It’s well-documented that music moves us, and an advertisement for BBC Sounds takes that research literally. A project of Rogue Films, the one-minute clip opens on a woman riding a city bus before swooping into a responsively choreographed dance enhanced by visual effects. Each subject, including an unassuming dog, sways and spins to the diverse array of sounds pumping through their headphones or the speakers in a coffee shop. Two women twist in double-helix, a figure floats calmly mid-air, and another stares at hovering objects while she listens to astronauts in space.
Based in London, the production company says on Twitter that the socially distant advertisement was shot in one take on a cordoned-off city street.
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A Drawing Machine Linked to A Synthesizer Audiates Geometric Illustrations by Musician Lamond Campbell
Beyond the scratch of the pen on paper, drawing as a practice isn’t thought to be particularly rhythmic or melodic. An inventive machine by musician Lamond Campbell, though, adds a musical component to its looped sketches. The Harmonograph Synthesiser is exactly as its name suggests: Campbell connected a modern, modular synthesizer to an 18th-Century harmonograph, an antiquated apparatus that uses pendulums to render geometric shapes. Two of the swinging mechanisms move linearly with the pen, while the third rotates with the board. Each triggers the synthesizer when movement occurs, which creates the corresponding audio track. An additional microphone picks up the noise of the pen.
Watch the video above to see the intricacies of the modified contraption. Campell is selling a complete, 18-track collection on his site, and you can find more about his multi-media creations on Instagram and YouTube. To see a reverse audio-visual process, check out “Visual Sounds of the Amazon II.” (thnx, Craig!)
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Making mixtapes and burning CDs might be a forgotten pastime, but the days of simple, homemade vinyl are just arriving thanks to Yuri Suzuki. The London-based designer, who is also a partner at Pentagram, has created the Easy Record Maker, a small device that makes audio recording straightforward and accessible to the general public.
By plugging in an auxiliary cable or USB and playing audio through a phone or other digital device, the cutting arm receives the sound vibrations and engraves the blank plastic three to four times within a single millimeter. Each side of the 5-inch record takes about four minutes to complete. When ready to play, the machine’s cutting piece should be swapped for the tone arm, which is large enough to accommodate traditional 7-inch EPs.
In an interview with It’s Nice That, Suzuki said that creating a DIY-record engraver has been one of his goals since his teenage days as part of a ska-punk band when he didn’t have the financial resources to use professional recording equipment. While that difficulty persists today, the designer said he also hoped this audio project would encourage users to focus and have fun. “Sound has a strong impact on our emotions and the way we behave, and I always try to create an experience with sound that as many people as possible can relate to,” he said.
The Easy Record Maker is currently available from Gakken in Japan and will be released to U.S. and U.K. audiences in the coming months. For a live demo, head to Suzuki’s Instagram this Friday to check out what he shares on IGTV.
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Packed within a 6,000-square-foot space on Chicago’s south side is a fictional universe teeming with pinned up newspaper clippings, towers of retro electronics, and tons of vintage advertising from McDonald’s to Vienna Hot Dogs. It’s the world of Hebru Brantley’s iconic characters, Lil Mama and Flyboy, whose enlarged head rests on the floor in one room of the immersive installation, titled Nevermore Park. Moving through the pathways lined with plastic toys and paint-spattered pallets, visitors pass a downed spaceship and a brick wall of street art, elements that structure Brantley’s narrative for the surreal environment.
The Los Angeles-based artist cites the tales of the superheroes and comic books he engaged with during his childhood living in Chicago as directly impacting his current projects. “I’m in love with creating and I have so many stories I want to tell,” he tells Colossal. “I want my work to create a narrative that hasn’t been told before, in ways others haven’t seen expressed. I’m working to create the things I wished existed.”
Although Brantley created many of the objects specifically for Nevermore Park, he also amassed thousands of pieces of real ephemera that create a strong undercurrent of Chicago’s history as expressed through pop culture, toys, magazines, and found objects. The periodicals lining the newsstand, for example, belonged to his grandmother. “She had saved a number of them and it created a unique opportunity for me to incorporate these real historical artifacts into my body of work for visitors to experience. Everything weaves together with the goal of staying authentic to the stories I wanted to tell,” he says.
Nevermore Park, though, is intended “to be a total sensory experience,” inspiring Brantley to collaborate with WILLS on the audio component, offering a soundtrack that he says visitors always ask about. “Bringing people into a space they wouldn’t normally occupy with sounds that are familiar, amplify the story and culture even more,” he writes. “Sight is an important aspect of the experience but so is the sound piped into each section.”
If you’re in Chicago, there are tickets available to visit Nevermore Park through May 3. Otherwise, head to Instagram to keep up with Brantley and see what’s next for Flyboy, Lil Mama, and Nevermore Park.
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Artist and musician Steve Parker’s latest interactive projects invite viewers to feel the music—literally. Activated by touch, “Ghost Box” plays randomized audio segments on a loop, including the ticks of Morse Code, the chorus of spirituals, and the blows of the shofar and Iron Age Celtic carnyx. Each time someone makes contact with a part of the wall sculpture, a new noise emits. Inspired by WWII era short wave radio, the mounted piece is constructed from a mix of salvaged brass, tactical maps, paper musical scores, wires, map pins, electronics, audio components, and an instrument case. The name even references the paranormal tool sometimes employed when people try to communicate with those who have died.
In line with “Ghost Box,” Parker created “Ghost Scores,” which is an ink on paper, pins, and electrical wire combination that mimics a music staff and markings, or visual language. In a statement about the project, the artist links the audio-visual work more explicitly to its history.
The Ghost Army was an Allied Army tactical deception unit during World War II. Their mission was to impersonate other Allied Army units to deceive the enemy. From a few weeks before D-Day, when they landed in France, until the end of the war, they put on a “traveling road show” utilizing inflatable tanks, sound trucks, fake radio transmissions, scripts, and sound projections.
The Austin-based artist’s audio-visual projects often combine real-time interactions with pre-recorded calls and music. His 2018 project, “Sirens,” which plays intermittent distress signals and recorded voices based on traditional defense noises, features multiple brass bells connected to a central conduit, allowing the alarms to be amplified in several places.
“ASMR Étude #1” depends on the viewer having an auto sensory meridian response, a phenomenon during which a tone causes a tingling sensation in the listener’s body. Using a pair of headphones with two brass bells attached to each side, the wearer moves near small speakers mounted on a wall, generating the sounds, and hopefully, the prickly feeling.
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Richard Clarkson Studio (previously) has teamed up with Crealev (previously) to produce a miniature floating cloud, one that hovers indoors while both playing your favorite music and lighting up in tune to the beat to replicate a storm. The design, called Making Weather, is formed from polyester fibers which hide a Bluetooth speaker, LED lights, and a magnet. This magnet allows the form to float above the piece’s mirrored base in opposite polarity with another magnet, seeming to organically hover and sway to the music that is pumped through it.
Currently in prototype form, the indoor cloud will be hopefully become available for living room use in the near future. (via My Modern Met)
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