Craft

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Art Craft

Lisa Stevens’ Ceramic Sculptures Capture Coral-Inspired Motifs in Vibrant Color

Ridges, florets, and spirals comprise the vibrant terrains of Bristol-based artist Lisa Stevens’ marine-inspired ceramics. On the surface of high-fired porcelain clay, she builds vivid hues using underglazes and stoneware glazes along with melted glass to achieve jewel-like details. During the past few years, she has expanded her coral-inspired designs, incorporating a wide range of shapes and emphasizing a spectrum of bright hues. “My work has become more extreme with more fans, spikes, and branches, and now many pieces can be displayed on the wall,” she tells Colossal.

Stevens enjoys working in series, including participating in The 100 Day Project, first with a series of skull-shaped tiles sprouting coral tentacles and currently making progress on a group of teardrop-shaped pieces. Using a range of tools, she spends a lot of time experimenting and learning new ways to employ them, so no two are the same. “I stick to one basic shape but make each one completely different,” she says. “I will never find an end to the possibilities and won’t get bored of looking for something new.”

If you’re in the U.K., you can see Stevens’ pieces on display at Independent Design Collective in Bristol and Katherine Richards Art Gallery in Brighton and Hove. Find more on the artist’s website, and follow updates on Instagram.

 

  

Art Craft

Gio Swaby Embarks on an Exploration of Self-Love and Acceptance in Her Vibrant Textile Portraits

From minimal outlines in black thread, empowering portraits of Black women emerge in new large-scale textile pieces by Toronto-based artist Gio Swaby (previously). Vivid fabrics with an emphasis on florals dominate her new body of work titled I Will Blossom Anyway, on view now at Claire Oliver Gallery, emphasizing brightness, joy, and self-love. Centering on a number of self-portraits, her recent artworks reflect on personal identity, embarking on an introspective journey toward acceptance and compassion.

Swaby’s interest in textiles ties her to a childhood surrounded by the materials her mother often used in her work as a seamstress. She was born and raised in The Bahamas before moving to Canada, where she has spent most of her adult life, and she draws on conflicted feelings about a sense of belonging and navigating what she poetically describes as her “many selves.” She says, “I reflected a lot on my own path and started to recognize how many parts of myself exist in the in-between spaces.”

In her nearly-life-size self-portraits, the artist looks directly at the viewer yet always appears relaxed, embracing tranquil moments of rest. Loose threads occasionally abandon their outlines, dangling or wandering around the canvas as if they have a mind of their own, highlighting the never-finished process of growth, evolution, and self-understanding.

I Will Blossom Anyway runs through July 29 in Harlem and coincides with her solo exhibition Fresh Up at the Art Institute of Chicago, which continues through July 3. Find more on the artist’s website and on Instagram.

 

Art Colossal Craft Photography

‘At the Precipice’ Emphasizes the Role of Emotion, Tactility, and the Senses in Understanding the Climate Crisis

How does it feel to inhabit an irreversibly damaged planet? An exhibition opening at the Design Museum of Chicago this summer brings together works by ten artists and collectives that answer this question through data, color, tactility, and material.

Curated by Colossal, At the Precipice: Responses to the Climate Crisis considers physical and emotional reactions in the era of environmental disaster and emphasizes how art can offer an accessible entry point into such an overwhelming and dire emergency. Varying in medium and methodology, the works included explore several of the most urgent issues affecting the world today.

The Tempestry Project returns to the early Common Era to visualize how rapidly our climate has changed in the last few centuries alone, while Luftwerk and Zaria Forman consider the impacts of a warming world on glaciers and arctic regions. Morel Doucet, Nathalie Miebach, and Migwa Nthiga are concerned with the increasing intensity of weather events and subsequent forced migration, and Jean Shin and Chris Pappan look to shifts in rivers and access to water sources. Selva Aparicio questions loss, remains, and acts of remembrance, while Redemptive Plastics offers a localized and scalable solution to waste.

At the Precipice runs from July 14 to October 30.  We’ll be announcing talks, workshops, and other programming in the coming weeks, so stay tuned for details.

 

Help Us Knit a Century of Chicago Weather!

As part of the exhibition, the Design Museum of Chicago has generously kickstarted a Chicago Tempestry Collection, which will use twelve knitted works to highlight changes in the local weather patterns during the last 120 years. Anyone interested in creating a tempestry—a tapestry depicting daily temperatures—to be added to the collection and displayed at the museum can purchase a kit on the project’s site.

 

 

Art Craft

Paper-Thin Ceramic Pieces Puzzle Together to Form Elegant Vessels by Ellis Moseley

Through a methodical and labor-intensive process of layering petals of thin clay, Adelaide-based artist Ellis Moseley creates elegant, airy vessels that appear to flutter where they sit. Using paper-clay slip—a fine-grained, lightweight, and durable ceramic medium made from mixing clay slip with fiber—the sculptures are composed of strips dried on a plaster bat. The individual pieces are then peeled away and applied to a smooth base. He begins at the bottom and works up in a loose spiral, retaining the delicate edges and emphasizing each vessel’s contours.

In his recent exhibition Heist at Hugo Michell Gallery, Moseley focused on a color palette of pastel pinks, blues, and greens, coalescing fine art and functionality. Find more of his slip-cast work on his website.

 

 

Art Craft Design

Supple Patterns Illuminate Bold Volumes in Oliver Chalk’s Sophisticated Wooden Vessels

Hewn from solid hunks of found timber, Oliver Chalk’s vessels (previously) embrace the natural grain and gradients of different types of wood to reveal voluminous functional sculptures. Using remnants of fallen trees like ash, cypress, maple, and cherry, Chalk hand-carves bold ribs and lines redolent of contours on topographic maps. He takes cues from the distinctive characteristics of each piece of wood, responding to the specimen’s unique texture, hardness, hue, and innate patterns. Maple burl, for example, which is a growth in the tree’s bark that creates dense, swirling, eye-like motifs, led to an elegant piece peppered with small holes and knots.

Chalk’s work is included in the group exhibition Earth Materials at Gallery 57 in Arundel, West Sussex, through June 10 and Spring Collection ’23 at The Hannah Peschar Sculpture Garden in Ockley, Surrey. Find more on his website and on Instagram.

 

Craft

Ravishing Roosters and Perky Pigeons Populate Sarah Suplina’s Vibrant Flock of Paper Birds

Drawing on nature’s vibrant patterns, Sarah Suplina replicates the radiant feathers and beady eyes of a variety of birds. The Connecticut-based artist crafts detailed, lifelike animal portraits of species that she selects for their distinctive plumage and expressions, painting on lightly textured watercolor paper to achieve the vivid hues of chickens, ducks, and songbirds. “I love the subtle value and color surprises that I get with watercolors,” she says, using the medium to building up gradients and contrasts that reveal richness and depth.

Taking around six to ten hours to complete, each bird presents its own intricacies and hurdles. “I found the subtle tonal colors of doves to be challenging to capture correctly,” Suplina says. She often selects birds at random, but her surroundings provide a constant source for ideas. One series titled Backyard Beauties captures individuals spotted out her kitchen window, and her current project Dove Love focuses on pigeons and doves she sees around her neighborhood and during walks throughout New York City. “Birds are so full of personality and variations, and they are an artist’s dream to create, especially with paper,” she says.

Suplina’s work will be featured in the forthcoming book Stitched Journeys with Birds: Inspiration to Let Your Creativity Take Flight, scheduled for publication in September from Schiffer Craft. You can find intricate originals and prints in her Etsy shop and on Society6. Explore her website to learn more about her work, and find updates on Instagram.