Adidas is now designing shoes from our oceans’ detritus, recently producing the world’s first prototype with parts constructed from ocean plastic and illegal deep-sea gillnets. The athletic apparel manufacture partnered with Parley for the Oceans as collaborators, a group of creators, thinkers, and leaders who design projects that aim to end the destruction of our oceans.
The community explains, “Our oceans are about to collapse and there is not much time to turn it around. Nobody can solve this alone. Everyone has to be a part of the solution. And collaboration is the magic formula.”
An ally of Parley, the Sea Shepard Conservation Society, collected the materials for the shoe while tracking an outlawed poaching vessel off the coast of West Africa. The concept for the shoe was then created in just six days, the prototype showcased at the UnxParley launch event in New York on June 29.
Parley explains that this concept is only the beginning, but is an example of how impactful creative collaboration is. “The problems we face are many, but so are the solutions. Stay tuned to learn more about how Parley will end ocean plastic pollution.” Although the partners have explained that this specific concept might never be commercially available, Adidas plans to introduce recycled plastic into their manufacturing process by early next year. (via My Modern Met)
photo credit: Giacomo Giorigi / Sea Shepherd Global
Starting with carpenter and art pencils containing thick leads, Russian artist Salavat Fidai uses an X-ACTO knife to carve miniature renderings of hands, buildings, and various characters from pop culture. The delicate process requires a good understanding of how much pressure the lead can withstand, but even then mistakes are inevitable. The Ufa-based artist is fascinated by all things miniature, and also paints on seeds and matchboxes. Watch the timelapse below to see his process for carving an entire replica of the Eiffel Tower.
Mary Iverson fills natural and manmade landscapes with colorful shipping containers, objects haphazardly stacked on each other and taking up a majority of the otherwise tranquil scenes. The containers and boxes are cross-hatched with overlaid lines, connecting them a predetermined pattern seemingly known only by the artist.
Iverson explains her work by saying, “My paintings are colorful abstractions that spring from the theme of the industrial shipping terminal. The canvases feature mass accumulations of shipping containers and container cranes in various perspectives. My work employs a network of searching perspective lines and layers of interlocking, colorful planes and rectangles that suggest both deep space and flat surface.”
Part painting and part collage (the pieces often incorporate found photography), her artworks address what happens when globalization and the environment collide, material possessions doubling and tripling until they spill into the natural world around them. The Seattle-based painter gathers the bulk of her source imagery for her sketches through yearly trips to parks across the country, camping and photographing the landscape around her.
Iverson received her MFA in Painting from the University of Washington in 2002 and currently teaches painting and drawing at Skagit Valley College in Mount Vernon, WA as a tenured faculty member. Iverson has two upcoming October exhibitions, one at Gallery FB69 in Munster, Germany and another at G. Gibson Gallery in Seattle. Check out more images of Iverson’s work on her Instagram here. (via Juxtapoz where she’s the cover artist for the August issue)
We continue to be awed by Serbian artist Endre Penovác's ability to somehow control the unforgiving nature of water on paper to produce ghostly paintings of felines. As the mixture of water and black ink bleeds in every direction it appears to perfectly mimic the cat’s fur. In his newest pieces Penovác introduces elements of color and negative space to add a slightly new dimension. You can see more of his recent work on Facebook and Saatchi Art.
In the course of raising a child there comes a series of strange moments in when you discover your child is obtaining skills and perfecting their abilities that surpass what you yourself are capable of. It’s a humbling and awesome thing to witness. Such is the case with this friendly battle between St. Louis-based beatboxer Nicole Paris and her dad. He’s definitely a talented beatboxer and taught his daughter well, but it becomes extremely clear she’s taken things to a ridiculously different level. The video is a follow-up to a battle the duo posted online last year. Amazing. I’ve already watched this three times this morning. (via Leonard Beaty, Ambrosia for Heads, thnx Jess!)
From friends who are digital artists, retouchers, or illustrators, I sometimes hear stories of clients who suggest projects should go faster or simply cost less because the software “does it all for you.” While the tools are indeed more efficient and impressive with each new Photoshop or Illustrator release, the skill required to master those tools is still substantial. Case in point, this new time-lapse from Argentinian photographer and retoucher Joaquin Villaverde who demonstrates his Photoshop abilities by giving new life to a severely damaged black and white portrait of a girl. The clip shows two hours of work condensed into three minutes. (via PetaPixel)
If you’ve been on the hunt for the perfect ceramic capybara planter, look no further. Ceramicist Priscilla Ramos from São Paulo, Brazil, has a fantastic line of animal planters in the form of foxes, whales, anteaters, and yes, even the world’s largest rodent. She’s even working on a sloth! The handmade stoneware pieces are perfect for small succulents or cacti, and you can see more in her shop: Cumbuca Chic. (via NOTCOT)