French artist Julien Malland aka Seth Globepainter (previously) continues to create childhood-inspired interventions around Paris and the world. Earlier this year he had a major museum solo show at MoCA Shanghai which included elaborate sculptures and site-specific installations. He also painted one of his largest pieces to date on the banks of the Seine in Paris, and took part in a creation associated with the upcoming museum of street art at the Mausa Vauban. Malland’s poetic murals resonate with audiences of all ages.
“Sweetness and innocence from childhood regularly contrasts with the chaotic environments I choose to put them in,” the artist tells Colossal. He often places the children in environments with books as a reference to their imagination and creativity. After intensively traveling to over fifty countries during the last two decades, Malland is very much aware of the way globalization and modernization are influencing local traditions. “We read less and less with the proliferation of screen habits,” he explains. “While reading we create our own images suggested by words. The screen makes us lazy and spoils our imagination.”
Eight years after his first visit to Shanghai, Malland went back to the city this March to introduce a large project which took place both inside MoCA Shanghai and in its old alleys. Focused on the idea of childhood memories, the outdoor interventions were cleverly created on crumbling buildings and in deserted side streets. The works depicted children playing emblematic games of the ’70s and ’80s, and evoked the atmosphere of the once lively neighborhood. “The vanishing traditional way of life is being replaced by a more common consumer society,” he explains. “This kind of transformation is worldwide, but it’s faster and more sudden in China. Painting those emptied neighborhoods gives me the opportunity to highlight this metamorphosis and continue to explore the traditional Chinese habits that still intrigue me.”
A few months later he took part in a project initiated by Itinerrance Gallery and the Paris City Hall, painting the banks of Seine along with 1010, Momies, and Nebay. The four artists created a long stream of colorful artwork that following the riverbed for a little bit over a mile. Along with 1010’s trompe l’oeil abstraction of an abyss, Momies’ graphic composition in the colors of the French flag, and Nebay’s calligraphy, Malland painted an anamorphic piece visible exclusively from the Pont de la Concorde. The work depicted a child sailing on a paper boat through a rainbow vortex—another incarnation of his imagery that speaks about the purity and boundlessness of children’s imagination and spirit.
Finally, back in June this year he created two pieces inside of Mausa Vauban, an upcoming museum of street art in Neuf-Brisach, France. Once again he explored the idea of children at play. One work is a compelling installation of a little boy breaking a wall and leaving a pile of colorful bricks stacked around the room and an open passageway. Malland is currently preparing for solo shows in London (November 2018), and Shaghai (January 2019), as well as an outdoor project in a pediatric hospital in the US, and is also working on several new books. You can follow his travels throughout the globe on Instagram.
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“Wasn’t It Kind of Wonderful” (2017), oil on canvas, 48” x 48”Melissa McCracken paints what she hears, titling each of her abstract oil paintings after the songs that inspired the work’s expressive gestures and bright punches of color. The Kansas City-based artist has a neurological condition called Synesthesia, which causes her sense of hearing to trigger colorful depictions of songs and genres. For McCracken, jazz music appears as iridescent blues, whites, and golds, while an upbeat pop song is bright pink and purple. You can see more of the artist’s musical interpretations on her website and Instagram. (via Kottke)
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Royal College of Art student Alice Potts grows crystals on shirts, slippers, and various athletic wear from a common yet unlikely source—sweat. The London-based artist encrusts wearables in natural formations that elevate the sporty objects into one-of-a-kind sculptures. The series, titled PERSPIRE, aims to show how we could grow our own accessories, rather than having them manufactured.
“Every human is unique, and so is the sweat they produce, encapsulating our health, wellbeing and identity,” Potts told Dazed. “In the future I’m keen to develop the idea and use it to explore sustainable processes within fashion.”
You can see more of her crystallized shoes and garments on Instagram.
