Animation

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Animation

Watch Sliced Fruits and Vegetables Disappear Before Your Eyes in Vibrant Animations by Kevin Parry

March 22, 2019

Kate Sierzputowski

Kevin Parry creates stop-motion animations that turn the quotidian task of slicing vegetables and fruit into a near psychedelic exploration of each food’s interiors. Through a common technique called strata-cut, the Toronto-based animator creates videos that slowly peel away the exteriors of peppers, avocados, and onions, revealing patterns we might not notice while preparing a simple stir-fry or stew. Although Parry is used to taking his time perfecting each frame, for this series he had to race against the clock to avoid the organic materials browning or losing their vivacious color. Make sure to watch the full video below to take a look behind-the-scenes of his process, and hear the sound effects Parry created by cutting, crunching, and chewing each featured food. You can see more of his animations on Instagram and Youtube.

 

 



Animation Art

A Geometric Light Projection by Joanie Lemercier Invites Viewers to Take a Trip Through the Stars

March 18, 2019

Kate Sierzputowski

Constellations is a light-based audio-visual installation by Joanie Lemercier that explores the great expanse of our universe through the presentation of morphing geometric shapes and bright glowing orbs. The three-dimensional light work is projected onto water, which gives it a rippling, holographic effect, further intensified by an electronic soundscape produced by Paul Jebanasam. “It’s an exploration of the stars, constellations and the vastness of the cosmos, suggesting the beauty of geometry, simple and complex structures of the universe,” explains Lemercier. The project was first shown in Bristol, UK in March 2018 at Layered Realities in Millennium Square, and is produced by Juliette Bibasse. You can see a full preview of the Constellations in the video below, and follow the tour schedule on Instagram and Twitter.

 

 



Animation

Over 1,400 Hand-Painted and Drawn Frames Create a Maze of Emotion in a New Music Video for Mitski

March 12, 2019

Kate Sierzputowski

For the recent music video for American singer Mitski, designers and animators Saad Moosajee and Danaé Gosset teamed up with creative studio Art Camp to create an animation from 1,480 hand-painted and drawn frames. Pearl follows a single character as she free-falls through a series of scenes, crashing through an ocean to finally land in the same environment where the music video started. 3D renderings merge with traditional mediums such as charcoal, paint, dry pastel, oil pastel, ink, and colored pencils. The result is a swirling and chaotic world that consumes the main character in a wave of adrenaline-pumping emotion. You can see the full video for Pearl below. (via Vimeo Staff Picks)

 

 



Animation Illustration

Paper Illustrations and GIFs Explore the Body and Mind in New Work by Eiko Ojala

March 6, 2019

Kate Sierzputowski

New York Times Sunday Review cover, animation for "Life After a hear Attack at Age 38"

New York Times Sunday Review cover, animation for “Life After a hear Attack at Age 38”

New Zealand and Estonia-based illustrator Eiko Ojala (previously) creates cut paper illustrations that present shadow and depth through creative layering of colorful pieces of paper. Recently, his editorial illustrations have been focused on the mind and body, like a cut paper GIF he created for a story on heart attacks in the New York Times. Others, like two Washington Post illustrations, attempt to uncover the thoughts and feelings sequestered in children’s minds by layering images inside the shape of a boy’s profile. You can see more of Ojala’s designs on his Instagram and Behance.

Washington Post cover illustration for "Kids Special."

Washington Post cover illustration for “Kids Special.”

New York Times Sunday Review illustration for "I Did a Terrible Thing. I Needed to Apologize".

New York Times Sunday Review illustration for “I Did a Terrible Thing. I Needed to Apologize.”

New York Times Sunday Review cover, animation and spot illustration for "Life After a hear Attack at Age 38"

New York Times Sunday Review cover, animation and spot illustration for “Life After a hear Attack at Age 38”

 

New Yorker illustrations for "Literary Hoaxes and the Ethics of Authorship."

New Yorker illustrations for “Literary Hoaxes and the Ethics of Authorship.”

Washington Post cover illustration for "Kids Special."

Washington Post cover illustration for “Kids Special.”

New York Times Sunday Review cover, animation and spot illustration for "Life After a hear Attack at Age 38"

New York Times Sunday Review cover, animation and spot illustration for “Life After a hear Attack at Age 38”

 

 



Animation

The Secret Lives of Objects Revealed in Juan Pablo Zaramella’s Trailer for Así son las cosas

March 3, 2019

Andrew LaSane

Argentinian director Juan Pablo Zaramella (previously) has shared the trailer for a cute new stop-motion television series featuring typically inanimate objects living out funny scenarios. With a title that translates in English to “The Way Things Are,” each episode in the series is one minute long and appears to focus on a different subject, from an egg catching a carton bus, to a stick of dynamite visiting a psychologist who also happens to be a pair of scissors. The sound effects and voices add to the humor. Though you’d need to know Spanish to understand the exact words, Zaramella’s scenes are universally comprehensible: a toothpaste man protests a blushing toothbrush bride’s vows, while  a roll of toilet paper demands access to an occupied bathroom.

The project won Zaramella the Audience Award at the Big Cartoon Festival 2018 and took 2nd prize at the Cyber Sousa / Xiamen International Animation Festival. His previous TV series, The Tiniest Man in World, blended stop-motion animation with live-action and is currently only available to watch if you live in Argentina. There is no word yet on when or where audiences can see Así son las cosas in full, but the two-minute trailer above is a great sample of what’s to come. It also shows the amount of time and detail that went into capturing every frame in order to tell the silly short stories. You can watch more of Zaramella’s films on Vimeo.

 

 

 



Animation

A Relaxing Animation Bursts Into Color as it Morphs Through Abstract Line Drawings

February 26, 2019

Kate Sierzputowski


Watching the animation Idle, Torrent by Alex Moy is like watching the most relaxing screen saver ever produced, or perhaps an old school music visualizer that slowly morphs between trippy patterns and colors. Although it is akin to familiar technological systems, there really isn’t an easy way to describe the deeply harmonious flow that occurs during the two and a half minute short film. We suggest you just sit back, relax, and enjoy, especially in tandem with the soundtrack created by Brian “The Bee” Natalio. For more of Moy’s animations, including an interactive line drawing located on the home page, check out his website. (via Vimeo Staff Picks)

 

 



Animation

Dozens of Expressive Puppets Encourage Kindness and Acceptance in a Series of Sing-A-Long Short Films

February 19, 2019

Kate Sierzputowski

Irish director and animator Johnny Kelly (previously) is known for his puppet-based films, most notably his 2011 piece for Chipotle titled Back to the Start. His most recent project, Right on Tracks, is a series of short sing-a-long videos for Cheerios. Kelly worked with the art collective Nous Vous and Andy Gent, who was also the lead of the puppets department for Isle of Dogs.

The catchy anthems have an inclusive message that focuses on building confidence in yourself while practicing kindness to all. Walter Martin of The Walkmen created songs such as Just Be You which teaches acceptance of your own quirks and unique traits, and It’s All Family which showcases a look at familial structures in a much broader light than we typically see on TV.

“We wanted to show diversity,” Kelly told It’s Nice That. “Nous Vous’ characters are so otherworldly and abstract that they could be anyone and everyone. It was important that people empathize with them too. With such simple designs, you can read a little more into their expressions, project your own loneliness onto a lonely character, or warmth onto a happy character.”

The cast of puppets are large, small, and every size in-between, with characteristics that range from colorful tufts of hair to necks that extend out like tree branches. You can take a behind-the-scenes peek at how Kelly created the four-part series in the video below, and view more of his short films on his website and Vimeo. (via The Kid Should See This, It’s Nice That)