Art
Holiday Lights Warm the Dark Winter Nights of Jeremy Miranda’s Paintings

All images © Jeremy Miranda, shared with permission
Colorful lights strung on trees and lining gutters cast a welcoming, vibrant glow on dreary, winter evenings in Jeremy Miranda’s paintings. The Maine-based artist (previously) is known for his dreamlike works of landscapes and interiors that incorporate both the domestic and outside world, and elements of nostalgia, intimacy, and memory echo throughout the scenes. Often illuminating the magical in the mundane, Miranda has been creating a growing collection of holiday paintings during the last few years that center on Christmas trees and decorated homes, capturing the warmth of the season as it shines through stark, frigid nights.
The artist has a few prints available through Sebastian Foster, and you can follow his work on Instagram.






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Art
Meticulous Wall Reliefs by Hayoon Jay Lee Undulate with Thousands of Grains of Rice

“Eternal Mother II” (2019), rice, modeling paste, and acrylic, 28 x 35 x 4 inches. All images © Hayoon Jay Lee, shared with permission courtesy of Hollis Taggart
First documented in China in 2,500 B.C., the earliest evidence of the cultivation of rice has been found in archaeological sites dating back more than 5,000 years earlier. A versatile crop that can grow in numerous climates, the plentiful grain plays an integral role in cuisine and folkloric traditions and underpins artist Hayoon Jay Lee’s intricate wall reliefs.
Born in Daegu, South Korea, and currently based in New York City, Lee is interested in what she describes in a statement as the “fundamental tension between indulgence and abnegation”—the act of renouncing or rejecting something—in individual, social, and political dynamics. Contrasting ideas of attraction and repulsion, conflict and harmony, privilege and poverty, or East and West provide the groundwork for abstract compositions made by precisely placing thousands of grains into rippling patterns. The surfaces reference topographical overviews, shifting landmasses, swirling motion, and ruptures.
Across Asia, rice is grown primarily by small-scale producers. However, food-chain inequalities and critical impacts from climate change place farming systems, jobs, and food security on increasingly precarious footing. For Lee, rice is utilized “as object, motif, and metaphor: as the building block for civilizations and also as the basis for social inequities,” she explains.
Lee’s solo exhibition Fields of Vision will be on view at Hollis Taggart in New York City from January 5 to February 4, 2023. Find more of the artist’s work on her website.

“Dream Land IV” (2019), rice, modeling paste, and acrylic, 35.75 x 35.9 x 6.5 inches

“Unfamiliar Place I” (2022), rice, modeling paste, and mica, 12 inches diameter

Left: “Echo III” (2020), rice, modeling paste, and acrylic, 9.75 x 9.75 x 3 inches. Right: “Echo I” (2022), rice, modeling paste, and acrylic, 8.5 x 8.5 x 2.5 in.

“My Mother’s Land” (2015), rice, modeling paste, and acrylic, 18 x 24 x 1.5 inches

“Emotive Movement” (2022), rice, modeling paste, and acrylic, 48 x 36 x 3 inches

“Echo II” (2022), rice, modeling paste, and acrylic, 8.5 x 8.5 x 2.25 inches

“Four Dimensions” (2017), rice, modeling paste, and acrylic, 17.6 x 17.75 inches

“Echo III” (2020), rice, modeling paste, and acrylic, 9.75 x 9.75 x 3 inches
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Art Design
Play Your Next Round of Cards with a Deck Featuring Kehinde Wiley’s Signature Portraits

All images © Kehinde Wiley
Games of poker or solitaire have a little more flair with artist-designed decks by Kehinde Wiley (previously). Gracing four 54-card packs are Wiley’s vividly rendered portraits of Black people, all of which subvert portraiture traditions of Western art history as they highlight subjects of the African diaspora. While fragments of the vibrant botanical backdrops adorn the cards’ faces, the reverse depicts the full works, including the artist’s 2012 painting of model Dacia Carter and “A Portrait of a Young Gentleman,” which reinterprets Thomas Gainsborough’s iconic “Blue Boy” by placing a Sengalese surfer at its center.
Two sets are available in Wiley’s shop, and the MoMA Design Store carries the other two. Proceeds from all decks go toward the artist’s residency program, Black Rock Senegal.






