Tag Archives: anthropomorphic

The Black and White Anthropomorphic Illustrations of David Álvarez 

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All images courtesy of David Álvarez. This image was made in collaboration with Julia D

David Álvarez produces soft illustrations that seem to glow despite their often limited color palette of black and white. The graphite scenes depict animals either interacting with or as humans, often donning elaborate garments while engaged in activities such as dancing or reading books.

“I always found it amazing how artists worked in the earlier days, I think of the technological limitations and how it took talent, skill, and patience to develop works of great complexity,” Álvarez told Colossal. “That was one reason why, since I was a student, I felt interest in figurative drawing for handling light and shadow. At school I discovered graphite and its possibilities. When I started working on my own I noticed that my personality and my way of working suited that particular technique.”

Mesoamerica is one of the illustrator’s favorite subjects to produce works around. Recently he created a book surrounding Mesoamerican myth titled Ancient Night that follows a rabbit and opossum’s adventures with pulque, a fermented prehispanic beverage.

Seen here are a number of collaborations with illustrator Julia Diaz. You can explore more of Álvarez’s illustrations on his Instagram and blog.

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David Álvarez in collaboration with Julia D

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New Portraits of Fashionably Dressed Wildlife and Floral Bouquets by Miguel Vallinas 

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In his long-running portrait series Second Skins, artist Miguel Vallinas (previously) uses photographic portraits of wildlife as a starting point to construct fictional wardrobes that he imagines each animal might wear if it were dressed as a human. Vallinas has an uncanny ability to select the perfect colors and textures for each outfit he photographs, bestowing the animals with a clear sense of character and an unusual authenticity.

On the surface, Second Skins is a humorous series of portraits guaranteed for a smile, but dig a bit deeper and Vallinas suggests the images reveal a more about human nature than the animal kingdom. Specifically, how we perceive people based on appearance and how we create narratives in our mind based wholly on what we see. Vallinas says he is also examining elements of self-perception, specifically “what we believe we are, what others think we are, what we really are, and what we would like to be.”

For his latest body of work titled Roots, Vallinas again explores identity through similarly dressed boquets of flowers or plants matched with remarkably fitting attire. You can see much more on his website.

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Extremes of Human Nature Explored through Hand-Built Stoneware Animals by Beth Cavener 

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Obariyon. 2013. Stoneware, antique hooks, glaze. 17 x 46 x 30″

Washington-based artist Beth Cavener sculpts human-sized animals from clay and other materials in both dramatically overt and subtly ambiguous displays of emotion. Hung from ropes or pinned to walls, the anthropomorphic sculptures are infused with juxtapositions that depict the extremes of both human emotion and animalistic behavior: predator and prey, love and hate, fear and peace. “On the surface,” shares Cavener, “these figures are simply feral animals suspended in a moment of tension. Beneath the surface, they embody the consequences of human fear, apathy, aggression, and misunderstanding.”

Cavener collaborates with a variety of artists in her work, including Alessandro Gallo, who designed and painted the ornate Japanese tattoos on the nineteen-foot long anaconda snake depicted in Tangled Up in You seen below. There’s much more to see over on her website and several studio views on Hi-Fructose. All images courtesy the artist.

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Obariyon, detail.

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Obariyon, detail.

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Tangled Up in You. 2014. Stoneware, mixed media. Tattoos designed and painted by Alessandro Gallo.

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Tangled Up in You, detail.

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Tangled Up in You, detail.

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Tangled Up in You, detail.

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The Sentimental Question. 2012. Stoneware.

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L’Amante. 2012. Stoneware, painted tattoos. 45 x 60 x 44″

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L’Amante, detail.

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The Question That Devours. 2012. Stoneware.

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Living Clay: Artist Johnson Tsang Brings Ceramic Bowls and Cups to Life 

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With an adept understanding of ceramics and anatomy, Hong-Kong based artist Johnson Tsang (previously here and here) creates strange and unexpected anthropomorphic sculptures where human forms seem to splash effortlessly through functional objects like bowls, plates, and cups. While the works shown here are mostly innocent and comical in nature the artist is unafraid of veering into more macabre subject matter in other artworks that grapple with war and violence.

Tsang recently opened a solo show, Living Clay, at the Yingge Ceramics Museum in Taiwan that runs through January 19, 2014. You can see many more pieces from the exhibition over on his blog where you can also catch a glimpse of works in progress.

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The @FacesPics Twitter Account Posts Fun Anthropomorphic Photos Containing Hidden Faces 

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If you’re a fan of quick visual jokes, I heartily recommend following the new Twitter account @FacesPics that archives photographs of objects, buildings, and other things that look unmistakably like faces of people or animals. Launched earlier this month the account already has 162,000 followers and counting, and for good reason. Sure, some of these photos have been bouncing around for ages, but it’s good they’ve finally found a home.

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Second Skins: Fashionably Dressed Animals Photographed by Miguel Vallinas 

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When first encountering this body of photographs Madrid-based advertising and industrial photographer Miguel Vallinas it’s easy to view it as a familiar “animals dressed as people” project. But as you look closer you realize it’s quite a bit more than that. Aside from the solid retouching, lighting and overall execution, Vallinas took this anthropomorphic project a bit further and imagined what the fully-realized wardrobe of each animal might look like if it were wearing human clothes.

Titled Segundas Pieles (Second Skins), the ongoing series includes some 50+ animals whose personalities seem to be perfectly amplified by their pitch-perfect attire, making the portaits just a bit more human than animal. I’m pretty sure the hipster bird in the cardigan works at a coffee shop by my house. The work is a sister project to another series called simply Pieles where the photographer portrays himself in a wide range of professions. (via lustik)

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