Intricacies is a forthcoming book of collaborative illustrations between artists Christina Mrozik and Zoe Keller. The black and white drawings of birds, intertwined anatomical studies, and other bits of wildlife stitched with hints of narrative were inspired in part by the rural landscape surrounding their small art studio in Michigan. Each illustration represents 30-50 hours of combined drawing time, with some pieces passed back and forth multiple times between Keller and Mrozik before the piece was finished. The 64-page hardcover book is currently funding over on Kickstarter with just 3 days left. (via Juxtapoz)
Early last year, artist Sonja Hinrichsen (previously) and some 60 volunteers wearing snowshoes trekked out onto the frozen Catamount Lake in Colorado to trample miles of swirling and twisting patterns into the deep snow. Titled Snow Drawings at Catamount Lake, the work was a continuation of her community-based snow drawing projects that bring together local volunteers to transform snowy landscapes into temporary artworks based on parameters provided by Hinrichsen. From her statement about the project:
It is important to me that participants experience the elements of nature while they help me transform their own familiar snow landscape into a piece of art. I hope that the aerial photographs that I take right after completion of each piece can demonstrate also to a larger audience how the landscape is transformed into a piece of art through a system of designs. This changes our perception of the landscape and accentuates the beauty and magic of the natural environment, and thus inspires awe and appreciation for art as well as for nature. I deem this important – especially as modern society becomes increasingly disconnected from the natural world.
Hinrichsen most recently completed a snow drawing project that traced the original flow of the Yampa River in Routt County, Colorado and has upcoming projects scheduled in Illinois and the French Alps.
When scouring through the minute details of artist Cayce Zavaglia’s embroidered portraits (previously), it’s difficult imagine each work is scarcely larger than 8″ x 10″. Her process, which she refers to as both “thread painting” and “renegade embroidery,” begins with a photoshoot of each subject, namely friends, family, and fellow artists. Roughly 100-150 photos are winnowed down to a single selection which she then begins to embroider with one-ply embroidery thread on Belgian linen. She shares via her artist statement:
Over the years, I have developed a sewing technique that allows me to blend colors and establish tonalities that resemble the techniques used in classical oil painting. The direction in which the threads are sewn mimic the way brush marks are layered within a painting which, in turn, allows for the allusion of depth, volume, and form. My stitching methodology borders on the obsessive, but ultimately allows me to visually evoke painterly renditions of flesh, hair, and cloth.
Zavaglia is also interested with the backs of her portraits, a tangled mesh of thread and knots resembling a more abstract version of the exacting portrait on the reverse. In a return to her roots as a painter, she creates gouache and large format acrylic paintings of the backsides, effectively creating a painting of an emboirdery of a photograph. Included here are several works from the last two years including works that will be on view at Art Miami this December through Lyons Wier Gallery. (via Booooooom)
In this fun series of photos titled Thanksgiving Special, San Francisco-based artist Hannah Rothstein imagines Thanksgiving dinners as plated by famous artists throughout history. Gravy, corn, mashed potatoes, and cranberry sauce, and even the plate itself is used as a medium for edible artworks in the style of Jackson Pollock, Cindy Sherman, Georges Seurat, and Vincent van Gogh. To see all 10 artworks head over to Rothstein’s website. Prints of the artistic plates are available, and Rothstein is donating 10% of the profits to the SF-Marin Food Bank. (via Coudal, Quipsologies)
Lisbon-based street artist Bordallo II (previously) recently completed work on two new bird installations, an owl and heron, created from painted trash and other objects affixed to a wall. You can see additional new works by following on Facebook.
While our modern day gadgets are certainly compact and slick, they’re also incredibly boring when compared to the intricate inner-workings of their predecessors. A small microchip now does the heavy lifting in modern day calculators. But take apart a 60-year old calculator and you’ll find hundreds of parts that include gears, axels, rods and levers all working together like a fine-oiled machine. Capturing these old gadgets is photographer Kevin Twomey, who “delights in raising the most mundane of objects to an iconic level.”
In his series simply titled “Calculators,” Twomey highlights the glory of antiquated technology by dramatically photographing the insides of old calculators. The project originally came about when Mark Glusker, a mechanical engineer and collector of old calculators, asked Twomey to photograph his collection. “The stripping of the external shell of the calculators was not the original concept for shooting these machines,” Twomey tells us, “but when Mark removed the covers to show the complex internal working of the calculators, I immediately knew that this was the heart of the project.” The two are shopping around for a publisher, as well as an exhibition space. If you’re interested you should get in touch! (Via My Modern Met)
Chicago-based artist Bruce Riley fills canvases with abstract organic forms made from layer after layer of dripped paint and poured resin. While looking at images of his work online, it’s difficult to grasp the depth and scale of each piece which can be penetrated by light from multiple angles, casting shadows deep into the artwork. Riley works using a number of experimental techniques, frequently incorporating mistakes and unexpected occurrences into the thick paintings that appear almost sculptural in nature. Filmmakers Jason Stanfield and Jordan Olshansky recently stopped by Riley’s studio and shot this brief studio visit. You can see more of his paintings on Flickr, and at Packer Schopf Gallery. (via Colossal Submissions)