Antarctica

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Art Design

A Traditional Ukrainian House Outlines a Home Away from Home in Antarctica

March 21, 2023

Kate Mothes

An art installation in Antarctica repurposing a defunct fuel tank into the shape of a Ukrainian rural house

All images © Balbek Bureau, shared with permission. Production supported by Wonder Workshop and Silpo

Off the west coast of the Antarctic Peninsula within an expansive archipelago sits the island of Galindez where the Ukrainian Vernadsky Research Base annually hosts twelve scientists and welcomes more than 4,000 tourists during the summer months. One of the first things visitors encounter is an unsightly, defunct fuel tank perched on the shore that the National Antarctic Research Center wanted to tidy up, so they asked the Kyiv-based architecture studio balbek bureau to envision and repurpose the site into an inviting “home away from home.”

The center commissioned the project in November 2021, three months before Russia invaded Ukraine. Originally scheduled for installation in early 2022, the war forced the firm to postpone until last month, when the piece titled “Home. Memories” was successfully constructed. Conceived as a welcoming sight for resident researchers and travelers, the piece adopted new layers of meaning in the wake of Russia’s aggression, highlighting Ukraine’s distinct culture and history amidst the ongoing assault. balbek bureau’s design is based on a traditional, rural house, incorporating a thin, metal frame around the tank that resembles a pencil sketch, “as if someone, reminiscing, draws their childhood home from memory.”

Along with being a “visual treat” for visitors, the project had significant practical concerns because of its extreme location. The installation had to be easily assembled, resistant to severe weather conditions, and safe for more than 3,500 penguins living on the island— “who love to disassemble constructions into bits used for nests.” The structure had to be able to withstand winds of up to 90 miles per hour, sub-zero temperatures, and around 300 days of precipitation each year.

Complementing the geometry of the outline, a miniature exhibition of resin “time capsules,” or souvenirs from around the country, are on display and include a sample of UNESCO-listed Kosiv painted ceramics, a fragment of an embroidered shirt known as a vyshyvanka, and a lump of coal from the Donetsk region. “We believe that the war will end in our victory, and Ukrainians will create new memories from the safe haven of their home,” shares co-founder Slava Balbek. “And all the way in Antarctica, for researchers and tourists alike, our house will continue to stand strong, a true memento of Ukraine.”

Explore in-depth documentation of the process from start to finish on the studio’s website.

 

An art installation in Antarctica repurposing a defunct fuel tank into the shape of a Ukrainian rural house

An art installation in Antarctica repurposing a defunct fuel tank into the shape of a Ukrainian rural house

An art installation in Antarctica repurposing a defunct fuel tank into the shape of a Ukrainian rural house

An art installation in Antarctica repurposing a defunct fuel tank into the shape of a Ukrainian rural house

An art installation in Antarctica repurposing a defunct fuel tank into the shape of a Ukrainian rural house

An art installation in Antarctica repurposing a defunct fuel tank into the shape of a Ukrainian rural house

An art installation in Antarctica repurposing a defunct fuel tank into the shape of a Ukrainian rural house

An art installation in Antarctica repurposing a defunct fuel tank into the shape of a Ukrainian rural house    An art installation in Antarctica repurposing a defunct fuel tank into the shape of a Ukrainian rural house

 

 

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Photography

Shrouded in Mist, Spectral Icebergs Float Around the Antarctic Peninsula in Photos by Jan Erik Waider

March 1, 2023

Kate Mothes

A photograph of an Antarctic iceberg by Jan Erik Waider.

All images © Jan Erik Waider, shared with permission

In late 2019, Jan Erik Waider boarded the Bark Europa, a 56-meter-long wooden sailing ship constructed in 1911, bound for the Antarctic Peninsula. The Hamburg-based photographer, whose work centers on polar landscapes (previously), captured the multifaceted forms of glaciers and icebergs, steely grays of storms, and shrouds of mist during the 24-day voyage. Waider is known for his documentation of dramatic northern destinations like Iceland, Norway, and Greenland, and a trip to the southern extreme proffered an opportunity to expand on his series of atmospheric vistas with the project A Faint Resemblance.

