Photographer Kristina Makeeva creates captivating scenes centered around Lake Baikal. The lake, located in Russia, is the largest freshwater lake in the world by volume, holding nearly a quarter of the world’s fresh surface water. Makeeva takes advantage of its vastness in forming otherworldly images that seem totally separate from the built environments most of us reside in. “The first time I visited Baikal, I had no expectations, and yet what I saw and felt kept me awake for the three days I was there, Makeeva tells Colossal. “I was exploding with inspiration. Now, having traveled to many countries around the world, I still think of Baikal as one of the most beautiful places.”
Makeeva uses Lake Baikal as both the stage and the star in her striking photographs. Often, a single figure centered in the image poses in a manner that draws attention to the surprisingly vibrant colors, shapes, and textures in the frozen landscape. The photographer frequently outfits her models in ruffled tulle dresses with impossibly long trains or minimalist white suits that call to mind astronauts or acrobats. Makeeva explains that depending on the shoot, she either brings models from Moscow or hires local models to work on location, or the models are integrated into the frigid landscape in post-production if their costumes are tricky to travel with.
The artist explains that after a childhood in Moscow’s “grey and boring suburbs”, she is eager to incorporate the magical energy of fairy tales and fantasy into her photographs. “As I travel and read more, I’ve been able to add an element of cultural understanding and context to some of my favorite fairy tales,” says Makeeva.
I always have a movie playing in my head. As a photographer, you still need to do your homework if you want to create something unique in that location. So I immerse myself into history, landscape, and pictures. It’s important to have a special inventory list. As weather conditions play a major role in shoots, we will often order special clothes and dresses that fit with the landscape. We envision and look at several dresses in advance of a shoot. And, of course, we also buy thermal clothes for the model so that she’s as comfortable as possible in the climate.
In reflecting on the end results of her meticulously researched work as an artist, Makeeva tells Colossal, “How I feel about my art and how others feel is often very different. This is natural because our experience of art depends on our life experiences. As a rule, I try not to title my photos, so that everyone is free to interpret my photography however they’d like.”
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Photographer Mikko Lagerstedt (previously) has once again captured the quiet beauty of his native Finland with a recent series centered around trees. Ethereal skies, virgin snow, and seemingly isolated pockets of nature serve as backdrops to twisted trunks and outstretched branches. Taken from Lapland to Southern Finland, the images speak to qualities of beauty and of resilience.
Lagerstedt was first inspired to capture these dreamy landscapes when he witnessed one first-hand while en route to a relative’s cabin. His images often showcase nature with little to no sunlight which gives them a sense of calm and stillness. The t r e e s series is comprised of photographs taken between 2018 and 2019 and edited using Photoshop and Lightroom. “My goal is to convey the feeling I had when I was photographing the subjects…to appreciate the never-ending beauty of trees,” Lagerstedt tells Colossal. “In our lives, we rarely recognize them, yet trees surround us with their beauty. They tell us many stories about life and the struggle to survive in harsh conditions.”
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Abandoned vehicles are swallowed by the surrounding forest in “Nature Takes Over,” a photo series by Thomas Strogalski. The German photographer, normally based in Düsseldorf, was on assignment in Maui, Hawaii for a client and found some spare time to pursue this personal project. “During my 5-week stay, I discovered striking irregularities within the lush, fascinating nature,” Strogalski tells Colossal. Old automobiles, from sedans and trucks to camper vans and R.V.s, the once-powerful machines have been subsumed beneath towering trees and twisting vines. “I am fascinated by the thought that in the end nature will take over man,” reflects Strogalski. “With peace, lasting continuity, flexibility in harmony with permanent adaptation, nature seems to reclaim what one wants to take away from it.” Explore more of the photographer’s professional and personal work on Behance and Instagram.
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London-based photographer Tim Flach travels the world capturing the nuanced expressions, unique patterning, and unusual profiles of animals large and small. Often focusing his lens on endangered and vulnerable species, Flach highlights the traits of animals that are at risk of disappearing due to habitat loss, climate change, and human activity. The photographer has worked with a huge range of wild, domestic, and captive animals, from Saiga and Beluga Sturgeons to Pied Tamarin and Pangolin.
