At the outset, these sculptures by artist Claude-Olivier Guay appear like a jumble of wire and feathers folded into a heap, but each hides a remarkable secret. Working only with a pair of pliers, Guay folds, bends, and twists an inner framework of hidden creatures that dramatically transform with a bit of manual manipulation. In his 2015 piece titled La Tanière the bust of a woman’s figure turns completely into an angry wolf, or the figure of a man’s head bursts into a cloud of 40 locusts in a piece called Cénotaphe.
Guay studied visual arts at the Université du Québec à Montréal and is currently based in Québec City. You can see several more works on his website. (via Colossal Submissions, thnx Virginia!)
Crafted for the purposes of material collaboration and hands-on exploration, artist and designer Rachel Ciavarella created Morris—a stuffed anglerfish you can turn inside out. The invertible fish is made from a creative combination of materials that encourage touch such as felt, sateen, chiffon, faux sherpa, canvas, and fleece. Combined they create Morris’s bones, fins, teeth, and various innards seen when the blue fish is reversed.
The stuffed animal was originally created as a student project, but after receiving an influx of interest Ciavarella started a Kickstarter campaign to support a large run of the fish. You can see Morris in action in the GIF below. (via Creative Boom)
Unlike the human body which is composed of only 18% carbon, Agelio Batle‘s latest project is produced from 100% of the semimetal material. The work, titled Ash Dancer, is a life-size skeleton that acts like a very large pencil. When placed on a custom made high-frequency vibrating table, the bones of the skeleton rub marks onto the surface, slowly creating an outline of its own form. The more the work rubs against the table, the more of itself is left behind, slowly transforming the graphite from sculpture to abstract drawings which Batle refers to as Ash Dances.
The piece is a part the exhibition “murmer | tremble” at Jack Fischer Gallery in San Francisco which opens November 5 and runs through December 29, 2016. You can see more work from Studio Batle on his website, and a number of his graphite objects are available in the Colossal Shop. (via This Isn’t Happiness)
Adelaide-based InherentlyRandom merges skulls and bones with bursts of embroidered flowers embedded inside rib cages and eye sockets. The embroideries were inspired in part by artist Trisha Thompson Adams who has created paintings with similar designs and motifs.
Update: This post was updated 10/19/2016 to clarify the embroidery design was inspired by Trisha Thompson Adams.
Tricking the eye to view textile as bone, Lana Crooks (previously) works with bits of hand-dyed wool and silk to recreate the sun-drenched skeletons of snakes, birds, and humans, displaying them each in bell jars. She considers he works “faux specimens” as her delicate sculptures blend science, art, and fantasy. Often her inspirations come from books as well as real specimens, like the ones found in the back rooms of Chicago’s Field Museum of Natural History.
Crooks curated the group exhibition All That Remains, where her work can also be seen, at the Stranger Factory in Albuquerque, New Mexico. She also has an upcoming two-person exhibition at the Chicago-based Rotofugi titled Night Fall, which opens December 9th, 2016. You can see more of her textile skeletons on her Facebook and Instagram. (via Hi-Fructose)
Artist Etienne Meneau creates radical interpretations of a traditional wine decanter by utilizing the abstracted forms of blood veins, hearts, and root systems. Each container from his “Strange Carafes” series is hand-blown from borosilicate, and while many of the objects are technically functional, others serve as sculptural objects with the wine permanently encased within. The depth and diameter of each piece is such that it perfectly contains a single bottle of wine. Meneau shares plenty of photos and videos of each limited-edition piece on a series of mini websites a\here. (via My Modern Met)