Antarctica is approximately 98% covered in ice and nearly doubles in size in the winter when the sea freezes around its periphery. In summer, the sheets break up and calve thousands of icebergs, many of which are so vast that they can be measured in square miles. Waider captured the spectral forms of these floating, icy islands as the ship rounded the coastline, drifting through patches of fog that added an extra element of surprise when it cleared to reveal a new scene. “The infinite shapes and textures of icebergs in the polar regions fascinate me again and again,” he says, adding that “the proportions are unimaginable, considering that the largest part is still under water.” Waider is always astonished by the spectrum of the color blue, which on cloudy days can appear even more vibrant, as if glowing from within.

The poles have seen record warmth and ice melt in the past few years, which contributes to rising sea levels and alters the region’s ecosystems. Waider says, “I’m really drawn to landscapes that are transforming or vanishing like icebergs and glaciers. It has a fascinating and also a sad element, and every photo is a snapshot of a moment which is long gone by now.”

Waider is preparing to publish a photo book of more images from his Antarctica trip, emphasizing a holistic interpretation of the continent’s landscape, nature, wildlife, historic sites and the Bark Europa. Find more of his work on his website and Behance.

 

A photograph of an Antarctic iceberg by Jan Erik Waider.

A photograph of an Antarctic iceberg by Jan Erik Waider.

A photograph of an Antarctic iceberg by Jan Erik Waider.

A photograph of an Antarctic iceberg by Jan Erik Waider.

A photograph of an Antarctic iceberg by Jan Erik Waider.

A photograph of an Antarctic iceberg by Jan Erik Waider.

A photograph of an Antarctic iceberg by Jan Erik Waider.

A photograph of an Antarctic iceberg by Jan Erik Waider.

 

 



Art

Richly Textured Portraits of Native Arctic Residents and European Explorers by Preta Wolzak

May 22, 2018

Laura Staugaitis

In her series Ma Petite Inuite and Everybody Needs A Hero, artist Preta Wolzak explores the parallel histories of people on the earth’s poles. Her colorful portraits are constructed of leather, embroidery thread, wool, and glow-in-the-dark twine, combined to depict faces of both the first people of the North and 19th century explorers of the South, including Robert Falcon Scott and Ernest Shackleton.

Wolzak shares with Colossal that she uses her artistic practice to draw attention to the impact that tourism, manifest destiny, and climate change has had particularly on both the North and South Poles. Our exploratory interest in these seemingly far-off places has direct impacts on the people who live close to the Arctic and Antarctic.

Wolzak is represented by Rademakers Gallery in Amsterdam, where her solo show opens on May 24 and is on view until June 17, 2018. You can see more of her work on Instagram.

 

 



Photography

A Towering Iceberg and Its Shadow Split the World into Quadrants

October 11, 2016

Christopher Jobson

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Captured by Canadian photographer David Burdeny in 2007, this amazing photo of a tabular iceberg rising straight out of the Weddel Sea appears to organize the world into four neat quadrants. Titled “Mercators Projection,” the photo is from his series “North/South” taken while on tour of Antarctica and Greenland. You can follow Burdeny’s most recent work on Instagram. (via PetaPixel)

 

 



Photography

Photographs of Antarctica’s Blue Ice at Eye Level by Julieanne Kost

July 25, 2016

Kate Sierzputowski

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On a recent trip to Antarctica, photographer Julieanne Kost (previously) spent several days weaving in-between icebergs around Black Head, Cuverville Island, and Pleneau Bay, spending her time aboard a zodiac boat in order to experience the beauty of the continent’s blue ice at eye level. Her images showcase the deep gradations of blue peeking out from within the icebergs, wavy impressions in the outer layers revealing dark blue centers.

You can see more of Kost’s photography, including many aerial shots of naturally vibrant landscapes, on her Instagram and Facebook.

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Amazing History Photography Science

Newly Restored Photos of Shackleton’s Fateful Antarctic Voyage Offer Unprecedented Details of Survival

December 9, 2015

Kate Sierzputowski

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This photo was taken when the crew felt they had a good chance of freeing the trapped Endurance from the sea ice of the Weddell Sea, so they put the sails up. As we know, this and other attempts failed, and realizing the ship wasn’t moving Hurley went onto the ice to take this photograph. New details of sea ice have been revealed. Photo by Frank Hurley 1914-1917. Single-use permission from the Royal Geographical Society/Institute of British Geographers.