Set on plain backdrops à la studio portraits, Flach’s bird photographs particularly stand out. His sharp, clear portraits show the colorful and wildly shaped feathers and beak of birds from the U.S. to the Himalayas. A stately Jacobian Pigeon, its two-toned ruff of feathers framing a white-crested face, seems to peer elegantly at the view, while an assertive cardinal stares pointedly, a white highlight glinting off the hook in the bird’s red beak. A statement on his website explains the relatable emotional quality of his work:
Tim Flach is an animal photographer with an interest in the way humans shape animals and shape their meaning while exploring the role of imagery in fostering an emotional connection. Bringing to life the complexity of the animal kingdom, his work ranges widely across species, united by a distinctive stylization reflecting an interest in how we better connect people to the natural world.
Flach has published several books of his photography: one is centered around endangered animals, while others are species-specific, celebrating horses or dogs. You can explore the artist’s catalog as well as several galleries of animal portraits on his website, and follow him on Instagram for first glimpses of new work.
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Rachel Lopez has a thing with… taxi ceilings. Instead of joining the 200,000+ Instagram posts hashtagged #ihavethisthingwithfloors, the lifelong Mumbai resident flips her phone’s camera into selfie mode. Lopez documents the vast array of eccentric plastic patterns covering the ceilings of her hailed rides, many of them taken in her frequent trips around the city as a journalist with the Hindustan Times.
Mumbai is home to about 58,000 metered taxis, and each one seems to feature a totally different interior aesthetic. Though many of the cars themselves are the same model, drivers often line the ceiling with colorful patterned plastic or vinyl to protect the easily-stained felt fabric. She prefers the traditional taxis to the newer influx of startup ride shares, despite the unpredictability of independent operators, who may decline a trip depending on the destination. Since April 2017, Lopez has been collecting consistently framed photos to track the diversity of designs she encounters.
“I live for the day a driver shows interest in my collection. Most of them, when I compliment them, merely grunt in acknowledgement,” Lopez tells Colossal. “They’re determinedly uninterested, for some reason. But a few of them will indulgently smile and get on with the ride. In Mumbai, if you’re a solo woman commuter, the driver is much more interested in whether you’re married, Indian politics, and how much money a journalist makes.”
As she continues her to add to her simple yet infinite collection, Lopez has enjoyed connecting with others. She displayed one hundred of her photos this February at Kala Ghoda Festival, which is Asia’s largest street festival for the arts. “I was keen to show on the street, not in a sanitized gallery, so everyday crowds could appreciate them,” says Lopez. “The response was overwhelming! The sheer diversity and number of designs are a surprise even to lifelong Mumbai residents (even I’m shocked that I still find new ones two years into the project). It’s one of the most gratifying outcomes of the series—being able to share with my beloved city the pictures I’d been quietly taking.”
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Dripping blobs of oily black, cosmic haze, and octopus tentacles emerge from the screens of smartphone users on the streets of London. Illustrator Andrew Rae teamed up with street photographer Ruskin Kyle to add some visual flair to people immersed in their electronic devices. Some of the protagonists are simply standing on the street using their phones, while other have paired their device usage with competing activities like dog-walking and ramen-eating.
“I always go for a walk on Hampstead Heath in the mornings for inspiration and I found myself nearly bumping into people on their phones,” Rae tells Colossal. Because many people in the area also are out with their dogs, “it started me thinking about the phones as if they are little pets or creatures that they are carrying in their hands.”
Rae shares that the idea percolated over time, and in conversation with his photographer friend, the pair realized the potential in the concept. Initially, Rae tried to completely replace the phones with illustrations, but he then decided to incorporate the physical technology as the source, or a part of, of the imagined creatures. In developing each character, Rae worked from some tried-and-true shapes and concepts from his larger illustration practice, and let each one develop organically.
To keep up with new embellishments of tech-absorbed passersby, follow Andrew Rae on Instagram and see more of Ruskin Kyle’s street photography on the platform as well. Just don’t bump into a stranger while you scroll through! (via My Modern Met)
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Two researchers at the University of Haifa have developed Sea-Thru, an algorithmic method for color-correcting underwater images. The tool allows scientists—and laypeople—to understand and contextualize the “true” colors of aquatic phenomena like fish, coral, and anemones. Sea-Thru was developed by Derya Akkaynak and Tali Treibitz and is a more accurate re-reading of colors, rather than editing tones artificially in Photoshop.
In the paper’s abstract, the duo explain that the way colors come through underwater is not uniform (which is why the aforementioned Photoshop doctoring isn’t accurate). Rather, the distance from the lens and the reflectivity of the captured object determines how its colors appear. So, the way sand appears is differently modulated by the water than, say the scales on a fish passing above the sand. Sea-Thru uses an algorithm to accurately and efficiently adjust images taken underwater.
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Editor's Picks: Photography
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