assemblage

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Art

Symbiotic Assemblages by Amy Gross Combine Animals and Insects with Fictionalized Habitats

November 14, 2018

Kate Sierzputowski

South Florida-based artist Amy Gross creates hand-embroidered and beaded fiber sculptures that contain colorful nods to the natural world. Bees dot the surface of a work formed from leaves, honeycomb, and moss, while other works contain kaleidoscopic arrays of birds, mushrooms, and other fungi. Although the sculptures reflect a natural symbiosis, their structures are fictionalized in both their color and composition. None of the elements of her pieces are found objects, but rather each handmade from craft store supplies and objects like yarn, beads, wire, and paper.

“Making objects is my way of turning thought into something solid and real, and in a way, slowing time,” Gross tells Colossal. “I never use anything in my work that was ever alive, I collaborate solely with manufactured materials. They mimic living things but will not wither or die. It’s a very human desire to slow or control disintegration, to try to have a say in a volatile, uncontrollable world of change.”

Gross is included in a group exhibition titled Small Works, Big Impact which opens on November 15, 2018 at Momentum Gallery in Asheville, North Carolina. You can see more of her nature-inspired assemblages on her website.

 

 



Art

Geometric Shapes and Angular Faces Combine in New Salvaged Wood Murals, Assemblages, and Tattoos by Expanded Eye

October 8, 2018

Kate Sierzputowski

Expanded Eye (previously) is an arts collective formed by London-based artists Jade Tomlinson and Kevin James that utilizes a wide range of media to explore human consciousness and connectivity. The pair use salvaged wood to create colorful assemblages, sculptures, and public murals each designed in their unmistakable geometric style. Natural elements such as plants and birds are common motifs in their three-dimensional works. These images also cross over into their long-running tattoo practice which combines illustrated doodles, architecture-inspired renderings, and triangular patterns.

The duo is currently in Lisbon for a three month residency at WOZEN, which wraps up next month. During their stay they have been exploring the socio-economic and environmental pressures of the community, and creating work that seeks to address local issues of over-consumption, waste, and gentrification in Portugal’s capital. A cumulative exhibition titled No Future Without Memory will open at the space on November 9, and include the many large-scale three-dimensional works the pair have made during their time at the studio. You can follow more of their work on Instagram and Facebook.

Image by Sylvain Deleu

Image by Sylvain Deleu

 

 



Art

Sculptural Assemblages by Thomas Deininger Are Three-Dimensional Tricks of the Eye

September 25, 2018

Laura Staugaitis

Thomas Deininger creates mind-bending optical illusions in his found object sculptural assemblages. The Rhode Island-based artist shares with Colossal that he began creating work from found objects in 1994, when he was “experimenting with the physical qualities of paint and abstraction in both material and imagery.” He continues,

Most of the content I was exploring involved mass consumerism, pop culture and environmental concerns. So really the medium easily became the message. I question beauty, value, and perception and how the three concepts do this little dance that changes how we all relate to the (physical and spiritual) world and how reality is just an illusion we all settle on for a time.

Deininger also explores assemblage in two-dimensional paper collages. Throughout his various mediums, he uses photographs and materials from popular culture, including Barbie dolls and trolls, and has re-created famous paintings by Diego Velázquez and Vincent van Gogh. You can see more of his work on Instagram.

 

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Art

Striking Silverware Animal Assemblages by Matt Wilson

December 18, 2017

Christopher Jobson

South-Carolina based artist Matt Wilson brings old silverware to life in his bent and welded sculptures of birds and other wildlife. Fastened to pieces of driftwood or mounted to segments of old lumber, the pieces seem to capture the lifelike essence of the robins, owls, and sea creatures they represent despite a minimal number of components. Wilson has an uncanny ability to let the found objects in his pieces speak for themselves, adapting the natural curvature of spoons and forks into folded wings and long tails. You can explore more of his work on Instagram and in his Etsy shop. (via My Modern Met)

 

 



Art

Bordalo II Opens the Doors to ‘Attero,’ a Giant Exhibition of Animal Assemblages Built with Trash

November 17, 2017

Christopher Jobson

Within the confines of an abandoned warehouse in Lisbon, artist Bordalo II just opened the doors to his largest body of work to date, dozens of animalistic assemblages comprised of his trademark medium: trash. Using locally-sourced waste plastics, car parts, construction materials, and other found detritus, Bordalo has become famous for his uncanny depictions of animals—those most vulnerable to the side effects of our disposable economy. While scale often plays a large role in his outdoor wall-mounted street pieces, the artist also created considerably smaller assemblages attached to old doors, siding, and windowpanes.

“Whether on a large or small scale, his unusual sculptural creations oblige us to question and rethink our own role as actors in this static, consumerist and self-destructive society, which exploits, often in an abusive way, the resources that nature offers us,” shares Attero curator Lara Seixo Rodrigues.

With well over 8,000 visitors in its first week, Attero (Latin for waste) opened on November 4, 2017 and runs through November 26. You can see many more photos on Facebook and Instagram.

 

 



Art Craft

A Tree-Like Figure Composed of Natural and Technological Elements by Garret Kane

October 27, 2017

Kate Sierzputowski

The newest sculpture by assemblage artist Garret Kane (previously) combines moss, tree branches, and other natural elements with technological components to create a towering 7-foot-tall sculpture. The tree-like figure is Kane’s amalgamation of two protectors from vastly different cultural backgrounds. The first is the ancient Judaic Golem made from mud and sticks, and the second inspiration is the Japanese Mecha, a large protector composed of advanced robotics.

Kane combined elements from both traditions to create the Golemecha, a creature with powers tied to nature and advanced technologies. Using materials from tree roots to 3D printed parts, he built the complex model as a figure who would protect our natural world from the new technologies that threaten its existence. You can see more of Kane’s fantastical assemblages on his website and Behance.

 

 



Art

Explosive Scrap Timber Assemblages by Louise McRae

November 8, 2016

Christopher Jobson

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New Zealand-based artist Louise McRae works with pieces of discarded wood that are hand-split into small fragments and then carefully reassembled into intricate wall sculptures. The pieces often resemble aerial views of sprawling cities or macro views organic growths, accentuated with acrylic paints, foil, or even charring the piece with fire outright. You can see more of McRae’s abstract cubist wall pieces at Seed Gallery and Gallery 33. (via Tu Recepcja)

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