Design

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Design

An Undulating Roof Made of Cedar and Steel Flows Out from a Pool House in Ontario

June 17, 2021

Grace Ebert

All images courtesy of Partisans

A steel slatted roof ripples across a property in southwestern Ontario, providing a meditative enclave under its gently sloping cover. Contrasting the stark black metal with softer strips of cedar, “Fold House” by Partisans features a two-story living quarter with a lengthy undulating structure that branches out from one side. It’s bisected by a staircase leading to an upper walkway and covers a luxe in-ground pool.

Partisans is an architecture studio based in Toronto that frequently works with organic shapes and textures, which you can see on its site and Instagram. (via This Isn’t Happiness)

 

 

 



Design

Sleek Wooden Ribbons Spiral in an Infinitely Looping Installation in Hong Kong

June 16, 2021

Grace Ebert

“Time Loop” (2021), 9.2 x 3.6 meters. All images © Paul Cocksedge, shared with permission

A new installation by Paul Cocksedge (previously) creates an endless circuit of coiling wood in Hong Kong’s Yue Man Square. Made of sustainably sourced timber, “Time Loop” evokes the infinity symbol and represents the city’s history of continual growth and change. A poem written in two languages is engraved in the spiraling structure, which stretches more than nine meters across and three meters tall to allow passersby to stop and rest amidst the bustling environment. “When people sit on ‘Time Loop,’ they become part of the movement of the city, as well as its transformation,” Cocksedge says. “It reflects a place that’s endured for many years, but remains constantly moving and evolving. And that’s the symbolism of the form.”

“Time Loop” was a gift from the property development company Sino Group to Hong Kong, and you can explore more of Cocksedge’s architectural projects on his studio’s site. (via designboom)

 

 

 



Art Design Science

Metallic Specimens by Dr. Allan Drummond Perfectly Replicate Prehistoric and Modern Insects in Bronze and Silver

June 15, 2021

Grace Ebert

“Thorn,” bronze and sterling silver, approximately 4 x 2 x 3 inches. All images © Allan Drummond, shared with permission

Dr. Allan Drummond works at the intersection of art, design, and science with his metallic replicas of wide-eyed spiders, ants, and other winged insects. He buoys his research in the departments of Medicine and Biochemistry & Molecular Biology at the University of Chicago into a creative practice that casts biologically realistic specimens with a focus on anatomical elements of prehistoric organisms most likely to be lost in the fossil record, including underbellies.

Each creature starts with a digital rendering created in Blender that’s 3D-printed in individual pieces—you can see examples of these initial models on Instagram. Drummond then casts the replica in bronze or silver with the help of jewelry designers in his current city of Chicago and later assembles and finishes the metallic components, which results in a meticulous copy of the actual insect whether life-sized or enlarged to magnify its features.

In a note to Colossal, he writes that the body of work shown here utilizes more advanced techniques than his previous models and came together with the help of two mentors, sculptor Jessica Joslin and the jewelry designer Heather Oleari. “Feeling the pieces for the thorn bug snap together in my hands—a total rush—was less a relief from stress and more a confirmation that, at least when it comes to building giant metal arthropods, I know what I’m doing,” he says.

If you’re in Seattle, head to Roq La Rue Gallery before July 3 to see Drummond’s exacting metal insects in person, and dive deeper into his process on Instagram.

 

“Proudhopper (Dictyopharidae),” bronze and sterling silver, approximately 5 x 3 x 3.5 inches

“Naphrys,” bronze and black glass, approximately 10 x 14 x 2 inches

“Naphrys,” bronze and black glass, approximately 10 x 14 x 2 inches

“Semibalanus,” bronze, steel, and silver, approximately 4.5 x 4 x 3.5 inches

Detail of “Semibalanus,” bronze, steel, and silver, approximately 4.5 x 4 x 3.5 inches

“Thorn,” bronze and sterling silver, approximately 4 x 2 x 3 inches

“Proudhopper (Dictyopharidae),” bronze and sterling silver, approximately 5 x 3 x 3.5 inches

“Bellacartwrightia,” sterling silver and patina, 5.5 x 4 inches

“Farm To Table,” bronze ant, sterling silver aphid with black glass, two-carat cubic zirconia, approximately 9 x 5 x 2.5 inches

 

 



Craft Design

Bright Tufts, Coils, and Lengthy Stitches Are Embroidered into a Textured Typographic Series

June 15, 2021

Grace Ebert

All images © Panna Eszenyi, shared with permission

Graphic designer Panna Eszenyi shifts her practice to a more tactile medium in a series that deftly merges embroidery and typography. Created as part of the 36 Days of Type challenge, the thread-based alphabet is Eszenyi’s foray into the craft and an exercise in utilizing a wide variety of stitches. The resulting series fluctuates in font, color, and style with both ornate cross-hatched letters, tufted flourishes, and more minimal, geometric interpretations.

Eszenyi just finished her second year at Eszterházy Károly Egyetem in Eger, Hungary, and you can follow her projects on Behance and Instagram.

 

 

 

 



Art Design Food

Asparagus, Cucumbers, and Cabbage Leaves Take a Fresh Twist on the Iconic Hermès Birkin Bag

June 8, 2021

Grace Ebert

All images © Ben Denzer, shared with permission

Ben Denzer cultivates what could be the next trend in sustainable fashion with a green redesign of the classic Hermés Birkin bag. The artist and designer whipped up these vegetable versions of the iconic, high-end accessory by arranging asparagus stalks, cucumber slices, and cabbage leaves into a trio you’d be more likely to find in the produce aisle than a luxury shop.

Denzer is known for his playful food pairings, including books bound with cheese slices and condiment packets and an entire account dedicated to matching his favorite reads with ice cream. Find more of his quirky designs on his site, and check out his Instagram for the apple and banana bags that didn’t make the cut. You also might enjoy Nicole McLaughlin’s edible attire. (via The Morning News)

 

 

 



Craft Design Photography

Paper Is Creased and Twisted into an Elegant Three-Dimensional Typographic Series by Reina Takahashi

June 4, 2021

Grace Ebert

All images © Reina Takahashi, shared with permission

Artist Reina Takahashi transposes the expressive, refined flourishes common in calligraphy into an exquisite series of paper type. Set against solid backdrops, the three-dimensional forms are shaped with crisp lines, twists, and wide-mouthed cones sometimes made with a single strip. Takahashi tells Colossal that she created each letter and number with the final photo angle in mind, ensuring that the “floating planes, pop-off-the-page ribbons, and precarious balancing acts of paper” all cast the proper shadow to complete the character. See the entire collection, which she designed as part of the popular 36 Days of Type challenge, along with some of the Oakland-based artist’s commercial projects for companies like The New York Times, Wired, Medium, and on her site and Instagram.