Over the last year, French artist Julien Salaud has installed several new works as part of his “Stellar Cave” series involving elaborate thread drawings illuminated by ultraviolet light. The polygonal depictions of people, animals, and zoomorphic figures are meant to evoke the idea of star constellations with allusions to mythology and mysticism. Salaud works with cotton thread coated in ultraviolet paint wrapped around precisely placed nails on ceilings or gallery walls. One of his largest installations, Stellar Cave IV, was recently on view at the Hezliya Museum of Contemporary Art. More on Facebook. (via My Modern Met)
“New Light on Rome 2000″. Aula of Trajan’s Markets, Rome 112 AD, in spectrum sunlight. Materials: sunlight, laser cut prisms.
In the late 1980s American artist Peter Erskine began to incorporate sunlight into his artistic practice through the use of strategically placed laser-cut prisms in both modern and historical sites. A hybrid of both art and architecture, he explores the way light falls on varying surfaces and brings new meaning to existing places. Erskine says the intent of his light installations is to use “the emotional impact of art to address the full range of nature from its most elemental expression as pure light to its most complex expression as global ecology.” You can explore more of his work with light over the last 30 years on his website. (via Arpeggia)
Kokerei Zollverein, Essen, “Sun Moon and Stars”, Rainbow sundial calendar “Spectrum of Time”, and Solar powered solar art with heliostat “Sunrise”, permanent installations. / Ballymena, N. Ireland. ECOS Environmental Centre. Interior “Rainbow Sundial Calendar”. Opened 8.2000, permanent installation.
In what may be one of the most ground-breaking developments in creating artificial sunlight, a group of Italian scientists recently announced CoeLux, a new kind of skylight that perfectly mimics the feel of daylight. The creator’s claim the system is so effective that it tricks unknowing individuals into thinking they are looking up at the actual sun.
The inventors are somewhat tight-lipped about how CoeLux works, but it involves filtering a light source through a layer of nanoparticles that mimic Earth’s atmosphere. Because of this, not only does the color match sunshine but the quality does as well. In the photos above—which CoeLux insists aren’t digitally altered—you can get an idea of how realistic the light is, and see it in action in the video.
The light is currently available in three different configurations that mimic sunlight at different points on the globe including tropical, mediterranean, and nordic environments. Applications for CoeLux might involve anywhere light is scarce, from extreme environments like scientific outposts to underground parking garages or even in hospitals. You can see more on their website. (via PetaPixel)
Silver Insecta Lamp, 2013. Metallic material, machinery, electronic device (cpu board, motor, led), resin, magnet. 16 1/2 × 9 1/10 × 14 3/5 in. Courtesy of the artist and GALLERY HYUNDAI, Seoul.
Gold Insecta Lamp, 2013. Metallic material, machinery, electronic device (cpu board, motor, led), resin, magnet. 16 1/2 × 9 1/10 × 14 3/5 in. Courtesy of the artist and GALLERY HYUNDAI, Seoul.
Korean sculptor U-Ram Choe (previously) builds kinetic sculptures embedded with CPUs, motors, and LEDs that appear to be equal parts organism and artwork. Seen here are two of his smallest works to date, a pair of insect-like lamps aptly titled Silver Insecta Lamp and Gold Insecta Lamp. When switched on, the lamps reveal an ornate set of five wing-like appendages that cycle through a gentle flapping motion. You can see how they work in the video above. All photos courtesy Gallery Hyundai. (via Artsy)
New Moon is an interactive shadow and light sculpture from artists Caitlind r.c. Brown and Wayne Garrett (previously) that was installed twice in Lexington, Kentucky back in February of last year. Built from 5,500 burnt out incandescent bulbs donated by the community, the sculpture allows viewers to manipulate phases of the moon using a large turnstyle. The piece is the fourth in a series of installations using re-appropriated light bulbs, more of which you can explore on their website.
Romania-based architecture collective visualSKIN arrived at the Amsterdam Light Festival with a splash this year, installing a three-dimensional projection of a 17-century ship against a backdrop of water. Titled ‘Ghost Ship,‘ the installation makes use of two intersecting images projected onto perpendicular curtains of water that can be viewed from multiple angles. The piece is in reference to a Dutch East India Company ship, The Amsterdam, that was wrecked in a storm during its maiden voyage to Batavia in 1749.
In a fortunate coincidence, and unbeknownst to visualSKIN beforehand, Ghost Ship also rests on the former site of a large water fountain designed by sculptor Albert P. Termote that was removed more than a decade ago. You can see more views of the installation right here. (via Designboom)
This stunning illuminated bike path in Nuenen, Netherlands was just unveiled tonight by Studio Roosegaarde, an innovative social design lab that has risen to prominence for their explorations at the intersection of people, art, public space, and technology; most notably their research with Smart Highways that could potentially charge moving cars or intelligently alert drivers to hazards. The swirling patterns used on the kilometer-long Van Gogh-Roosegaarde Bicycle Path were inspired by painter Vincent van Gogh (who lived in Nuenen from 1883 to 1885), and is lit at night by both special paint that charges in daylight and embedded LEDs that are powered by a nearby solar array. You can read more about the project over on Dezeen.