body

Posts tagged
with body



Illustration

Playful Illustrations by Giulia Pintus Render Quirky, Body-Positive Characters in Relaxed States

June 29, 2020

Grace Ebert

All images © Giulia Pintus, shared with permission

Many of Giulia Pintus’s pastel drawings center on the beauty of imperfection. The Piacenza-based illustrator renders whimsical characters in repose or calmly completing mundane tasks like applying mascara and threading a needle. “I love drawing human figures,” she notes. “I also like to show the psychology of the character and to do so I am inspired by real people.”

The quirky illustrations consider the role of body positivity, which Pintus says is inspired by an organic source. “For some years, I prefer to buy vegetables from the greengrocer in the country. At the supermarket, they are all the same big, smooth, shiny, (and) look fake,” she shares with Colossal. “Instead from the greengrocer, the vegetables are a bit crooked. Sometimes they still have roots and a bit of soil attached. I think there’s a lot of beauty in that, and I look for that truth not only in food but also in the characters that I draw.”

Pintus’s drawings, which she also shares on Behance and Instagram, have culminated in a lengthy series of books, available from Libri.

 

 

 



Art

Bisected Bronze Figures by Artist Anders Krisár Rejoin Through Clasped Hands

June 26, 2020

Vanessa Ruiz

“Untitled” (2014–15), bronze (polished patina), 114 x 48.5 x 63.5 centimeters

Being with oneself takes on a literal meaning in the works of Anders Krisár. The Stockholm-based sculptor and photographer focuses on the human body, creating analog casts from live models using silicone and plaster.

A self-taught artist, Krisár uses his own meticulous techniques and methods for creating a finished piece—constantly reworking the casts to a state of simplicity and smoothness. The impeccably smooth contours and precise cuts that he achieves makes each piece look more digitally rendered than created by hand. Krisár shares on his site, “I’m a perfectionist because I have to be. It’s not really a choice. And it’s not a striving for satisfaction. It’s rather to avoid pain.”

He tells Colossal that the most difficult anatomical features to perfect are the hands and fingernails. And it’s through the palms that the complete figures hold onto the other tightly—each side simultaneously pulling the other closer. Krisár’s cloven figures play with the human brain and its craving for visual symmetry. The two halves create a psychological tension—beautiful yet unsettling in their incomplete wholeness.

Krisár’s next exhibition will open on August 27, 2020, at CFHILL Art Space in Stockholm. Explore more of his work, including his latest endeavors in marble, on Instagram.

 

“Torso 3” (2014), bronze (polished patina), 46 × 104.8 × 14.8 centimeters

“Torso 2” (2014), bronze (polished patina), 45.7 × 56.1 × 15.6 centimeters

“Torso 1” (2013–14), bronze (polished patina), 46.4 × 44.8 × 20 centimeters

“Torso 4” (2016), bronze (polished patina), 46.2 x 51.2 x 22 centimeters

“Untitled” (2011–12), bronze (polished patina), 108 x 39 x 71.5 centimeters

 

 



Art Photography

Homegrown Botanics Collaged into Conflict-Ridden Figures by Artist Meggan Joy

May 11, 2020

Grace Ebert

All images © Meggan Joy, shared with permission

For Meggan Joy to begin creating her flowery assemblages, she first has to plant the seeds. The Seattle-based artist cultivates a plot in a community garden throughout the summer months, tending to each fern and vibrant petal. Once her patch is in full bloom, she captures thousands of individual photographs of her rooted plants before combining them into allegorical digital collages of the female body. Birds, butterflies, and other visitors to her garden make an appearance, as well.

Her latest series, Battle Cry, depicts women in the midst of conflict. Imbued with action, each figure is comprised of layers of the living world that are derived from both the opened flowers and the powerful bodily poses. “Color and texture form each woman’s shape, and from the photographs of once-living individual things, portraits of ethereal beings begin to emerge,” the artist says. A snake wraps itself around one figure’s neck, while two others are twisted among flowing ribbon, merging notions of natural beauty and strength.

Joy’s work will be on view at J. Rinehart Gallery in Seattle from June 13 to July 25, with a virtual opening on June 13. Take a peek at her studio, which includes a walk through her garden plot, in the video below, and follow her textured compositions on Instagram.

 

 

 



Photography

Humans Stripped Down to Their Circulatory Systems Participate in Urban Life

April 19, 2020

Vanessa Ruiz

All images © Markos Kay and Jay Kriwol

Back in the early days of anatomical illustration (c. 1500 – c. 1800), artists often rendered the human figure within the lavish landscape of the anatomist’s hometown. These historical illustrations are part of what inspired photographer Jan Kriwol and CGI artist Markos Kay to create the photographic series Human After All. The main character is the human circulatory system in the context of mundane urban life—grocery shopping, eating a burger, and even taking a cigarette break.

