Tag Archives: hyperrealism

Hyperrealistic Oil Paintings of Vivid Chrome Masks by Kip Omolade 

Diovadiova Chrome Kitty Cash I, Oil on canvas, 48 x 60 in.

Brooklyn-based artist Kip Omolade creates large-scale oil paintings of chrome masks, depicting not only the subtle details of female faces, but incorporating the reflected environment of each piece. The series, entitled Diovadiova Chrome, makes reference in part to historical African sculptures, while exploring contemporary aspects of identity, luxury, and immortality. Each piece begins as a mold and cast taken from an actual model which is then utilized as source material for Omolade’s towering paintings which can measure several feet tall.

Diovadiova Chrome portraits historically connect to ancient, realistic African sculptures such as Benin ivory masks and Ife bronze heads,” shares Omolade in his artist statement. “The oil paintings are psychological studies that investigate immortality, the universal masks we all wear and contemporary notions of beauty and luxury. The labor-intensive process involves making a mold and cast of each model’s face, reworking the cast plaster sculpture, producing a version in resin and adding a chrome layer with artificial eyelashes. The final sculpture then serves as a model for the hyper-realistic oil painting. This technique maintains the likeness qualities of portraiture while re-presenting a mask that serves as a conduit between the spiritual and natural world.”

The term Omolade uses to describe the series, Diovadiova, is a word he derived from a combination of the Italian word “Dio” meaning god, and the historical meaning of the word “diva” which is goddess.

Omolade first began his art career working as a graffiti artist while interning at Marvel Comics and The Center for African Art and went on to earn a BFA from the School of Visual Arts. His work was most recently included in the Re:Semblance exhibition at the Redbull House of Art in Detroit and last year’s FREAK OUT! show at Zhou B Art Center. You can follow more of his work on Instagram. (via Creator’s Project)

Diovadiova Chrome Karyn IV, Oil on canvas, 24 x 36 in.

Diovadiova Chrome Karyn I, Oil on canvas, 36 x 48 in.

Diovadiova Chrome Kitty Cash IV, Oil on canvas, 48 x 60 in.

Diovadiova Chrome Kitty Cash II, Oil on canvas, 48 x 60 in.

Diovadiova Chrome Karyn V, Oil on canvas, 12 x 16 in.

Diovadiova Chrome Karyn III, Oil on canvas, 36 x 48 in.

Diovadiova Chrome Joyce II, Oil on canvas, 48 x 60 in.

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Hyperrealistic Depictions of Fish Merged With Their Coral Environments by Lisa Ericson 

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Artist, illustrator, and designer Lisa Ericson (previously) paints hyperrealistic images of imaginary animals, hybrids that intertwine species. Previously focused on a body of work that merged mice and butterflies, Ericson’s newest series focuses on the creatures below, painting bright fish against matte black backgrounds. The vibrant works highlight a variety of coral integrated into fins and tails of scaly animals, as well as showcasing the groups of fish that have decided to make these tails their home.

Ericson’s work is currently in a two-person exhibition titled Supernature at Antler Gallery in Portland, OR which runs through December 22. You can view more of her in-process and completed animal paintings on her Instagram and Facebook.

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Hyperrealistic Paintings of Children and Animals Exploring Urban Remains by Kevin Peterson 

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Hyperrealist painter Kevin Peterson paints fairytale-like interactions of children and wolves, birds, and bears in scenes much different than the pastoral worlds of storybooks. Instead Peterson places the unlikely packs in distressed cities filled with decaying buildings and urban detritus. Despite the worn surroundings, the young girls in the paintings maintain a sense of innocence while they bravely explore the streets with their powerful compatriots.

“My work is about the varied journeys that we take through life,” explains Peterson in his artist statement. “It’s about growing up and living in a world that is broken. These paintings are about trauma, fear and loneliness and the strength that it takes to survive and thrive. They each contain the contrast of the untainted, young and innocent against a backdrop of a worn, ragged, and defiled world.”

