Filmmaker Willie Witte is currently working on a documentary series for PBS but in his spare time he makes fun experimental films. His latest, SCREENGRAB, was made without the help of computer effects though I can’t quite figure out how. After watching this three times the hemispheres of my brain are the equivalent of cross-eyed. Music by Kevin McAlpine. (via booooooom)
Photographed in November of 2012 by the Cassini spacecraft narrow-angle camera, this is a photograph of a hurricane nearly 1,250 miles wide on the surface of Saturn. Via NASA:
The spinning vortex of Saturn’s north polar storm resembles a deep red rose of giant proportions surrounded by green foliage in this false-color image from NASA’s Cassini spacecraft. Measurements have sized the eye at a staggering 1,250 miles (2,000 kilometers) across with cloud speeds as fast as 330 miles per hour (150 meters per second).
This image is among the first sunlit views of Saturn’s north pole captured by Cassini’s imaging cameras. When the spacecraft arrived in the Saturnian system in 2004, it was northern winter and the north pole was in darkness. Saturn’s north pole was last imaged under sunlight by NASA’s Voyager 2 in 1981; however, the observation geometry did not allow for detailed views of the poles. Consequently, it is not known how long this newly discovered north-polar hurricane has been active.
The Cassini–Huygens is a robotic spacecraft launched in 1997 for the purpose of studying Saturn. Since arriving in 2004 the orbiter’s mission has been extended twice. It most recently studied the Great White Spot, a massive storm that occurs at roughly 30 year intervals that is so large it can be seen from Earth with a simple telescope. (via this isn’t happiness)
After graduating college Nashville-based artist Alex Hall found himself on an uncertain path, overwhelmed and unsure of what was going to happen next. In an attempt to visualize his emotions and inner turmoil he set about creating a series of surreal oil paintings titled Relativity depicting anonymous people in similar forms of free-fall and indecision. Just looking at these images I believe Hall has an extremely promising career ahead of him. All of his new works are currently available as giclee art prints, and if you own a gallery I might consider getting in touch with him.
The Book vase by YOY Design Studio (previously) is a house planter camouflaged as a book. Made of PMMA and PVC for water proofing the vase can be opened up to reveal the dirt inside and when closed can be inserted amongst the rest of your books to save desk space. (via fuck yeah book arts)
Photographer Nathan Kaso spent almost 10 months making this fun tilt-shift video of Melbourne with a special focus on the city’s annual festivals and other outdoor events. This is where I always make some snarky comment about how I’ve seen enough tilt-shift work, but this video proves that when it’s good, it’s good and the manner of shooting or production just doesn’t matter. Music by Tom Day.
As if lifted from the wreckage of the Titanic, ceramic artist Mary O’Malley creates sculptural porcelain teapots, cups, and vases adorned with barnacles, tentacles, and other living sea creatures (she refers to them as “porcelain crustaceans”). Many original works from this series titled ‘Bottom Feeders’ are available over on Etsy. (via laughing squid)
Manchester-based designer and illustrator Si Scott is known for his energetic and flowing style of illustration that has graced the packaging and advertising for some of the world’s top brands including Nike, Dove, Coca Cola, and many others. Among some of his most impressive works are his stylized illustrations of insects and other wildlife, drawn by hand with pen and ink. I strongly urge you to check out his Resonate series for Silent Studios/Silent Records, and there’s plenty more to see over on Facebook.
Laser Forest is the lastest creation from a creative studio known as Marshmallow Laser Feast comprised of Memo Akten, Robin McNicholas, and Barney Steel who have focused almost exclusively on creating interactive experiences over the past two years. This latest installation involves a forest of 150 interactive rods installed in an empty factory space that when touched trigger both light and audio cues, effectively creating a large interactive instrument. Laser Forest was commission for the STRP Biennale in Eindhoven last month, and you can learn much more about at the Creators Project.