Annatomix, a self-taught painter from Birmingham UK, creates geometric, origami-inspired animals on everyday materials of all sizes. Bumblebees and rabbits take shape on small surfaces like discarded paper bags and wood scraps, while foxes and peregrine falcons scale the sides of buildings. Crafted in acrylic and spray paint, pastels, graphite, and ink, her animal renderings balance a fantastical element while also responding to the environment they are painted into.
The artist’s lifelong interest in science, history, religion and philosophy have lead to her current body of work, which is “centered on nature of science and its connection with spirituality. I am using sacred geometry as the starting point to explore a broad range of themes that include; the creation of the universe, evolution and extinction, repetition and cycles in history, the illusion of reality,” as she describes on her website.
Annatomix’s newest murals will go up this week in Sweden as a part of the street art Artscape Festival and you can see recent in-progress and finished work on her Instagram. Many of her smaller pieces are also for sale on her website.
Here’s a few recent works by Oakland artist Gabriel Schama (previously here and here) who designs elaborately layered wood relief sculptures with the help of a laser cutter. The pieces are cut from a variety of different plywoods which he layers to create varying images of the human form, architectural studies, and mandala-like patterns. You can see more on his website, and in his shop.
Fluid rock 26 — 2017 glass, fine gold, 25 × 25 × 20 cm
London-based French-Lebanese artist Flavie Audi upends ideas of both geology and glass with her sculptural series, Fluid Rocks. Audi renders blown glass not into rigid, delicate vessels but instead turns the material into colorful translucent blobs with quivering surfaces.
Although she keeps her exact techniques a secret, the artist’s incorporation of fine gold and silver into the glass helps to create the color-shifting translucence. This method, which results in the glass simultaneously displaying completely different transmitted and reflected colors, goes back at least to the 4th century as documented in found Roman glass pieces.
“Works translate the mechanism of life and light and resemble fragments of an ethereal landscape or geology,” Audi writes on her website. “The forms and gestures found in it capture a fleeting, living energy and suggest a certain ambiguity, hovering between digital screen and celestial body.”
You can next see Audi’s work in a group show this October as part of the Arte Sano Biennale at the Museo de Arte Popular in Mexico City. More of her glass work can be found on her website. (via Artsy)
Artist Robert Benavidez focuses on the art of piñata making in much of his sculptural practice, producing birds, sugar skulls, and paintings out of the same technique used to create the iconic candy-filled party object. His latest series of piñatas focuses on the work of the 15th century Dutch painter Hieronymus Bosch, reimagining Bosch’s 2D figures as life-size sculptures.
Although most of the pieces focus on the various bird figures in Bosch’s work, Benavidez has also sculpted a blue, armless frog and a winged boy from his famous work, The Garden of Earthly Delights. You can see more of his sculptural piñatas on his Instagram and website. (via Hi-Fructose)
The word “cute” is woefully insufficient in describing the squee-inducing impression of these needled felted wool sculptures by Ukraine-based designer Hanna Dovhan (previously here and here). Her latest pairs of hand-made mustachioed donuts, mushrooms, croissants, and veggies are all designed to rest in a tender embrace or to simply hold hands. You can see more by following her on Instagram or in her Etsy shop Woolsculpture.
Australian artist Cj Hendry (previously) tricks the eye with her hyper-realistic drawings, works that recreate the appearance of thick swabs of brightly colored paint. To achieve the dimensionality and sheen of fresh oil paint she layers dry pigment atop colored pencil, accurately portraying the liquid medium’s viscosity.
The series, Complimentary Colors, is far different than the artist’s previous style, which for several years had been exclusively black and white. You can view pieces from her past and present, as well as a series of billboard-sized works, on the artist’s Instagram. (via My Modern Met)