The Houston-based artist studied at Austin College in Sherman, Texas where he received his BFA in 2001. Peterson is represented by Thinkspace Gallery in Culver City, California. You can see more of his work on their website and his Instagram. (via This Isn’t Happiness, Faith is Torment)

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Hyperrealistic Oil Paintings of Haphazardly Wrapped Packages and Gifts by Yrjö Edelmann 

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Image provided Craighead Green Gallery

The works of Yrjö Edelmann are so precise that they translate without question as photograph. Even with double, triple, and quadruple takes it is nearly impossible to imagine that the pieces have been produced from precisely placed oil paint. The objects Edelmann depicts are not perfectly wrapped pieces, but rather haphazardly taped and constructed, often on irregularly shaped canvases to heighten the trompe-l’œil effect. Scotch tape and twine hold the wrapping paper in place, with wrinkles covering the bright and often reflective package’s surface.

Edelmann was born in 1941 in Finland, and studied at the University College of Arts in Stockholm, Sweden. Edelmann is represented by Craighead Green Gallery in Dallas, Gallerie GKM in Malmö, and Scott Richards Contemporary Art in San Francisco where he has an upcoming solo exhibition in March of 2016. You explore more of his work in detail on Artsy.  (via This Isn’t Happiness)

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Image provided Craighead Green Gallery

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Image provided Craighead Green Gallery

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Image provided Craighead Green Gallery

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Image courtesy of Scott Richards Contemporary Art

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Image courtesy of Scott Richards Contemporary Art

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A French Museum Dedicated to Over 100 Hyperrealistic Miniature Film Sets 

Le collectionneur de Brooklyn_Miniature de Dan Ohlmann

Housed in a 16th century building in the historic center of Lyon, France is the Musée Miniature et Cinéma, a 5-story museum containing over 100 miniature film sets. The tiny scenes were produced by world-renowned miniaturists and contain the highest form of Hyperrealism in order to trick the audience’s eye into believing each set was indeed life-size.

The handcrafted models contain all the minuscule features that would be found in the film’s actual scene, from fake mold inhabiting peeling walls to scratches seen behind tiny bedposts. The props in the museum’s scenes are also placed with incredible accuracy, disheveled books in libraries propped against each other at just the right angle, and miniature Charles Eames chairs that would even fool the designer. Accurate within these scenes is also their relationship to outside light, windows accentuating or distilling the light to position the set in the right time of day, geographic location or season.

“The subtle lighting arrangement, the painstaking replication of old textures, the use of the same original materials, all contribute to the creation of a moving poetry that resonates with each new miniature panorama,” explains the museum’s website.

If you don’t happen to be traveling to France anytime soon you can see more images of the meticulously detailed scenes on the Musée Miniature et Cinéma’s gallery page here. (via Beautiful/Decay)

Paquebot Normandie - Miniature de Dan Ohlmann

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Le dortoir - Miniature de Dan Ohlmann

D.O. Temple Kurama

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Maxim's de Paris - Miniature de Dan Ohlmann

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Le théâtre de Cupidon - Miniature de Dan Ohlmann

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Prison Saint Paul - Miniature de Dan Ohlmann

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Hyper-realistic Cactus Paintings that Bristle with Detail by Kwang-Ho Lee 

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Cactus No.69, 2011, Oil on canvas, 162.1×130.3cm, courtesy Johyun Gallery.

With deftly applied strokes of paint scarely wider than a hair, Korean painter Kwang-Ho Lee creates towering renderings of cacti that bristle with thorns and tangled branches. The colorful oil paintings can reach up to 8 feet tall, an imposing scale with ample room for tediously composed details that push each work into the realm of hyperrealism. You can explore more of Lee’s work at Johyun Gallery, Artsy, and Atelier Aki. (via Juxtapoz, Hi-Fructose, Beautiful/Decay)

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Cactus No.51,2010,Oil on Canvas,194x200cm, courtesy Johyun Gallery

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Cactus No.59, oil on canvas, 259.1x170cm, 2011, courtesy Johyun Gallery

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Cactus No.73, oil on canvas 193.9×130.3cm 2011, courtesy Atelier Aki

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Cactus No.59, oil on canvas, 259.1x170cm, 2011, courtesy Johyun Gallery

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Cactus No.35, oil on canvas 162x130cm 2009, courtesy Atelier Aki

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Cactus No.35, detail

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“Touch” Exhibition at Joyhun Gallery, 2011

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“Touch” Exhibition at Joyhun Gallery, 2011

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