When Tel Aviv-based designer Chen Bikovski was growing up she was fascinated by pop-up books, especially engaged with the immersive experience that came with the turn of each page. Interested in transforming this idea to work with her design practice, Bikovski founded Popup Lighting, a series of lamps that turn into magical creatures like deer and peacocks when illuminated.
“The idea behind Popup Lighting was to create a permanent light fixture that would bring a magical ambiance to any space,” said Bikovski on her website. “A multi-dimensional light that would inspire the senses and ignite the imagination.”
Bikovski’s fixtures seem like minimal aluminum sculptures until their light is switched on—the origami-like works suddenly appearing as deer or peacocks. Streams of light behind the lamps create the effect of horns and feathers, subtly casting patterns that make each work come alive.
Both of her designs can be found on the Popup Lighting shop in an array of colors. You can see more on her Instagram, while also taking a look at some light experiments with cacti that may soon join the shop! (via My Modern Met)
Merging botanical forms from England with the delicate plant shapes from her childhood in Japan, ceramic artist Hitomi Hosono produces delicate layered sculptures that appear as frozen floral arrangements. Often monochromatic, the works are focused on carved detail rather than color—repetition of form making each piece uniquely beautiful.
“The subjects of my current porcelain works are shapes inspired by leaves and flowers,” said Hosono in an artist statement. “I study botanical forms in the garden. I find myself drawn to the intricacy of plants, examining the veins of a leaf, how its edges are shaped, the layering of a flower’s petals. I look, I touch, I draw.”
Hosono’s plant-inspired works were recently exhibited with Adrian Sassoon gallery during The Salon Art + Design fair in NYC November 9-13, 2016. You can see more of her work on her website, as well as in the book The New Age of Ceramics currently available in the Colossal Shop. (via cfile.daily)
Belgian filmmaker and illustrator Vincent Bal works within the confines of long shadows of everyday objects resting in the sunlight to create a wide range of whimsical doodles. The shadow of a film canister becomes a forbidding tower, or the filaments of a lightbulb cast a dramatic backdrop as a staircase for a daring escape. Bal makes many of his images available as prints over on Etsy, and if you liked this, also check out the works of Christoph Neimann and Thomas Lamadieu. (thnx, David!)
All images provided by the Toledo Museum of Art, photographs by Andrew Weber
Mexican-born mixed media and installation artist Gabriel Dawe (previously here, here, and here) produces rainbow installations that appear as refracted light beams, ethereal works composed of thousands of multicolor threads. His most recent installation, Plexus no. 35, graces the Toledo Museum of Art’s Great Gallery, its brightly colored composition contrasting the surrounding rich shades found in the paintings of old masters.
The site-specific work was designed especially for the museum and will be on display through January 22, 2017. You can see previous installations a part of Dawe’s Plexus series on his website and Instagram.
Here’s a fun short from Lithuanian animator Ignas Meilunas who imagines nighttime as a giant character who moves around the world turning things from light to dark in Mr. Night Has a Day Off. (via Sploid)
Stemming from a past of ambitious collecting, photographer Christoffer Relander utilizes mason jars as vessels to capture the environments that surrounded him during his childhood in Finland. The project, Jarred & Displaced, utilizes double exposures shot on medium format film to combine pristine images of jars with black and white landscapes, collecting scenes shot within forests, neighborhoods, and on top of steep ridges. Each of the images is completely analog as Relander decided to eschew all digital processes for the series.
“With analog multiple exposures I’m able to manipulate my photographs in-camera,” said Relander to Colossal, “this project was not created or manipulated in an external software such as Photoshop.”
The wooded landscapes captured in his photographs are mostly from the countryside in the south of Finland, an environment Relander missed and wished to revisit as an adult. You can see a behind-the-scenes look at Relander exploring these scenes in a short film directed by Anders Lönnfeldt below. (via PetaPixel)