Squarespace makes it easy to create stunning websites, portfolios, blogs, and online stores without having to touch a line of code. Showcase your work beautifully with full-screen presentations and dynamic slideshows that look spectacular on every device. Set up a functioning website in minutes using Squarespace’s intuitive and easy-to-use tools.
Check out these websites powered by Squarespace of artists whose work was recently featured on Colossal: Shannon Goff, Ellen Jewett, Kim Fisher, and Daniel Arsham.
Squarespace’s inclusive, all-in-one service provides content management, hosting, domains, social integrations, e-commerce, and 24-hour customer support. Features include dozens of award-winning templates, simple and intuitive drag-and-drop functionality, a free professional logo maker, and Google apps integration.
Start a free 14-day trial at Squarespace.com (no credit card required). Use the code COLOSSAL for 10% off your first purchase.
This stand of bent pine trees known as the Crooked Forest is easily one of the strangest places in Central Europe. Located outside of Nowe Czarnowo, West Pomerania, Poland, the nearly 400 trees are widely agreed to have been shaped by human hands sometime in the 1930s, but for what purposes is still up for debate. Each tree is bent near the base at 90 degrees, a form that could possibly be helpful in boat or furniture making. Strangely enough, every tree is bent in exactly the same direction: due North. A quick search online reveals a host of conspiracy theories ranging from witchcraft to energy fields.
Whatever the reason, we’re glad photographer Kilian Schönberger (previously) stopped by to capture these photos. You can see more from the series on Behance.
Update: Thank you all for your many, many suggestions about the trees. We’ve heard everything from floods to furniture to fire. There still doesn’t seem to be a consensus.
Artist Nicolas V. Sanchez fills entire sketchbooks with drawings of the world around him rendered in precise color ballpoint. Portraits of families page by page, sprawling scenes of rugged farms and livestock, and near photographic recollections of people and places from residencies in the Dominican Republic and China. Sanchez often explores the roots of his own identity, delving into a bi-cultural upbringing that spans from the American midwest to his family’s rural history in Mexico.
In addition to his exacting pen work, Sanchez is also a painter and works in a distinct style that’s quite different from his ballpoint pen sketches. The sketchbooks help him work through ideas to determine if they eventually meant for a larger canvas, or if they’re meant to exist only in the pages of a book.
Filmmaker Jesse Brass recently sat down to talk with Sanchez in his New York studio for this interview entitled Resolve.
All images courtesy Joanna Bird Gallery unless otherwise noted
As a child, Danish artist Steffen Dam loved poring over his grandparents’ collection of scientific books and cabinets of insects. This fascination of how we catalogue and understand the natural world followed through to his artistic glass career, where Dam creates highly detailed “Cabinets of Curiosities” that mimic oceanic specimens suspended in glass jars and plates. The pieces are usually displayed inside light boxes to better illuminate every minute detail from the fragile tentacles of a jellyfish to a flourish of bubbles that seem to dance around many of his specimens.
A quote from David Revere McFadden’s essay Between Art and Nature, The Glass of Steffen Dam:
Steffen Dam invites the viewer to relish the sheer beauty of his “specimens,” but also to reflect on the meaning of nature as a mirror of the human mind and spirit. Dam has “captured” nature in his work, but he assiduously avoids simple imitation of life; the artist shies away from what he refers to as “cheap tricks in glass.” He seeks to strike a “balance between fiction and reality.” While his work is in no way intended to serve as pedagogic tools, as specimens in “cabinets of curiosities” often were, they are intended to engage the eye and stimulate the imagination. Knowledge about the forms, structures, surfaces, and colors of true natural specimens is not to be found in Dam’s displays of crystal cylinders, but another kind of knowledge—that of the visual poetry of endlessly varied forms—is freely offered. Dam’s little creatures, although frozen in glass, remind of how we read and feel both time and change.
Dam most recently had several pieces on view at Chicago’s SOFA Expo through Heller Gallery. You can also see several additional works at Joanna Bird.
Photo by Christopher Jobson for Colossal / SOFA Expo Chicago
Courtesy Heller Gallery
Ukranian artist Alexey Kondakov continues his ongoing digital collage project “Art History in Contemporary Life” (previously) with these latest additions. Kondakov uses his own photographs of urban Kiev as a backdrop for gods, angels, and other figures from classical paintings which look like they’re joining your daily commute. You can see a few more images scrolling through his Facebook page.
Cataloging the tools once used for the very same purpose, Augustine Kofie creates collages that utilize file folders, index cards, and steno notepads from the ’50s through ’80s that were found while scouring the contents of Los Angeles estate sales. Kofie chooses to compile vintage materials from before the dawn of the digital age, a time when data took up physical space rather than gigabytes on an external hard drive.
The desire for collecting these specific paper forms comes from his obsession with historical forms of organization, the physical pen-to-paper process of keeping information tidy. After building collages from the papers in various colors and weights, he utilizes ballpoint pen, silkscreen, and acrylic ink to draw shapes and lines over top. These resulting collages have an architectural appearance, built forms with interlocking lines that mimic the precision of a building’s blueprint.
The Los Angeles-based artist merges his background in graffiti with interests in illustration and architecture to create work that references all three, focusing on form and line most intently in his compositions. Kofie’s solo exhibition “INVENTORY” will be on display at Jonathan LeVine Gallery in New York from November 21st through December 19th 2015.
Redditor big_mac_heart_attack Photographer David Barton snapped this extremely unusual weather event above the skies of Victoria, Australia. Apparently the unusual event is called a Fallstreak Hole (or commonly a ‘hole punch cloud’):
Such holes are formed when the water temperature in the clouds is below freezing but the water has not frozen yet due to the lack of ice nucleation (see supercooled water). When ice crystals do form it will set off a domino effect, due to the Bergeron process, causing the water droplets around the crystals to evaporate: this leaves a large, often circular, hole in the cloud.
Not unsurprisingly, Fallstreak Holes are one of the most common cloud-related events reported as UFOs. (via This Isn’t Happiness)