Photographer Todd Antony (previously) documents Bolivia’s best-dressed wrestlers in a new series, Flying Cholitas. The women, who are indigenous Aymara, compete in their sport wearing voluminous petticoats, colorful skirts, and long-sleeved lacy tops rather than in the minimal, form-fitting spandex worn by many athletes around the world.
These ensembles resemble ones that Aymara were expected—sometimes even required—to wear during five centuries of oppression under Spanish occupiers. The wrestlers wear these ensembles to show pride in their history and take back their visibility. Similarly, the identifier “cholita,” originally a derogatory term, has been reclaimed in recent years by indigenous Bolivians as a point of pride.
If you’re curious to see the athletes in action, Luisa Dörr and Michael James Johnson were commissioned by Apple to shoot a short documentary on the flying cholitas, which you can watch below. Aymara architect Freddy Mamani has also championed indigenous Bolivian aesthetics with his buildings, which we’ve covered previously on Colossal.
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The Highest City in the World Celebrates Its Indigenous Culture with Freddy Mamani’s Neo-Andean Architecture
The city of El Alto isn’t just distinguished by its impressive altitude of over 13,000 feet above sea level or its self-governing status. This Bolivian municipality also sets itself apart with the distinctive architecture of Freddy Mamani Silvestre. The architect, who goes by Freddy Mamani professionally, got his start as a bricklayer and studied civil engineering in college. He completed his first building in this style in 2005 and has since created dozens more designs that incorporate circular windows, sharply angled rooflines and vibrant pink, green, and orange facades.
The massive buildings seem to tower above their architectural neighbors, but they aren’t private mansions. Many of Mamani’s constructions are multi-use structures, filled with ground-floor rental stalls for vendors, a second floor party venue, and apartments on top. His buildings are nicknamed cholets, a portmaneau of chalet (a Swiss mountain house) and cholo (derogatory slang for indigenous person).
Though many westerners draw comparisons to Las Vegas, Mamani clarifies that the shapes, colors, and patterns he uses are drawn from Bolivia’s pre-Columbian history. In particular, the aguayo, a bright woven cloth of the Aymara, an indigenous group that Mamani is a part of, inspires the architect’s designs. Mamani shared in an interview with The Guardian, “My designs are a modern expression of our culture,” he adds. “Since Evo Morales [the country’s first indigenous president] became president, things have changed a lot. We feel proud of being Aymaran.”
Last fall, Mamani built a ballroom in Paris as the opening work in the Cartier Foundation‘s exhibition on Latin American art and architecture. You can get to know the architect in the Great Big Story video below. Photographer Peter Granser also published a book in 2016 about Mamani’s builds, which is available on the Edition Taube website. (via Quartz)
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