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Design

Brezhnevka Night Lights and Planters Recreate Soviet-Era Housing as Functional Goods

January 11, 2022

Grace Ebert

All images courtesy of Nikita Anokhin

St. Petersburg-based designer Nikita Anokhin references the industrial, streamlined architecture that populated much of Soviet-era Russia in his functional home goods. Based on the iconic Brezhnevka complexes, Anokhin’s plywood and concrete lamps are comprised of multiple stories of conformist features, including angular balconies and rows of tall windows. Each contains tiny, multi-colored LED lights that illuminate the individual apartments and reveal miniature domestic scenes unfolding within. Similarly bulky and constructivist, the small, concrete planters are based on Khrushchevka and the round buildings on Nezhinskaya Street in Moscow.

Shop available pieces on Anokhin’s Etsy and follow new releases on Instagram.

 

 

 

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Design

Townscaper: Build Your Worries Away With This Instantly Gratifying Island City Construction Game

October 16, 2020

Grace Ebert

Earlier this year, Malmo, Sweden-based game developer Oskar Stålberg launched Townscaper, a low-stakes video game that’s similar to Sim City without the threat of natural disaster or the need to maintain characters’ emotional wellbeing. Users only have the option to delete or build with a certain color, a function that’s controlled entirely by the algorithm. Simply drop a block and watch the system construct charming homes, towering cathedrals, and luxurious greenspaces. “No goal. No real gameplay. Just plenty of building and plenty of beauty. That’s it,” Stålberg writes.

Townscaper is currently available to download for $6, although it isn’t finished quite yet. Watch this comprehensive tutorial to get a better sense of the user experience, and follow Stålberg on Twitter to keep up with the latest developments. (via Jeroen Apers)

Update: Townscaper recently launched a demo you can play in your browser.

 

 

 



Photography

The Abandoned Grandeur of Crumbling Palaces Showcased in Large Format Photographs by Thomas Jorion

February 11, 2019

Laura Staugaitis

Thomas Jorion, "Pappagallo, Italie" (2018), Pigment print, American box frame in raw oak, image courtesy of Esther Woerdehoff Galerie

Thomas Jorion, “Pappagallo, Italie” (2018), Pigment print, American box frame in raw oak, image courtesy of Esther Woerdehoff Galerie

Whereas many photographers seek to capture beautiful ephemeral moments with their camera lens, French photographer Thomas Jorion is drawn to a more eternal timeline. Using an analog 4×5 camera, Jorion focuses on abandoned places: spaces and structures lost to the nature and time. In his photographs, once majestic buildings that are now largely forgotten are given the same careful composition and attention that more currently-engaged spaces might receive. His solo exhibition Veduta at Esther Woerdehoff Galerie in Paris explores the abandoned villas and palaces of Italy through April 6, 2019. You can see more of Jorion’s work on Instagram.

"Cedri, Italie" (2017), Pigment print, American box frame in raw oak, image courtesy of Thomas Jorion

“Cedri, Italie” (2017), Pigment print, American box frame in raw oak, image courtesy of Thomas Jorion

"Fondali, Italie" (2017), Pigment print, American box frame in raw oak, image courtesy of Thomas Jorion

“Fondali, Italie” (2017), Pigment print, American box frame in raw oak, image courtesy of Thomas Jorion

"Ghepardi, Italie" (2016), Pigment print, American box frame in raw oak, image courtesy of Thomas Jorion

“Ghepardi, Italie” (2016), Pigment print, American box frame in raw oak, image courtesy of Thomas Jorion

"Sognare, Switzerland" (2016), Pigment print, American box frame in raw oak, image courtesy of Thomas Jorion

“Sognare, Switzerland” (2016), Pigment print, American box frame in raw oak, image courtesy of Thomas Jorion

"Fulmine, Italie" (2018), Pigment print, American box frame in raw oak, image courtesy of Esther Woerdehoff Galerie

