Painstaking Arrangements of Colorful Objects and Food by Emily Blincoe

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Tennessee-based photographer Emily Blincoe (previously) continues to create some of the most meticulously arranged collections of objects we’ve seen. From leaves and flowers to cereal and trash, the photographer is capable of making visually soothing layouts of almost any object. One of Blincoe’s latest projects is the Collection Collection featuring portraits of people laying down against their personal collections of things like rocks or figurines. You can follow her work on Instagram, and many of the images you see here are available as prints in her shop. (via Bored Panda)

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Matty Smith’s Photographs Display Vibrant Life Lurking Just Below Sea Level


“Physalia Physalis” – Bushrangers Bay, NSW Australia

Appropriately titled Over/Under, Matty Smith's series showcases the dual environments that exist just above and below sea level. Smith focuses on images right at dusk in order to expose the vibrant colors that shine within the dark waters. Each shot is divided by a wavy strip of ocean just above the center of the photograph. Fish and coral live below the horizon as seagulls and sunsets populate the upper half of the photos.

Tricky photographs to shoot from a technical standpoint, Smith uses a strobe light for the bottom half of the image to ensure that both the animals above and below water are highlighted prominently.

The Australian photographer views each half and half image he captures as a landscape photograph, and prefers environments with depth and attitude over blue sunny skies. Typically Smith scouts his locations via snorkeling expeditions. “For me one of the most wondrous parts of any dive is the moment that the water engulfs my mask as my head slips below the surface,” says Smith. “I think it’s the suspense of the unknown of what lies beneath, the transitional part of moving from one element to the next that feels so magical and the thought of what alien creatures I might encounter.” Many of his photos are available as prints. (via My Modern Met)

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“Smiling Assassin” – American Crocodile, Jardines de la Reina, Cuba.

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“A Silky Encounter 1” – Jardines de la Reina, Cuba

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“A Silky Encounter 2” – Jardines de la Reina, Cuba


“Bluebottle Army” – Bluebottle cnidarian, Bushrangers Bay, NSW Australia

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“Crimson Tide” – Waratah Anemones, Port Kembla, NSW Australia

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“Ocean Rose” – Bass Point, NSW Australia

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“A Shock of Blue” – Bushrangers Bay, NSW Australia

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“A Splash of Yellow” – Sargassum Seaweed, Bushranger Bay, NSW Australia

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New Book Spanning Wayne Thiebaud’s Career Gives a Peek Into His Slanted and Heavily Shadowed Landscapes

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Bright, thick, and severe, Wayne Thiebaud‘s landscapes veer far from his well-known paintings of common objects and sweets. These works feature steep inclines and long shadows, providing a dramatic new perspective to seemingly banal landscapes and cityscapes.

Thiebaud was born in Mesa, Arizona in 1920 and during his early career spent time in the animation department of Walt Disney Studios and the Special Service Department as an artist and cartoonist in the Air Force. Thiebaud studied at both San Jose State University and California State University in Sacramento, and had his very first solo exhibition at the Crocker Art Gallery in Sacramento.

Although Thiebaud is often associated with the Pop art movement, many of his early works pre-date classic pop pieces and he personally rejects the association. “I don’t care for pop art at all,” Thiebaud told The Wall Street Journal last year.  “Pop artists just appropriate. They steal too much for me.”

A new book scheduled for publication this fall by Rizzoli will span the length of Thiebaud’s career, covering his work from the 1950s until today. The 94-year-old artist selected all the works in the monograph and also wrote a reflective introduction. The book will include his dessert, candy, and common object still lifes while also taking a look at as his landscape and cityscape paintings that tend to focus on the Sacramento River valley and San Francisco. You can pre-order the book “Wayne Thiebaud” on Amazon now, and see more of his work on Artsy. (via B-sides)

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A Timelapse of Illustrator Patrick Vale Drawing a Huge Pen & Ink View of the New York Skyline

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In December of last year London-based artist Patrick Vale spent several weeks drawing this impressive pen and ink illustration of the New York skyline as viewed from the Rockefeller Center. Luckily he photographed almost every moment of the endeavor to make this timelapse where we see building after building materialize at the tip of his pen. The final piece titled Colossus is a triptych of three huge A1 sheets of paper that he scanned and turned into an even larger wallpaper. You might remember Vale from his 2012 drawing timelapse of Lower Manhattan.(via Highsnobiety)

Historical Photos and Artworks Set in Motion by Nicolas Monterrat

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One of my new favorite Tumblrs to follow is Un gif dans ta gueule… (roughly ‘A gif in the mouth…’) run by French photographer and animator Nicolas Monterrat who brings his surreal sense of humor to historical photos, paintings, and other borrowed imagery by creating bizarre and humorous animations. Collected here is just a sampling, do yourself and dive into his archive, you won’t regret it. (via Lustik)

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Alberto Bustos’ Paperlike Ceramics Imitate Sprouting Blades of Grass

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Inspired by forms of vegetation, Spanish artist Alberto Bustos' pieces appear like blades of grass sprouting from the earth, stretching and curling upwards towards an imagined sun. At first glance the pieces look delicate enough to be paper, layered works that exude a dual sharp and fragile quality. However, after a closer inspection one can see that the works are indeed porcelain, adding another dimension to their soft initial appearance.

Bustos lives and work in Spain and his work will be included in Mas De Les Gralles with 40 other international artists on June 13th just outside of Barcelona. Hundreds more images of his work can be found on his Facebook page here. (via Ron Beck Designs)

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Jim Darling’s Airplane Window Seat Paintings Frame Landscapes From Mile-High Perspectives

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Often I use the windows of airplanes as frames in which to view the landscapes just beyond the thick glass— scenes featuring rolling clouds, rich gradient skies, and patchwork fields. Jim Darling has taken this idea of the window as frame and created paintings that place the audience as passenger, showcasing vague yet nostalgic landscapes within his constructed airplane windows.

Darling’s paintings are from this sky-high perspective, painted cities, clouds, and oceans with the occasional wing creeping into the painting from the far edges. Each work includes layered woodwork, acrylic, and aerosol to build the tromp l’oeil nature of the piece, allowing one to finally experience these atmospheric views without the turbulence. (via Stop, Drop & Vogue)

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