An Enormous Mosaic Spanning 1,250 Hours of Exposure Time Captures the Milky Way in Incredible Detail
Twelve years and 1,250 hours of exposure time later, Finnish photographer J-P Metsavainio stitched together a massive, 1.7-gigapixel composite detailing every fiery burst and starry expanse dotting the Milky Way. The stellar mosaic documents the 125-degree stretch between Taurus to Cygnus and is comprised of 234 individual images that extend across 10,000 pixels. Nearly 20 million stars are visible in the expanse.
The ongoing project began in 2009, and Metsavainio knew it would take at least a decade to realize. “As a visual artist, the composition of the image means a lot. During the years, I have shot hundreds of individual targets from the Milky Way. Each image taken is an independent artwork. At the same time, I always kept in my mind the needs of the final large composition,” the photographer said, noting that he captured the more pronounced elements, like supernovae, first before filling in the gaps.
After shooting with relatively short focal length instruments the last few years, Metsavainio plans to use this incredibly high-resolution panorama as a map as he shifts to longer focal length tools in the coming months. Find details on Metsavainio’s entire process, along with specifics on the equipment used, on his site, where you also can find a larger portfolio of his galactic projects. (via PetaPixel)
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Enhance! Explore the Orion Constellation in Astounding Detail with This 2.5 Gigapixel Image That Took Five Years to Complete
For the past five years, Chattanooga-based astrophotographer Matt Harbison has poured more than 500 hours into capturing the minute details of the Orion constellation, an immense undertaking that’s culminated in a stunning 2.5 gigapixel image. In its entirety, “Project Orion” is composed of 2,508 individual shots meticulously stitched together into a fiery, star-studded mosaic.
In a statement about the monumental project, Harbison writes that his fascination with the neblua began in childhood during camping trips and Boy Scout excursions and later, as he drove to high school and college. Orion “was always there, seemingly inconspicuous. I have always felt a connection to this cosmic way-finder. Big decisions and events in my life came and went, yet those stars seemed to always find their way into my consciousness,” he says.
Harbison began by photographing Andromeda in 2011 before shifting his focus to Orion in 2013. He traveled from Tennessee to Texas to capture the nebula at various points and often camped out with a group of astrophotographers in ice fishing tents. He explains the lengthy process:
The image posed many problems from the start—balancing differing sky conditions per night, aligning to the same star position each and every night, and meticulously returning to a position just a few thousand pixels North, South, East, or West. Aside from the challenge of software, there were also the continual hardware problems and challenging weather conditions in East Tennessee. Sure, there are some good nights, but there are some not so good nights as well.
After gathering hundreds of individual shots, Harbison realized he needed to update his equipment as the scope of the image grew—for specifics on the telescopes, cameras, and software used, check out this statement. “The project amasses a total of 44 TB across 21 hard drives, 7 laptops, and 3 desktops, with my 4th and final desktop recently completed,” he says.
Now finished, the composite image is available for exploration on Harbison’s site. Follow him on Instagram and YouTube, where he shares his space-centric findings, and check out this video to dive deeper into his process. (via PetaPixel)
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Mesmerizing Shots of Distant Galaxies and Aurorae Top the Astronomy Photographer of the Year Contest
The 2020 Insight Investment Astronomy Photographer of the Year contest gathers a trove of sublime shots capturing otherwise unseen phenomena and distant fixtures of outer space. With more than 5,000 entries from six continents, the 12th annual competition includes Nicolas Lefaudeux’s photograph of the Andromeda Galaxy two million light-years away, one by Rafael Schmall that frames the lit trails of Elon Musk’s Starlink satellites, and another of the Aurora Borealis reflecting on the ice by Kristina Makeeva (previously).
Starting October 23, 2020, the top photographs will be on display at the National Maritime Museum. Until then, pick up a copy of this year’s book that collects all 140 winning and shortlisted shots, and explore some of Colossal’s favorites below.
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Maria Popova, of Brain Pickings, has released a series of face masks that bring a dose of history to the modern-day essential. Each fabric covering is adorned with a vintage natural history or astronomy illustration, including Ellen Harding Baker’s solar system quilt, Ernst Haeckel’s renderings of jellyfish, and irises and other medicinal plants originally painted by Elizabeth Blackwell in the 18th century. “Because of the mask’s particular folding pattern, some of the artwork came alive in a wholly new and unexpected way,” Popova writes in a post.
My personal favorite — the original design I made for myself and my most beloved human — is the total solar eclipse mask, evocative of the opening line of astronomer and poet Rebecca Elson’s magnificent “Antidotes to Fear of Death”: “Sometimes as an antidote, To fear of death, I eat the stars.”
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Celestial Illustrations by Diana Sudyka Fill a New Book Celebrating 19th Century Astronomer Maria Mitchell
A new book written by Hayley Barrett and illustrated by Diana Sudyka (previously) celebrates the life of pioneering 19th century astronomer Maria Mitchell. Mitchell was America’s first professional female astronomer and taught at Vassar College (which was a women’s college at the time). She also used her platform as an internationally renowned scientist to advance women’s rights and abolition. What Miss Mitchell Saw tells the story of Mitchell’s life, geared toward young readers with lush, star-filled illustrations that intermingle celestial shapes and patterns throughout the story’s earthbound elements.
“I immediately was struck by the beauty of Barrett’s writing, and her deep respect for Maria Mitchell was very apparent,” illustrator Diana Sudyka tells Colossal. “It was also important to me is as a manuscript about the power of observation, and a woman in science at a time when there were very few, and even less being recognized for their contributions.” The artist shares that she didn’t know much about Mitchell at the start of the project, but learned through research how Nantucket whaling culture and the Quaker faith shaped Mitchell’s character and point of view.
Sudyka used india ink, gouache, watercolor, and handmade indigo to build the imagery for What Miss Mitchell Saw. The artist works by hand and in full color from the get-go, and uses some digital techniques at the end of the editing process, once the images are ready to be integrated into the book. To complement the artist’s established aesthetic, which naturally meshed with the storyline, Sudyka tells Colossal that she drew inspiration from scrimshaw (decorative and narrative carvings into whale bones by whalers), as well as Rockwell Kent’s illustrations for an edition of Moby Dick. “The biggest challenge for working on this book was simply finding good reference material to make sure I got the look and feel of Nantucket and that time period right,” Sudyka explains.
In addition to her work as a children’s book illustrator, Sudyka has volunteered at the Field Museum of Natural History’s bird lab for over a decade, and is drawn to science and natural history. You can see more of the artist’s work on Instagram and find prints in her online store. What Miss Mitchell Saw was published last month by Simon and Shuster, and is available on Amazon.
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Real and imagined worlds come together in photographer Samy Al Olabi’s nighttime landscapes. Miniature structures like log cabins, light houses, and abandoned ships are set against a backdrop of the United Arab Emirates desert with distant galaxies glimmering in the night sky. Olabi’s lifelong interest in astronomy inspired his professional affinity for astrophotography, along with a sense of wonder and play. The photographer, who is based in Dubai, sets out with an equipment-packed SUV to camp out and shoot his fanciful images on-site. By stitching together multiple photos to get the correct blend of lighting and focus—which he explains in detail on PetaPixel—Olabi’s final images create new visual narratives. See more of the artist’s work on Instagram and Facebook. (via PetaPixel)
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Editor's Picks: Photography
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