The Warsaw-based Kriwol is influenced by his connection to the Polish urban skateboarding scene, and he often infuses his photography with optical illusion and humor. So when he saw his girlfriend’s drawing of a human circulatory system smoking a cigarette, he thought creating a realistic version was the perfect challenge.

Kriwol approached several CGI artists with his idea, but the complexity of the project proved too difficult. He finally found Kay, a self-proclaimed visual alchemist based in London, who immediately took to the challenge of figuring out how to render the circulatory system in a way that looked as natural as possible. Kay found inspiration in the anatomy textbooks of Andreas Vesalius, Giulio Casserio, and Henry Gray. The two artists also studied images of the plastinated human circulatory systems pioneered by Dr. Gunther von Hagens of the infamous Body Worlds exhibits.

Kay shared with VICE Creators Project that, “the biggest challenge for this project was creating an anatomical character that looked life-like and integrated with the real environment. We spent a lot of time experimenting with different postures, and oftentimes we had to exaggerate the posture greatly so that it could translate visually with the deconstructed structure of the circulatory system.”

Kay started by modeling the main arteries and then used generative simulation to organically grow the thinner arteries and capillaries to fill out the figure. Meanwhile, Kriwol shot the urban settings in Warsaw, Tel Aviv, Masada hill in Israel, Grenoble, Berlin, and Brussels, as well as Cape Town, South Africa. Kay then recreated each photographed environment in 3D so that he had control over the reflections and shadows. The end result is a harmonious render of a delicate anatomical figure within its environment. Especially fitting is the circulatory figure at the bus stop with its reflection of the rivers and tributaries in the topography map.

Explore more of Kriwol’s urban photography and Kay’s scientific digital abstractions on Instagram.

 

 

 



Art

A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia by Eugenio Cuttica

April 6, 2020

Grace Ebert

All images © Eugenio Cuttica

One-hundred five fiberglass figures stand atop white chairs in rows that extend from the floor to the ten-meter high ceiling. Part of an exhibition titled Ataraxia, the LED-lit installation invokes the ideas behind the Greek word, which roughly translates to imperturbability, equanimity, and tranquility. The glowing project by Argentinian artist Eugenio Cuttica was on view in 2018 at the MAR Museum in Buenos Aires and explored the ways subjects can achieve balance and happiness through freedom from desire.

Ataraxia, the artist said in a statement, “points to a calm beauty, a calm but agitating act, moves the spirit and can even cause fear. It is an art that refers to the observer’s consciousness in its own insignificance and in unity with nature.” In addition to the expansive wave, the exhibition also featured a series of wooden boats and paintings meant to reflect on fertility, abundance, the sublime qualities of Argentinian landscapes, and the ways art and food intersect. The same feminine form is interspersed throughout and can be seen standing in one of the suspended vessels.

Cuttica currently splits his time between his studios in Buenos Aires, New York, Miami, and Milan. For more of the artist’s figurative projects, follow him on Instagram. (via Sophie N Gunnol)

 

 



Animation Art

In a New Stop-Motion Film, Swoon Explores Trauma, Memory, and the Body

March 25, 2020

Grace Ebert

Caledonia Curry, aka Swoon, is known for her street art utilizing paper that’s pasted onto building walls, but the Brooklyn-based artist has made a recent pivot that transfers her mythical style to stop-motion animations. Part of her solo exhibition Cicada, Curry’s short film “Sofia and Storm” is centered on a human-arachnid hybrid. After emerging from a dense mass, the gold-faced feminine figure opens up her chest cavity to reveal dark, hanging matter that eventually is absorbed.

Similar to her previous projects, the fantastical animation is linked directly to Curry’s family history and to her parents, who struggled with addiction and substance abuse. “Swoon’s stop-motion films emphasize the body’s ability to serve as a vessel carrying memories and traditions. A house, a ship, and human figures split and open to liberate a cast of imaginative and mythological creatures trapped inside,” a statement said.

So far, Curry has released three other animated projects on YouTube. You can also find her work that explores the relationship between the body and trauma on Instagram. (via Juxtapoz)


 

 



Illustration

Bold Illustrations by Calvin Sprague Camouflage Geometric Figures and Detached Body Parts

February 21, 2020

Grace Ebert

All images © Calvin Sprague

American illustrator and designer Calvin Sprague blends bodies, disconnected hands, and wide-open eyes into their surrounding environments in his vibrant illustrations. Now based in Rotterdam, Sprague uses thin black lines and color-blocked shapes to create surreal scenes, including a red-shirted girl hugging her knees amidst towering plants and a portrait of a woman encircled by multiple sets of peering eyes.

“Experimenting with basic lines and shapes, he finds harmony by bridging the gap between structure and chaos,” a statement about Sprague’s work said. “Influenced by the early works of Saul Bass to Heinz Edelmann to Milton Glaser, he sees their eccentric, colorful style as a big reason why he grew to love design.” You can buy prints, shirts, and pins featuring Sprague’s bold digital illustrations in his shop. To follow his latest projects, head to Instagram and Behance.