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Art Design
Rael San Fratello’s Pink Teeter-Totters at the U.S.-Mexico Border Win Beazley Design of the Year
The three neon pink seesaws that slotted through the U.S.-Mexico border were just named the 2020 Beazley Design of the Year. Conceived by Oakland-based artists Ronald Rael and Virginia San Fratello (previously), the playful, subversive project was installed in July 2019 between El Paso, Texas, and Ciudad Juárez and physically connected the two communities despite the 20-foot barrier. The prestigious, annual award comes from London’s Design Museum.
Rael and San Fratello spent a decade working on “Teeter-Totter Wall” before its installation at the border during a particularly divisive time under the Trump administration. Although it was in use for less than an hour, the interactive work intended to foster and display unity between children and adults from both countries as they physically lifted each other up. In response to the administration separating families at the border, Rael wrote about the project:
The teeter-totters represented the kind of balance necessary for any two people, two nations, to achieve equality, with the understanding that the actions on one side have direct consequences on the other. The teeter-totter is the physical manifestation of the Golden Rule—treat others as you would like others to treat you—a maxim that is shared by all cultures and religions. To experience joy on a teeter-totter, you must allow the other person to experience joy as well.
Among the other winners are a 3D rendering of SARS-CoV-2 by Alissa Eckert and Dan Higgins for the CDC and Social Design Collaborative’s “ModSkool,” a moveable building that can be easily assembled and taken down in response to evictions of farming communities in India. Check out all the top designs through the museum’s virtual exhibition that runs until March 28, and head to Rael San Fratello’s site and Instagram to see more of the duo’s socially minded projects.
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Amazing Art Design
Neighboring Communities Playfully Connect Atop Neon Pink Teetertotters Slotted Through the U.S.-Mexico Border Wall
Ronald Rael and Virginia San Fratello have long worked in activating structures in projects that blur the line between art and architecture. The Oakland-based duo, who self-describe as pursuing “applied architectural research”, also have a longstanding interest in the United States-Mexico border wall. In 2009 Rael wrote Borderwall as Architecture, which features a conceptual drawing of a teetertotter. The concept relocates the classic playground equipment to the border wall as its fulcrum. Ten years later, this cover art came to life in the neighboring communities of Sunland Park, New Mexico and Colonia Anapra, Mexico.
Constructed by Taller Herrería in Ciudad Juárez, Mexico, neon pink teetertotters slot through the wall’s narrow gaps, allowing citizens on both sides to playfully engage with their cross-border counterparts. The fundamental design of the teetertotter, while delightful and chuckle-inducing, also functions by each user literally feeling the weight of humanity of the person on the other side. In an Instagram post announcing the project Rael shared, “children and adults were connected in meaningful ways on both sides with the recognition that the actions that take place on one side have a direct consequence on the other side.”
Rael and San Fratello worked in collaboration with Omar Rios to execute “Teetertotter Walls.” Rael is a Professor of Architecture at the University of California, Berkeley and San Fratello is an Assistant Professor at San José State University. Dive into an archive of nearly twenty years of the duo’s socially engaged work on their website, and follow along with their latest projects on Instagram.
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Art
A Collaboratively Painted ‘Mural of Brotherhood’ Stretches for Over a Mile on Mexico’s Border

All photographs courtesy of Enrique Chiu
Over the past two and a half years, nearly 4,000 volunteers have converged on the US/Mexico border to assist artist Enrique Chiu with painting a mural. Chiu began the project on Election Day in 2016, and once his collaborative project is complete, the “Mural of Brotherhood” will span a mile of Mexico’s border frontage in Tijuana. Shorter segments will also be created in other regions to connect the project to the southern edge of the border. The wide range of styles, including written phrases and more illustrative narratives reflects the diversity of those who have worked alonside Chiu to complete the expansive mural.
Chiu was born in Mexico and has spent 14 years living in the U.S., both as a child and as an adult. However, he re-rooted himself in Tijuana’s vibrant arts scene ten years ago. In an interview with Hyperallergic Chiu explained, “the murals spread messages of peace to people crossing the border by car or on foot,” and are “intended to be a final glimpse of hope for migrants risking danger as they cross northward.”
A recently released documentary by Alejandro Arguelles Benitez follows the project. You can watch the trailer below, and track the progress of the mural on Instagram. (via Hyperallergic)
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Art
Fence and Border Interventions by Icy and Sot
Responding to issues of border control and the refugee crisis, Iranian artist duo Icy and Sot (previously) created a variety of fence and border interventions. The Brooklyn-based brothers most recently installed a piece outside The Lot Radio in New York, and exhibited several new artworks with Thinkspace Art Gallery for a show titled Human (Nature). You can see more current work here.
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Art
A Massive Mural by Ella & Pitr Depicts a Refugee Seeking Passage in France

All images courtesy of Galerie Le Feuvre
French duo Ella & Pitr (previously) tackle the gravity of the global refugee crisis in their latest mural, Le Naufrage de Bienvenu/The Shipwreck of Bienvenu. The massive outdoor work reaches over 47 meters (154 feet), scaling the surface of Piney’s Dam in La Valla-En Gier, Rhone-Alpes, France.
Ella & Pitr frequently highlight neglected societal groups such as the elderly and homeless by placing them on highly visible urban canvases like snowy hillsides or old airport tarmacs. Their choice of a dam―a huge aquatic blockade―could be interpreted in reference to the swelling crisis of displaced people crossing the Mediterranean from Africa.
The artists and their team spent ten days suspended from the dam to complete the painting. You can follow more of Ella & Pitr’s work on Instagram.
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Art Photography
A Child Peers Over the US/Mexico Border Wall in a Giant New Photographic Work by JR
French artist JR just unveiled a new work in progress at the US/Mexico border. The large photographic piece depicts a child peering over a border fence from the Mexican side, apparently in reference to Trump’s effort to rescind the DACA program which protects the children of undocumented immigrants from being deported. The artist is known for his towering photographic installations backed by scaffolding such as his pieces at the Louvre and the Rio Olympics.
JR will be in LA tonight at Blum & Poe for a discussion with curator Pedro Alonzo about “immigration in the artist’s practice.” Admission is free.
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