Design
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Design
Mirrored Ceilings and Criss-Crossed Stairwells Give a Chinese Bookstore the Feeling of an M.C. Escher Woodcut
Zhongshuge bookstores, designed by Shangai-based architecture firm X+Living, feature incredible rooms coveted by book and illusion lovers alike. Each location in this chain of Chinese bookstores has uniquely designed spaces with reflective elements that immerse guests in parallel environments. In the Chongqing branch, criss-crossing staircases and a mirrored ceiling double the room for an effect that seems straight out of an M.C. Escher woodcut or an infinite Indian stepwell.
In the Yangzhou location, each book-filled room also features mirrors, but many are found on the floors rather than ceiling. These glassy elements are meant to appear like mirages, a reference to the city’s canals, rivers, and lakes. You can take a quick peek inside the Yangzhou-based location in the video by Great Big Story below. To view more of the Zhongshuge libraries, visit X+Living’s website. (via Design You Trust)
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Design
Air-Mountain: A Translucent Inflatable Structure Blurs the Boundary Between Interior and Exterior Spaces

Photographs courtesy of Aether
Visitors to this year’s OCT Phoenix Flower Festival in Shenzhen, China encountered an unusual inflatable pavilion by Aether Architects. The translucent structure, called “air-mountain,” served dual functions as a protective exhibition space and a surface for people to climb up and over. Inflated hemispheres with a range of dimensions and textures were grouped together via a ribbed topography, and included air holes to allow visitors (and plants) room to breathe.
Aether was founded by architect Zelin Huang, who also has a background in fine art. His studio focuses “on the spatial creation of a connection between phenomenology and architecture, try to create a building that is not isolated from nature, but between man-made and natural, connecting man-made with nature.” (via designboom)
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Art Design
Silicone Formations by Seulgi Kwon Translate Fictionalized Microscopic Organisms into Necklaces, Brooches, and Rings

“Sunday Morning,” brooch, silicone, pigment, thread, plastic, fabric, 4.7″ x 4.3″ x 2.9″, all images courtesy of Mobilia Gallery
Korean jewelry maker Seulgi Kwon forms silicone into thin, translucent objects meant to be worn on the chest or finger. The glass-like shapes are surrounded by colorful thread, pigment, and paper, which imitate the appearance of microscopic organisms. “At each stage of creation, cells change in form through growth, division, and extinction, creating order and harmony within nature,” she explains in her artist statement. “Using silicone, a synthetic material that can change in texture and transparency, I express the organic movement and shape of cells with their mysterious color and constantly changing forms.”
Kwon is part of an upcoming group exhibition that will explore non-traditional materials in contemporary jewelry titled Material Revolution. The show opens May 15 and runs through June 2, 2019 at at Pistachios in Chicago. You can see more iterations of her wearable silicone sculptures on Instagram. (via Colossal Submissions)

“An Old Dancer” (2017), Silicone, pigment, thread, plastic, feather, 7.3” x 4” x 3.5”

“Two of pentacles” (2017), brooch, silicone, pigment, thread, plastic, fabric, 7.5” x 4.5” x 2.75”

“On your side” (2015), brooch, silicone, pigment, thread, plastic 5.5” x 3.5” x 2”

“A Slow Walker,” brooch, silicone, pigment, thread, plastic, paper, plastic bead, 6.6″ x 8.1″ x 1.5″ (L) “Swing of the Night,” brooch, silicone, pigment, thread, plastic, feather, 9.8″ x 6.2″ x 3.1″ (R)

“Forest of memory,” (2017) brooch, silicone, pigment, thread, feather, 9” x 5” x 3.5”

“The Day After,” brooch, silicone, pigment, thread, plastic, fabric, 5.9″ x 5.5″ x 2.7″
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Design Music
The Rhysonic Wheel Bridges Programmed Percussion with Acoustic Guitar for a Captivating One-Man Ensemble
Wellington, New Zealand-based musician Pete O’Connell has previously used his Rhysonic Wheel, a self-made instrument that combines power tools with a self-spinning wheel, to create steady, melodic strumming on his acoustic guitar. Recently he has built another iteration of the device that spins several wheels at once, producing harmony between a drum, djembe, and any other percussive or stringed instrument he chooses to place in the path of the machine’s spinning wheels.
The invention was inspired by the rhythm that would rattle from the hockey cards attached to his childhood bicycle. Thinking back on this memory gave him the initial idea to incorporate a wheel into his music, which he has been experimenting with ever since. You can see more of O’Connell’s performances with early versions of the Rhysonic Wheel on his Youtube, Vimeo, and Facebook. (via Colossal Submissions)
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Design
Minimalist Modular Systems Turn Walls Into Feline Playgrounds
Mike Wilson and Megan Hanneman, founders of CatastrophiCreations, design modular wall-mounted systems to keep cats active. Parents of humans and pets alike (myself included) are all too familiar with the trip hazard of toys scattered on the floor. Wilson and Hanneman move the activity zone to the wall with vertical playgrounds that allow cats to climb, jump, scratch, and even tip-toe across swinging bridges. Eschewing bright colors and plastic materials, the designers use solid wood, hidden brackets, and canvas to create more subtle and sustainable products. You can learn more about the the Grand Rapids, Michigan-based business in an interview and factory tour on Etsy’s blog. Check out their range of products, from the Thunderdome to the Temple Complex, in their online store.
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Design History Photography
Sacred Spaces: The Grand Interiors of Modern Churches Across Europe and Japan by Thibaud Poirier

Kirche am Hohenzollernplatz, Berlin, Germany – Johann Freidrich Höger, 1933, all images via Thibaud Poirier
Thibaud Poirier (previously) travels the world photographing the architectural spaces that surround us as we live, sleep, study, and pray. In his most recent series, the French photographer captured the interiors of 29 modern churches across Germany, The Netherlands, France, Denmark, and Japan to see how each city has designed structures of worship within the last century. In Sacred Spaces, Poirier uses the same focal point in each image. The stylistic choice makes it easier to compare the similarities of basic structures such as seating and pulpit placement, while contrasting the differences in interior design choices such as lighting and color palettes. You can see more modern churches from the series on his website, Instagram, and Behance.

Saint Moritz, Augsburg, Germany – John Pawson, 2013

Resurrection of Christ, Köln, Germany – Gottfried Böhm, 1957

Grundtvigs Kirke, Copenhagen, Denmark – Peder Vilhelm Jensen-Klint, 1927

Opstandingskerk, Amsterdam – Marius Duintjer, 1956

Kapelle, Berlin, Germany – Axel Schultes and Charlotte Frank, 1999

Saint Joseph, Le Havre, France – Auguste Perret, 1956

Saint Anselm’s Meguro, Tokyo, Japan – Antonin Raymond, 1954

Notre dame du Chêne, Viroflay, France – Louis, Luc and Thierry Sainsaulieu, 1966

Saint Mary’s Cathedral, Tokyo, Japan – Kenzo Tange, 1964
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Editor's Picks: Design
Highlights below. For the full collection click here.