence in yourself while practicing kindness to all. Walter Martin of The Walkmen created songs such as Just Be You which teaches acceptance of your own quirks and unique traits, and It’s All Family which showcases a look at familial structures in a much broader light than we typically see on TV.

“We wanted to show diversity,” Kelly told It’s Nice That. “Nous Vous’ characters are so otherworldly and abstract that they could be anyone and everyone. It was important that people empathize with them too. With such simple designs, you can read a little more into their expressions, project your own loneliness onto a lonely character, or warmth onto a happy character.”

The cast of puppets are large, small, and every size in-between, with characteristics that range from colorful tufts of hair to necks that extend out like tree branches. You can take a behind-the-scenes peek at how Kelly created the four-part series in the video below, and view more of his short films on his website and Vimeo. (via The Kid Should See This, It’s Nice That)

 

 



Animation

Wide-Mouthed Heads Consume and Absorb a Range of Mutable Forms in the Short Film “Distortion”

February 4, 2019

Kate Sierzputowski

Swedish animator and sculptor Alexander Unger (previously here and here) creates stop motion animations and tutorials on his Youtube channel titled Guldies. His most recent claymation, Distortion, follows the transformation of eight dice-sized blue cubes into a series of limbs, puddles, and wide-mouthed heads that consume and absorb the previous clay form in rapid succession. Although captivating to watch, the sound effects add another dimension to the short film. Each metallic ting or watery bloop tricks the eye into believing the clay is harder or softer than it appears on screen. Watch out for a twist ending that ties the whole piece together as a beautiful looping narrative. (via Laughing Squid)

 

 



Animation

Aerial Images of the Earth Animated into Fast-Paced Sequences by Kevin McGloughlin

January 25, 2019

Kate Sierzputowski

In EPOCH, the new short film by Irish director and animator Kevin McGloughlin, aerial images of the Earth are pieced together to compare the structural similarities of various suburbs, highways, and fields. When flashed one after the next, buildings and roads form circles and squares, while dozens of cul-de-sacs appear to elongate and morph as they flash on screen. The film bears many similarities in form and editing to his twin brother and collaborator Páraic McGloughlin’s short film from last April Arena, which also utilized Google Earth-sourced images to created fast-paced animated sequences. You can view more of Kevin McGloughlin’s shorts on his Instagram and Vimeo. (via Colossal Submissions)