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Art
Mossy Figures Wander Through Woodlands and City Streets in Kim Simonsson’s Flocked Ceramic Sculptures

“Mossgirl with Feathers” (2016), ceramics, nylon fiber, epoxy resin, feathers, and rope. All images © Kim Simonsson, shared with permission. Photos by Jefunne Gimpel
Some of the most exciting artistic discoveries are the results of accidents or the surprising outcomes of experiments, and artist Kim Simonsson’s series Moss People is the result of one such unexpected twist. Coated with soft flocking—a process of applying very fine fiber to the surface of an object—the large-scale ceramic sculptures were initially layered only with velvety black until a few years ago, when one day, the Finnish sculptor decided to flock one of those pieces with yellow, too. Once the crushed nylon fiber was applied over the black, it turned green, and the verdant figures have since grown into a cornerstone of his practice.
Simonsson draws inspiration from pop culture and Nordic fairytales and folklore, creating expressive, youthful characters who tote rucksacks, wear feathers in their hair, or carry important items like books, radios, or plush toys. For the 2022 Utopia Festival in Lille, France, he created monumental versions from fiberglass that lined a thoroughfare and appeared to wander amongst the passersby, emphasizing tender facial expressions, theatrical scale, and the sense that each individual is on a mission. The artist taps into a playful tension between the spritely energy of youth and the fact that moss naturally grows on hard, unmoving surfaces.
Atmospheric images taken outdoors capture the self-assured figures as they wander through woodland, equipped for an expedition. The most recent characters feature edible greenery and cabbage that grows from their limbs, torsos, and feet, providing both protection and sustenance. By producing and carrying their own food, they are completely autonomous, self-sustaining beings.
Simonsson’s solo exhibition Moss Cabbage People is on view at Galerie NeC in Paris through December 24. Find more of the artist’s work on his website, and follow updates on Instagram.

“Moss People in Pine Forest”

“Cabbage Mossgirl Resting” (2022), ceramics, nylon fiber, epoxy resin, and artificial plant

Left: “Mossgirl With Broken Stereo” (2022), ceramics, nylon fiber, epoxy resin, cassette stereo, rope, and artificial flowers. Right: “Cabbage Mossboy Reading” (2022), ceramics, nylon fiber, and epoxy resin

“Hiding Place” (2022), ceramics, nylon fiber, and epoxy resin

“Mossboy” (2016), ceramics, nylon fiber, epoxy resin, feathers, and rope

Left: “Bearded Mossman with Feathers” (2019), ceramics, epoxy resin, nylon fiber, feathers, and rope. Right: “Mossboy With Idol” (2022), ceramics, nylon fiber, epoxy resin, and soft toy

“Mossboy With Rock” (2017), ceramics, nylon fiber, epoxy resin, and textile

“Moss Princess” (2019), ceramics, nylon fiber, epoxy resin, and chain

“Remember,” “Friendship,” “Giant Gatherer,” and “Light,” (2022), fiberglass, polyester resin, and nylon fiber. Installed in Lille, France, for Utopia Festival
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Art
Everyday Situations Take an Amusing Turn in Toon Joosen’s Clever Collages

All images © Toon Joosen, shared with permission
A man mows a field of text, a vacuum cleaner sucks up beachgoers, and kids shield themselves from falling words in the witty collages of Toon Joosen. From his studio in The Netherlands, the artist cuts and splices vintage photos, magazines, postcards, and book pages into clever works that take an ironic and surreal approach to everyday activities. Joosen tends to play with scale and perspective, creating tongue-in-cheek scenarios brimming with nostalgia and humor. He shares dozens of works on Instagram and has prints, buttons, and other goods available on Etsy.







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Art
A Scottish Town’s Annual Competition Invites Its Youngest Artists to Design ‘Wonky’ Holiday Lights

All images courtesy of Newburgh Action Group
For more than 20 years, the town of Newburgh in Fife, Scotland, has marked the holiday season with a wonderfully wonky tradition. Each autumn, young residents are invited to submit original sketches of Christmas decorations to a competition, and once a winning design is selected, Blachere Illumination transforms the work into an LED sculpture that’s then displayed throughout the town. The newest light is a salmon nicknamed “Happy Nemo” that sports a red hat, and the menagerie also features a “reinduck,” a cheerful piece of candy in a green wrapper with arms and legs, and a dinosaur with a star on its head.






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