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British sculptor Alex Chinneck has a history of manipulating facades—previously slumping the brick face of an apartment in Margate and completely upending a building in London. Chinneck’s newest monumental manipulation is a condemned office building in Kent, England. The 1960s structure seems to unzip from its middle with a XXXL zipper, revealing the ruin of the forgotten interior. Two folded segments near the top act like a collar, giving the entire installation the appearance of a retro polo shirt. Catch the soon-to-be-demolished intervention while you can: Open to the Public opened August 2 at Brundrett House, Tannery Lane, Ashfield, TN23 1PN. (via It’s Nice That and Dezeen)
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Spanish textile artist Judit Just Anteló moved to Asheville, North Carolina in 2013 to further develop her textile brand Jujujust. Although she studied fashion design, sculpture, and textile art in her hometown of Barcelona, she first learned the standards of weaving from her mother as a small child. Anteló applies these more traditional techniques to her current practice, updating the old methods with splashes of neon color and engaging combinations of vibrant threads.
“Most of my tapestries are just an involuntary result of an improvisation, a dance with colors and materials,” Anteló tells Colossal. “I like to let myself flow and see what it transforms into afterwards. Once I finish and approve one design, I keep the original in my studio to reproduce it in different color variations. Then I redo them and make them evolve and metamorphose into other creations.”
Anteló weaves her tapestries with rye knots created on a lap loom or eight-harness table loom, depending on which type of wall hanging she is attempting to make. You can find a variety of her works for sale on her Etsy shop, and take a peek into her studio on Instagram.
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We just recently covered a new set of collages by Lola Dupre (previously), but couldn’t resist sharing her latest series of stretched and distorted animals. Dupre began focusing on cats and dogs after creating several works based on her own pet Charlie, who appears again in this new series. The Scotland-based artist also created collages based on Instagram-famous pets such as @hosico_cat and @mywhiskeygirl. She hopes to expand the furry series, eventually including a selection of raccoons, foxes, sheep, opossums, and more. You can purchase an original collage on her website, and follow along with the new series on tumblr, Instagram, and Behance.
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The most basic instrument in the hands of a master can produce awe-inspiring results. For Yorkshire-based artist and printmaker Pippa Dyrlaga (previously), that instrument is a common blade handle equipped with fine point blades. The resulting works of art are incredibly detailed paper cuts of plants, animals, and abstract designs with hand-replicated patterns and variations in line width that give them dimensionality and bring the flat images to life.
Pippa only began paper cutting in 2010, a year before completing her Masters degree in Art and Design and Curation at Leeds Metropolitan University. On finding inspiration and imagery that would work well for her style and craft, Pippa tells Colossal that ideas tend to flow from her surroundings and from other projects. “Most of the time one piece will lead to another, but I sometimes get an idea that I just want to try out, something I have been thinking of for a while. I have always lived in quite inspiring and green places, filled with local wildlife and flora, and much of my inspiration stems from being outside and enjoying it, and feeling like a part of it.”
While all of her pieces are meticulous, Pippa says that apart from a basic layout sketch, not a lot goes into the planning phase. “I prefer the pieces where I work on the design as I am cutting them out! I will have a detail or a general idea of what I want it to look like in my head, and I will create the full image whilst I am working on it, in smaller sections, so it develops quite organically.” For larger pieces that do require some planning, she will sometimes make smaller versions first to see how the details will work. “I quite like not knowing what it will look like until its finished,” she tells Colossal.
As for how those details are achieved, Pippa assured us that the blades and handle are the main weapons in her arsenal. “Papercutting doesn’t require anything fancy,” she said. “The tools are as simple as the medium. The rest is practice!” She does, however, have personal preferences when it comes to the paper she cuts (good quality, acid-free, and from sustainable sources), and there are a few measures taken to ensure that the works stay flat, dry, and away from the harsh sun. “Paper cuts are surprisingly strong,” Pippa said, “but they can’t take much damage so they do have to be handled and stored safely, just like any paper.”
To see more of Pippa Dyrlaga’s work, follow her on Instagram.
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Editor's Picks: Art
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