Bringing a design-based approach to indoor gardening, Terraplanter ensures that even those lacking green thumbs will be left with a beautiful, minimalist vessel if their plant-care skills aren’t quite adequate. When it’s in use, roots grip the lattice-like outside, which imprints their dense entanglements with a geometric pattern. The vegetation reveals its tessellating design when it’s removed.
The soil-free growing system has four planting methods: rubbing spores onto the surface, germinating seeds in the grooves, wrapping an already blooming vine around the pillar, or propagating a rooted plant by attaching it to the side. Water stored in the center of the vessel then diffuses through the porous material, hydrating the roots and ensuring they require little maintenance.
Because of its unique design, Terraplanter exposes root growth as it occurs, while securing it on the exterior. “We believe in nature-inspired-technology, we love plants, and we see things differently. Bound together with a passion for natural material, plants, and ecological products, we combined our knowledge and experience to create a user-friendly product and an optimal solution for plants to thrive indoors,” the New York-based company said in a statement.
Terraplanter already has raised more than $2,800,000 on Kickstarter, and there are a few rewards still available. To see more examples of the hydroponic propagation, check out Instagram, Facebook, and the video below, which was directed and animated by Kobi Vogman.
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What’s a road trip without checking out the scenery? Chris Helzer, aka The Prairie Ecologist, has put together a new guide for those who want to know a little bit more about the wildflowers they see along the roadside but don’t want to leave their moving vehicles.
What about the silent majority who prefer to experience wildflowers the way General Motors intended – by whizzing past them in a fast, comfortable automobile? How are nature-loving-from-a-distance drivers supposed to learn the names and habits of the wildflowers as they speed blissfully past them at 65 (85?) miles per hour?
“A Field Guide to Roadside Wildflowers at Full Speed,” which is available for free download, is a satirical take on the classic handbook that describes the plant, says when it’s in bloom, and gives a hint about where to find it. For Helzer’s project, though, each habitat is listed as “roadsides” and similar flowers tend to include descriptions like “anything yellow.” The photographs identifying each species are blurred to “appear as they actually look when you see them from the road.”
A scientist for The Nature Conservancy in Nebraska, Helzer began his blog in 2009 intending to serve as a resource for people interested in managing and restoring prairies. He tells Colossal he created this parody as a joke for his regular 4,500 readers who come to his site for his wildflower photos.
If you want to take this guide for a spin, be sure to heed Helzer’s warning: “Always use a designated passenger to look up flowers.” (via This Isn’t Happiness)
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Italian glass artist Lilla Tabasso captures the vitality of flowers in her delicate and precise botanical sculptures. Though a first thought would be to celebrate that Tabasso’s glass creations have the decorative advantage of never wilting, the artist depicts the full life cycle of blossoms and includes fading flowers alongside fresh ones. She often includes the word “Vanitas” in the titles of her sculptures that show decaying blossoms, a reference to the 17th-century Dutch still life painting genre that represents transience and death through symbolic objects. The artist crafts collapsed carnations with the same care that she renders seemingly perfect peony blossoms.
Tabasso’s scientifically accurate artwork is rooted in her background as a biologist. (You might also be interested in the scientific glasswork of 19-century father-son duo the Blaschkas.) In addition to her vase-based pieces, Tabasso also crafts jewelry and small installations, and has created work for Design Miami Basel and Vogue Italia. She is represented by Caterina Tognon gallery in Venice, Italy. You can see more of her work on Instagram.
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Glass artist Kim KototamaLune creates ethereal sculptures that resemble abstracted organic shapes and faces. She builds delicate glass grids without molds, which she then works into sculptural form and displays in darkened rooms. This presentation allows light to permeate, which both illuminates the sculptures from within and casts dramatic shadows on the surrounding walls.
The artist was born in Vietnam and now lives and works in France, and has studied multiple languages. Cultural identity, the origins of life, and in-between spaces play into her inspirations. KototamaLune shares with Colossal that she seeks to create an “uncharted territory in order to engage in a silent dialogue with the ‘strangers’ living in us. Those sculptures arise from the will to recover within each of us what is common in our fetal origins.'”
KototamaLune is represented by Da-End Galerie, with whom she’ll be showing work at the ASIA NOW art fair in Paris from October 17 – 21, 2018. You can also see her work through September 15, 2018 at Villa Tamaris Art Center in southern France. Discover more sculptures in KototamaLune’s portfolio on her website.
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Poet and textile artist Miranda van Dijk prints found images onto delicate faux floral arrangements made from canvas, cotton, or voile. The vintage images are transferred onto the textile plants using a digital printing technique, and are either hidden in the curve of a petal or are displayed prominently on one of the plant’s leaves. These works are then imbedded in a natural environment, allowing her sculptures to blend into wildflower gardens and other lush scenes.
For her series Sensitive Survivors, van Dijk modeled her pieces on twelve different forms of weeds. “Before the idea came up, I was obsessed by weeds,” the Dutch artist tells Colossal. “I saw them everywhere. Between my tiles in the garden, the playground. I found them so strong yet so fragile at the same time.”
Recently van Dijk published a book titled Sensitive Survivors (written in Dutch) which presents poetic connections between her handmade plants and the individuals printed on their forms. You can buy select pieces from Miranda van Dijk from her Etsy store, and learn about about her work on her website and Instagram. (via Anna Marks)
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In Daniel Shipp's series Botanical Inquiry, the Sydney-based photographer explores how plants and flowers found at the edges of urban infrastructure fit into our modern world. Shipp collects seemingly unremarkable plants and photographs the subjects in built dioramas, an environment that allows him to manipulate the relationship between foreground and background with a controlled precision. Through this process he is able to create dramatic photographs in-camera, shooting digitally but using old visual effects techniques developed for early cinema.
By highlighting botanical specimens we have culturally labeled “weeds,” Shipp attempts to shift the viewer’s perspective on flora that they might walk past each day. He recasts these marginal plants as the subject of each of his photographic stories, showcasing their knack for survival even in the face of pollution and harmful human intervention.
“There are some beautiful ‘weeds’ that we might walk past all the time,” Shipp explains to Colossal. “I knew that if I could present these often unnoticed plants in the right context that there was potential for storytelling. Next time you go for a walk make an effort to look for plants in places you wouldn’t normally—shopping center carparks, service stations etc.”
Shipp further explained that one of the most beautiful colors he has photographed for the series was found on the underside of the foliage of a plant common to industrial parks across Sydney. The hidden purple was one of the most incredible metallic shades he had ever seen, and it had been sneakily surrounding him for the majority of his life.
Shipp was recently announced as the winner of Magnum and LensCulture's 2017 Fine Art Photo Award. You can see more of his photographs on his website and Instagram, and take a behind-the-scenes look at his Botanical Inquiry series in the short video below. (via This Isn’t Happiness)
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