Pixel is an innovative dance performance conceived by French performance artists Adrien Mondot and Claire Bardainne, known collectively as the Adrien M / Claire B Company, in collaboration with hip-hop choregrapher Cie Kafig. The hour-long performance incorporates a host of digital projection mapping techniques, 11 dancers, and bills itself as “a work on illusion combining energy and poetry, fiction and technical achievement, hip hop and circus.” Pixel premiered at Maison des Arts de Créteil on November 15th of last year, and above is a 3-minute exceprt of the shows most jaw-dropping moments. (via Jason Sondhi)
Artist Jeremy Miranda is fascinated with how the mind creates memories and the juxtaposition of experiences both real and perceived. His oil paintings overlap interior and exterior environments to create unexpected relationships between disparate subjects, usually natural versus man-made. The interior of an artist’s studio dissolves into a bucolic river landscape, a bookshelf leads into the ocean, or a glowing furnace is concealed below quiet pond. Miranda most recently had an exhibit at Nahcotta Gallery in New Hampshire where several of his original works are currently available. Some of his most popular images are also available as prints. (via My Darkened Eyes)
Created by Berlin-based artist and designer James E. Murphy, What Color Is It is a website that translates the current time (based on a 24-hour clock) into a corresponding hex color value. The color of the page changes gradually as each second ticks by. This could be a great start to a watch face for the Apple Watch. (via Swissmiss)
A few years ago we mentioned LEGO and bird enthusiast Thomas Poulsom who designed a beautiful series of LEGO bird specimens. Poulsom submitted his concept to LEGO Ideas, and enough people voted to turn the birds into an official kit that includes his blue jay, robin, and humming bird models. The bird sets went on sale a few hours ago. (via Laughing Squid)
Update: Whoa, it looks like the kits sold out in the process of me writing this, but you can still order for delivery within 30 days.
Working only with rocks, gravity, and patience, artist Michael Grab (previously) builds precarious towers and bridges that seem to defy gravity. Grab first tried stone balancing during the summer of 2008 while exploring Boulder Creek in Boulder, Colorado, and quickly discovered an innate ability to build increasingly complicated, free standing stacks of rocks. While his stone sculptures rely heavily on intuition and experience, there’s actually a method he uses in most of his work involving hidden “tripods” found on the surface of any rock. He shares in detail:
Balance requires a minimum of three contact points. Luckily, every rock is covered in a variety of tiny to large indentations that can act as a natural tripo for the rock to stand upright, or in most orientations you can think of with other rocks. By paying close attention to the vibrations of the rocks, you will start to feel even the smallest “clicks” as the notches of the rocks are moving over one another. In the finest “point-balances,” these clicks can be felt on a scale smaller than millimeters, and in rare cases can even go undetected, in which case intuition and experience become quite useful.
You can watch the video above to see Grab at work over the last year, and also see more photography of his stone balaning in his online portfolio or on Facebook. Grab survives mostly off print sales, so if you’re in need of a fancy new calendar for 2015, he’s got you covered.
Leeds-based textile artist Mister Finch (previously) is a master of artistic recycling as he breathes life into vintage fabrics by transforming them into sculptures of moths, rabbits, mushrooms, and strange hybrid lifeforms. Finch says he often draws inspiration from British folklore for his fairytale creations born from discarded velvet curtains or cloth snipped from old aprons and wedding dresses. From his artist statement:
Making things has always been incredibly important to me and is often an amazing release to get it out of my system. It’s a joy to hunt for things for my work… the lost, found and forgotten all have places in what I make. Most of my pieces use recycled materials, not only as an ethical statement, but I believe they add more authenticity and charm. A story sewn in, woven in.
If you asked me when the history of bootleg music began, I would have assumed it arrived with the invention of the cassette tape, something small, inexpensive and portable that was easily duplicated in any garage from deck A to deck B. In reality, widespread bootlegging dates back even further, to the 1950s in the Soviet Union where music lovers, desperate for banned Western tunes, devised an ingenious way to print their own records. The only problem was the scarcity of vinyl.
Desperate times called for desperate measures. With the aid of a special device, people started pressing banned jazz and rock n’ roll music on thick radiographs scavenged from the dumpsters of hospitals. X-rays were plentiful (not to mention cheap), and while the records could only be pressed on a single side, the music they produced using a standard turntable was passable. The recordings even had a catchy name: bone music. From an interview with author Anya von Bremzen via NPR:
“They would cut the X-ray into a crude circle with manicure scissors and use a cigarette to burn a hole. You’d have Elvis on the lungs, Duke Ellington on Aunt Masha’s brain scan—forbidden Western music captured on the interiors of Soviet citizens.”
By 1958 the authorities caught on and the act of making x-ray records was made illegal. It wasn’t long before the largest distribution networks of illicit bone music were discovered and shut down. You can see more scans of bone music over on this page created by Jozsef Hajdu, and FastCo has a great article about the entire phenomenon. (via Junk Culture, NPR, FastCo)