Oghalé Alex’s stunning new project is centered on the desire for “escaping the noise… Each picture is meant to look like something out of your imagination or something you might have seen in a dream,” the Nigerian-American photographer says.
Currently living in London, Alex’s serene series was shot for Cold Laundry, a fashion brand led by Ola and Cerise Alabi, in locations worldwide from Los Angeles and Scottsdale to Sicily, Milos, and San Pedro. “One of the things we thought about when it comes to escaping is a vacation,” Alex tells Colossal. “This can be to the beach, a resort, or simply anywhere a person considers to be peaceful.” The neutral tones of the natural landscape serve as an unobtrusive backdrop for the soft-hued clothing.
With models perpetually embodying impending action, whether through rigidly resting on beige sands or jogging with both feet in the air, the ethereal images explore the tension between movement and inactivity.
The touching, posing, and movement all comes from what our idea of freedom is. Sometimes we’ll have the models laying down in a formation. Other times they will be walking out of the frame towards something unseen. Whatever the models do, we often have them do it together because we believe there is comfort and freedom in companionship.
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With a camera peering out over the landscape of Tivoli, Namibia, Bartosz Wojczyński focused on the sky. The Polish photographer created a hypnotic timelapse spanning 24 hours that has a focal point in the atmosphere rather than on the land. Each minute, he snapped a frame that subsequently was looped 60 times to create the final 24-minute version that’s a mesmerizing look at Earth’s cycles.
According to PetaPixel, Wojczyński’s camera was attached to an SW Star Adventurer, which is designed to assist in celestial photography. For more of the photographer’s space-centric projects, head to YouTube.
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Steve Benjamin generally uses his background in Zoology to capture the underwater lives of sharks, whales, and dolphins. But due to quarantine restrictions spurred by the ongoing threat of COVID-19—South Africa has imposed some of the strictest regulations in the world because a high percentage of the population has compromised immune systems—the Cape Town-based photographer has shifted his focus to the feathered animals visiting his backyard.
Sunbirds is a stunning series of portraits captured using the same techniques as underwater photography. Benjamin tells Colossal he established a miniature studio for his avian visitors by positioning a feeder in a small sunny area with nearby shade, plenty of blooming flowers, and twig perches. “This is a studio setting for wild birds that are free to come and go as they please,” the photographer says.
To ensure the backdrop was dark, he used shutter speeds of 1/2,000 of a second and mounted additional lights to illuminate the vibrant intricacies of the feathers, feet, and bills. “The birds did not like flash photography so I have to figure out how to get constant light onto them with my underwater video lights,” he writes. “I had to get the birds used to being close to bright lights, which took a while.”
You can see the full series on Benjamin’s site, in addition to a deep dive into his process and equipment in the video below. He also shares an array of wildlife shots on his Instagram. (via PetaPixel)
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Often blurring or concealing the faces of her dramatically posed figures, Kylli Sparre (previously) captures magical portraits of young women and girls. The fine art photographer, who is based in Tallinn, captures her lone subjects amidst swirling swaths of fabric or perched atop a towering mass of bicycle wheels. Many are in motion, whether dancing against hazy landscapes and or scooting across calm waters.
Sparre tells Colossal that she’s begun to experiment with technical aspects of her process by using a scanner, piecing together images in collages, and experimenting with movement and exposure time. Although she notes that many of her forays into underwater photography “will never see the light of day,” she’s “trying to be as open as I can… I think what has demanded me to grow, is the wish to keep finding the “something” in an image, that would touch a chord in me. Because what I find interesting, slightly changes over time. It is not always an easy task to be truthful to this inner scale, but still essential.”
To see more of Sparre’s conceptual projects focused on the female figure, head to Instagram.
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Before crops are harvested and combine tracks mark the soil, Wyoming-based photographer Mitch Rouse captures the immaculately planted farmland that patterns the western United States. His captivating aerial shots frame the patchwork fields, concentric rows, and land-hugging lines formed with sprouted produce and vibrant trees. Sometimes disrupted by a natural landmark like a small mountain range, the photographer’s images provide a new perspective on the cultivated land.
Rouse tells Colossal that the Palouse—a major agricultural area in the northwest— is one of his favorite regions to visit because it’s often full of luxuriant fields. “This year, it was particularly lush, and I was very surprised getting out there how soft and velvety the green fields looked. Unlike the first photograph (shown above), the shapes in the Palouse are much more organic flowing and curving with the natural form of the hills,” he says. The photographer also has explored Montana, Oregon, Idaho, and California, capturing the precisely placed rows of trees near Bakersfield.
Originally frustrated by the limitations of drone and aircraft techniques, Rouse said he has “now found the sweet spot between the two by developing a system that incorporates a Bell 407 helicopter, with a Shot Over gimbal mounted to the nose, which contains a 150 MP Phase One Industrial camera.” Much of his process consists of spotting land patterns and flying over them. “A lot of it ends up really just being aware of your surroundings and eventually develop an eye for what will look good, making it pretty easy to pick your targets,” he says. “The key to getting these is timing it right. You want favorable light, whether it’s from clouds or sunrise or sunset.”
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When photographer Jean-Luc Feixa moved from Toulouse to Brussels, he began noticing the cultural, linguistic, and architectural differences between the two cities. “It may seem anecdotal,” he tells Colossal, “but the windows here are much larger than in France and easily disclose the house interiors.”
On his commute, Feixa often would pass the glass openings displaying robust collections, family mementos, and items for sale. “One day, I came across a group of children who seemed to be fascinated by a LEGO construction. It was quite captivating to see them commenting on this installation for many minutes. That was the trigger,” he says.
In the seven years since his relocation, Feixa has captured dozens of windows around the Belgian city, which he recently compiled in a book titled, Strange Things Behind Belgian Windows. Each provides not only a glimpse into the residents’ lives but also the objects they both intentionally and accidentally display. From a panda bear collection to a taxidermied fox to the finish line of a bike race, the objects encompass the cutesy and the odd and are always idiosyncratic. One display in particular—the homage to Elvis Presley (shown below)—has been exemplary of Feixa’s intention.
I talked for a long time with the couple. They are absolute fans of the King, and they were very moving. They decided to share their passion from behind their window. They really represent what I tried to convey with my series, that windows can be a perfect showcase to communicate a passion, send a message, reveal a part of oneself.
Since Belgians have begun quarantine, the photographer says windows have been transformed into a more intentional form of communication. “Whether to sell masks, encouraging people to stay home, or congratulating the medical staff, I see a lot of objects appearing, and it’s great to be able to continue the project,” he says. Feixa is hoping to chronicle this unusual period in a second volume.
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For Meggan Joy to begin creating her flowery assemblages, she first has to plant the seeds. The Seattle-based artist cultivates a plot in a community garden throughout the summer months, tending to each fern and vibrant petal. Once her patch is in full bloom, she captures thousands of individual photographs of her rooted plants before combining them into allegorical digital collages of the female body. Birds, butterflies, and other visitors to her garden make an appearance, as well.
Her latest series, Battle Cry, depicts women in the midst of conflict. Imbued with action, each figure is comprised of layers of the living world that are derived from both the opened flowers and the powerful bodily poses. “Color and texture form each woman’s shape, and from the photographs of once-living individual things, portraits of ethereal beings begin to emerge,” the artist says. A snake wraps itself around one figure’s neck, while two others are twisted among flowing ribbon, merging notions of natural beauty and strength.
Joy’s work will be on view at J. Rinehart Gallery in Seattle from June 13 to July 25, with a virtual opening on June 13. Take a peek at her studio, which includes a walk through her garden plot, in the video below, and follow her textured compositions on Instagram.
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