Wading calf-deep into what looks like an infinite pool of water, visitors to Tokyo’s Odaiba Minna no YUME-TAIRIKU 2016 festival walk slowly through teamLab‘s (previously) latest light mapping installation. A shallow pool of water is completely surrounded by mirrored ceiling and walls, highlighting the psychedelic nature of the thousands of computer generated koi fish that are projected around the viewer’s feet. The fish change speeds as they navigate the waters, often crashing into observers and bursting into scattered flowers upon contact.
The interactive installation is one of four large-scale immersive experiences produced by the Japanese art collective for the festival which is on view through August 31, 2016. You can see images of the other installations on the festival’s website and watch the koi fish in action in a video produced by teamLab below. (via Culture N Lifestyle)
Stephen Knapp has been making work that is transformed by light for over thirty years, producing vibrant light installations he refers to as paintings. These large-scale works utilize minimal tools, harnessing simply light and dichroic glass to throw a multitude of colors against the walls and room. The installations are not sketched out beforehand or programmed by computer, but rather created during the installation process as Knapp moves intuitively to choreograph his intricate light patterns.
“The fun of what I do with light, is that there is nothing in our visual memory that prepares us for what I’m doing,” said Knapp in a short film about his work. “The fact that what I create can just be done with light, that there is no paint on these panels, is absolutely astounding to people. What I am trying to do most of all here is challenge any traditional notion of perception. What is it? Is it real? Is it not real? Does it matter?”
These works have been featured in solo exhibitions around the country including the Boise Art Museum, the Chrysler Museum of Art, the Naples Art Museum, the Butler Institute of American Art, and the Flint Institute of Art, among others. Knapp’s solo exhibition Lightpaintings is currently on view through August 27, 2016 at the Pensacola Museum of Art. (via Colossal Submissions)
Ignite is an experimental animation from 24-year-old artist Daneil Barreto. The clip was made with hundreds of long exposure photos of various LEDs similar to a stop-motion film or timelapse—nothing is digital. Really love the use of color and form, fun stuff.
Study for Fifteen Points. Motors, custom driver electronics, custom software, aluminium, LEDs, computer. 712 x 552 x 606 mm.
With spindly legs that look like an upturned spider, this experimental kinetic artwork by Random International relies on the viewer to watch from just the right perspective to reveal a hidden secret. Each of the 15 ‘arms’ is tipped with white LEDs that collectively move to mimic the motions of a walking human figure. Titled Study for Fifteen Points, the piece was created to examine the “minimal amount of information that is actually necessary for the animated form to be recognised as human.”
Random International are an artist collective known for their ambitious interactive installations and sculptures that incorporate robotics and data, most notably the wildly popular Rain Room. Study for Fifteen Points is the first foray into a new body of work by the group and we’re excited to see what follows. (via The Creator’s Project)
Over 50,000 bulbs light up an expanse of Australia’s Red Centre desert near Ayers Rock in an installation about the size of four football fields. The solar powered work, Field of Light Uluru, was produced by artist Bruce Munro who conceived of the idea while visiting Uluru in 1992. Twelve years later he created its first iteration in a field behind his home, and it has since moved the work around to several different sights across the United Kingdom, United States, and Mexico.
Field of Light was a project that refused to leave the artist’s sketchbook. “I saw in my mind a landscape of illuminated stems that, like the dormant seed in a dry desert, quietly wait until darkness falls, under a blazing blanket of southern stars, to bloom with gentle rhythms of light,” said Munro.
The British artist is best known for his light installations which often contain components numbering in the thousands. These large works refer to his own experience as being a tiny element to life’s larger pattern, and employ light as a way to tap into a more emotional response with his viewers.
Profits for the installation will benefit the local community. The Anangu tribe have named the piece Tili Wiru Tjuta Nyakutjaku in Pitjantjatjara which translates to “looking at lots of beautiful lights.”
You can visit the expansive installation yourself starting April 1st and running through March of 2017.