“Fulmine, Italie” (2018), Pigment print, American box frame in raw oak, image courtesy of Esther Woerdehoff Galerie 

"Pensile, Italie" (2018), Pigment print, American box frame in raw oak, image courtesy of Esther Woerdehoff Galerie

“Pensile, Italie” (2018), Pigment print, American box frame in raw oak, image courtesy of Esther Woerdehoff Galerie

 

 



Illustration

Infinite Cities Take Shape in Imagined Architectural Drawings by JaeCheol Park

December 4, 2018

Laura Staugaitis

JaeCheol Park, who goes by the artist name PaperBlue, creates intricate drawings in the style of architectural drafts. But rather than imagining a buildable building, Park employs the classic illustrative aesthetic to form fantastical urban environments where structures appear and disappear, bleeding into one another in a haze of geometric patterns. His loose linework and intensive layering enliven the historical architectural styles he highlights in his drawings. The artist, who is based in Seongnam, South Korea, has a broad audience for his digital and concept art along with his more traditional drafting-inspired work. Park shares drawing tutorials on Youtube and finished work on Facebook. (via ARCHatlas)

 

 



Art Design

Alex Chinneck Unzips a Condemned Building in the Style of a Retro Shirt

August 3, 2018

Kate Sierzputowski

British sculptor Alex Chinneck has a history of manipulating facades—previously slumping the brick face of an apartment in Margate and completely upending a building in London. Chinneck’s newest monumental manipulation is a condemned office building in Kent, England. The 1960s structure seems to unzip from its middle with a XXXL zipper, revealing the ruin of the forgotten interior. Two folded segments near the top act like a collar, giving the entire installation the appearance of a retro polo shirt. Catch the soon-to-be-demolished intervention while you can: Open to the Public opened August 2 at Brundrett House, Tannery Lane, Ashfield, TN23 1PN. (via It’s Nice That and Dezeen)

 

 



Design Science

A “Quick Perspective” on the Scale of the Manmade and Natural Marvels That Surround Us

September 27, 2016

Kate Sierzputowski

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If the Willis Tower (1,729 ft) was placed into Russia’s Mir Mine, the tip would only stick out 7 feet past ground level. (All images via Kevin Wisbeth)

College student Kevin Wisbeth, creator of the Youtube series “A Quick Perspective,” puts size in layman’s terms for those who might not be able to conceptualize the true width of a B-2 Bomber’s wings, or understand the immense depth of Russia’s largest mine. Wisbeth digitally composes manmade structures and natural wonders to put into context each of their sizes, seamlessly fitting the world’s largest oil tanker into New York’s Central Park and hovering the M-1 Rocket motor just above a Smart Car.

You can watch the digital presentations of Wisbeth’s comparisons on his Youtube channel. (via Quipsologies)

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If the Seawise Giant (1,504 ft), the largest oil tanker ever produced, was placed into the main lake in New York City’s Central Park, it would only have 350 feet of extra room in the front and back of the tanker.

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The Burj Khalifa is currently the tallest standing structure in the world (almost measuring 2,722 feet tall). If placed in New York City, it would stretch almost 1,000 feet past the One World Trade center and almost 1,300 feet taller than the Empire State Building.

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If the Titanic (882 ft) was placed on the deck of the U.S.S. Ronald Reagan, the ship would have 210 feet of deck room left.

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The B-2 Bomber is one of the most advanced and most expensive airplanes in the world. The wingspan of a B-2 is 172 feet, which is 12 feet wider than an NFL football field.

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Prehistoric bugs were larger than average day bugs due to the higher oxygen levels. The Pulmonoscorpius kirktonensis was a species of scorpion that grew to 24 inches long, or the size of a normal house cat.

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The M-1 Rocket motor was designed back in the 1950s for the NASA space program and would have been the biggest motor ever built had it been constructed. It’s designed diameter was 14 feet, or wide enough to fully cover a Smart Car with 2 feet to spare on either side.

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The Death Star’s estimated width is around 99 miles across, or around 1/4th the length of Florida.