Based in Oxford, England, illustrator Chloe Giordano creates delicate depictions of miniature animals rendered with freehand embroidery. The final works of a sleeping fawn or mouse are scarcely larger than the size of a thimble, yet can take long periods of time to complete as she mixes myriad thread colors to achieve perfection for each piece. Giordano also creates various 3D sculptures which you can see more of over on her Tumblr, and says that she is currently available for projects and comissions.
French freediver David Helder has been diving for over 35 years, and somewhere along the way he discovered a strange ability. Like a dolphin, Helder can blow perfectly controlled bubble rings underwater. While many divers have playfully experimented with blowing these whirling vortexes, Helder has dedicated significant time to perfecting the technique which he uses to perform dozens of different tricks. Watch the video to see him in action, thing get really interesting around the 2:40 mark. (via Sploid)
Martin Kimbell is a photographer from England who utilizes LEDs and long exposure techniques to create airborne light forms that seem like trails of otherworldy spacecraft. My initial assumption was that Kimbell used some form of small drone with attached lights, similar to Andreas Feininger’s work with helicopters back in 1949, but the photographs are instead made with hoops lined with LEDs that are hurled into the air. Kimbell was inspired early on by the work of Arizona-based photographer Stu Jenks who uses light and fire to create similar tornado-like images. You can see more of Kimbell’s work over on Flickr.
If you want to create detailed and imaginative flying machine sculptures that look like they’re about to take flight, cardboard is hardly the material to use. Unless of course you’re artist Daniel Agdag (previously), who has been toiling away creating a series of new works each more detailed and fascinating than the next. “The Principles of Aerodynamics” is Agdag’s first solo exhibition where his series of cardboard contraptions that portray his “ongoing pursuit of escape through the metaphor of flight” will be on display through Aug 31, 2014.
As he’s done in the past, Agdag forfeits all blueprints, drawings and plans choosing, instead, to work only from mind and scalpel. His industrial beasts–get close and you can almost smell the oil and smoke; hear the clanking and buzzing–come together only from sliced cardboard hinged with glue.
Photographer Jérôme Berbigier moved from France to Australia in 2007 and soon after took up photography. Inspired by a childhood spent near the Atlantic Ocean and the natural beauty of areas surrounding Sydney, it wasn’t long before he was capturing stunning landscapes up and down the Australian coast. A 2012 trip took him to Iceland where he captured these amazing views of the country’s waterfalls, rivers, and seascapes, some of which he didn’t publish until just this year. You can see much more of his photography on Flickr and over on Facebook. Prints of all his work are available upon request. (via Colossal Submissions)
Japanese artist Shintaro Ohata (previously) currently has two new sculptural paintings on view at Mizuma Gallery in Singapore. Ohata places vibrantly painted figurative sculptures in the foreground of similarly styled paintings that when viewed directly appear to be a single artwork. In some sense it appears as though the figures have broken free from the canvas. These artworks, along with several of his other paintings, join works by Yoddogawa Technique, Enpei Ito, Osamu Watanabe, and Akira Yoshida, for the Sweet Paradox show that runs through August 10th. (via F*ck Yeah Painting, My Modern Met)
Residents of a neighborhood in Baltimore now have the most obvious place to wait for a bus ever designed. The ingenious stop is comprised of three 14′ typographic sculptures that literally spell out the word “BUS” while functioning as benches and a novel leisure space. The bus stop was unveiled last month by artist collective mmmm…, a creative collaboration between Emilio Alarcón, Alberto Alarcón, Ciro Márquez, and Eva Salmerón, who have been designing public spaces in Madrid since 1998. This is their second project in the United States. Via the collective’s website:
BUS is made with wood and steel, materials that are typically used to build urban furniture. The three letters of BUS are big enough to accommodate two to four people each and protect them from rain, sun, wind, and inclement weather. They allow people to assume different postures of sitting or standing while waiting for the bus. The S allows people to lie back while they wait, and the B provides shelter.