In what may be one of history’s most famous successful failures, explorer Sir Ernest Shackleton and 27 other men set out on the Imperial Trans-Antarctic Expedition in 1914 to make what they hoped would be the first land crossing of Antarctica. The crew had hardly reached the continent when their ship was swallowed and crushed by ice. Freezing in unfathomably cold conditions, all 28 men survived for nearly 17 months in makeshift camps in a desperate trek back to civilization. Despite losing their ship, expedition photographer Frank Hurley was able to save his camera equipment, working in incredibly difficult conditions to document their plight. Nearly 100 years to the day of the ship sinking the Royal Geographic Society (RGS) has mounted the Enduring Eye: The Antarctic Legacy of Sir Ernest Shackleton and Frank Hurley, an exhibition of newly digitized images that provide incredible detail to the day-to-day life of the group of adventurers and survivors.

After 80 years of storing the original glass plate and celluloid negatives, RGS along with the Institute of British Geographers (IBG) has digitized over 90 images for the public. Due to enlargement, the photos reveal detail that had not been previously seen, like in the image of six crewmen huddled around the fire below. Previously, only five men were visible in the image, but after digitization, it is now possible to make out the sixth man through the thick smoke of the flame.

 

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Photo by Frank Hurley 1914-1917. Single use permission from the Royal Geographical Society/Institute of British Geographers.

Even modern photography would have been difficult in the antarctic conditions, but for Hurley, it was nearly impossible. Glass plates were extremely heavy and would force the boat to carry unnecessary weight. In Hurley’s book Argonauts of the South written after the journey, he explained that he often had to risk his life to protect the plates. In one story, a time came to choose between tossing the plates or surplus food overboard. Hurley dumped the food.

Complete darkness was also a difficulty during the trip. This forced Hurley to light his subjects with flares, juggling a red hot flame while he manipulated a heavy camera. The effect of the technique was nothing short of cinematic, the image below showcasing the ship Endurance like a brilliant specter just before its fateful sinking.

 

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Photo by Frank Hurley 1914-1917. Single use permission from the Royal Geographical Society/Institute of British Geographers.

Each photograph of the expedition is both a testament to Shackleton’s ability to lead and will to survive, as well as to Hurley’s contribution to the canon of photography. To learn more about Shackleton’s fateful voyage check out the book Endurance: Shackleton’s Incredible Voyage. If you want to explore the newly digitized images in person, make sure to catch the Enduring Eye which runs through February 28, 2016, at the Royal Geographic Society in London. The exhibition will then have a voyage of its own and travel to the US, Canada, and Australia.

 

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Photo by Frank Hurley 1914-1917. Single use permission from the Royal Geographical Society/Institute of British Geographers.

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Photo by Frank Hurley 1914-1917. Single use permission from the Royal Geographical Society/Institute of British Geographers.

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Iconic shot of the Endurance lit by flares at night. Photo by Frank Hurley 1914-1917. Single use permission from the Royal Geographical Society/Institute of British Geographers.

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Wearing full polar clothing and gathered under the bow of the ship, photographed and filmed by Frank Hurley, probably on 1 September 1915. Glass Plate Negative: 6¼” x 4¾” (16cm x 12cm). Single use permission from the Royal Geographical Society/Institute of British Geographers.

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Ernest Shackleton at Ocean Camp. Glass Plate Negative, 8 ½” x 6 ¼” (21.5cm x 16cm). Photo by Frank Hurley. Single use permission from the Royal Geographical Society/Institute of British Geographers.

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Photo by Frank Hurley 1914-1917. Single use permission from the Royal Geographical Society/Institute of British Geographers.

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Photo by Frank Hurley 1915. Single use permission from the Royal Geographical Society/Institute of British Geographers.

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Photo by Frank Hurley 1914-1917. Single use permission from the Royal Geographical Society/Institute of British Geographers.