Agnes Hansella
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Art
Viruses and Microorganisms Emerge from Agnes Hansella’s Macramé Installations and Sculptures

“Under Our Skin,” iron frame, manila rope, goni rope, sisal rope, and raffia rope, 570 x 425 centimeters. All images © Agnes Hansella, shared with permission
In a Time Magazine article published during the early months of the COVID-19 pandemic, scientist Elizabeth Fischer describes viruses and their aptness for destruction. She refers to their “beautiful symmetry,” adding, “they’re not malicious in and of themselves. They’re just doing what they do.” This straightforward statement contrasts much public sentiment centered on the overwhelming fear and grief and is the basis for a new body of work by Jakarta-based artist Agnes Hansella (previously).
Recently on view alongside pieces by Mulyana (previously) at NA Arthouse, Hansella’s macramé installation and sculptures magnify the tiny world of microorganisms through fiber. The nearly six-meter “Under Our Skin” hung at the entrance of the show, creating an intricate curtain of knotted and looped rope mimicking the epidermis. A large hoop evoking a microscope lens stood nearby, with Mulyana’s crocheted bacteria clinging to the loose net of threads.
Inside the gallery were several sculptures of phages, a tall navicula, and the infamous coronavirus. Two wall pieces spill out from their white frames, creating textured topographies of organic forms that appear to grow outward. “I want to explore microorganisms and viruses in (their) beauty to remind myself that we are part of a complex world, and getting close to these small unseen things helps me value simple everyday actions more, as simple as breathing,” Hansella shares.
For more of the artist’s elaborate rope-based works, visit her site and Instagram.

“Navicula,” iron frame, cotton rope, and pompoms, 60 x 150 centimeters

Detail of “Under Our Skin,” iron frame, manila rope, goni rope, sisal rope, and raffia rope, 570 x 425 centimeters

“First of the Gang,” cotton rope, velvet, synthetic rope, raffia, wool, and nylon, 155 x 175 centimeters

“Corona,” iron frame, cotton rope, and pompoms, 60 x 60 centimeters

“Corona,” iron frame, cotton rope, and pompoms, 60 x 60 centimeters

“Something in the Air,” cotton rope, velvet, synthetic rope, raffia, wool, and nylon, 200 x 190 centimeters

“Phage,” iron frame and cotton rope, 32 x 50 centimeters
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Workshops
Join Us for A Colossal Workshop on Miniature Macramé with Agnes Hansella

All images © Agnes Hansella, shared with permission
Since her stunning trio of installations in Bali, artist Agnes Hansella has continued to delight us with her elaborate and organic macramé works. We’re thrilled that she’s joining us live from her home in Jakarta this fall for a virtual workshop on miniature macramé. During our hour-long session, she’ll teach techniques for crafting the miniature piece shown above using the larks head knot, alternating half hitch, square knot, wrap knot, and diamond stitch. She will also share tips for utilizing the same methods to create a larger-scale work.
Registration is open now for the October 29 workshop, and if you’re a Colossal Member, be sure to use the code in your account for $5 off. Ten percent of all proceeds from this workshop will benefit Refugee One.
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Art Craft
Rainbow Threads Are Knotted into Elaborate Macramé Wall Hangings by Agnes Hansella

All images © Agnes Hansella, shared with permission
Back in February, Agnes Hansella completed a staggering trio of macramé installations. The monumental works are a facet of the Jakarta-based artist’s practice, which spans large-scale pieces and smaller wall hangings extending a few feet wide. “I would like to not cage myself to a certain style, so in every piece, I really let my instinct do most,” she tells Colossal. “I always think of art as something that keeps evolving. It’s like a relay race where I’m one part that connects the past and future.”
No matter the size, each of Hansella’s works demonstrates an extensive repertoire as she blends dyed and natural threads into wildly varied combinations of twists, knots, and ties. The elaboratey woven pieces range from geometric shapes and abstracted rainbow glitches to a vast mountain landscape, which are direct products of the sights and sounds she’s encountered throughout her life. Through interactions with her father’s native Dayak tribe and a childhood spent in Borneo, she saw woven baskets and textiles that continue to impact her work today, as do the Indigenous songs she heard while studying cinema in Canada.
Hansella sells many of her fiber-based works, along with functional goods and supplies, in her shop, and you can follow her latest projects, which include a recently completed piece in Bahrain that’s 48-meters-wide and 4-meters long, on Instagram.
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Art Craft
A Trio of Monumental Macramé Installations Stretch 37 Feet Across a Seaside Structure in Bali

“Mountain,” 1150 x 766 centimeters. All images © Agnes Hansella, shared with permission
In just 12 days, Jakarta-based fiber artist Agnes Hansella fashioned a staggering trio of macramé installations that hang from a ceiling in Bali. Each of the knotted works spans more than 37 feet wide, cloaking the open-air structure in fringed fibers that evoke the coastal surroundings of Jimbaran. Titled “Mountain,” “Ocean,” and “Sunset,” the wall hangings reflect the natural environment through asymmetric patches reminiscent of coral, waves, and birds.
Alongside a team of artists she hadn’t worked with previously, Hansella cut manila ropes with a hacksaw and balanced on scaffolding to assemble the massive works. All three began with rough sketches and evolved on-site. “I was never good with drawing pictures, so the finished design is mostly something I came up with on location. I change them a lot based on my instinct and situation. With macramé techniques, the ropes have their own will and character so as the artist I follow them and see what can and can not work,” she tells Colossal. The trio was commissioned by Flowerbloom Studio.
Currently, Hansella is working on a smaller work for a villa in Bahrain and plans to explore tufting and fiber sculpture in the coming months. She sells macramé supplies, wall hangings, and functional objects in her shop, and you can follow her latest projects on Instagram.

“Sunset,” 1150 x 500 centimeters

“Mountain,” 1150 x 766 centimeters

“Sunset,” 1150 x 500 centimeters

“Ocean,” 1150 x 650 centimeters
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