Cinta Vidal
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Everyday Objects and Buildings Float Atmospherically in Cinta Vidal’s Perception-Bending Murals

“Public Space” (August 2022) in Toftlund, Denmark, curated by Kunstbureau Kolossal. All images © Cinta Vidal, shared with permission
It’s all about perspective in the multifaceted murals of Cinta Vidal, several of which the artist recently completed in Italy, Portugal, Germany, and Denmark. While some works focus on architectural details such as gable ends jutting out at unexpected angles or clustered together in mind-bending proportions, other pieces emphasize the relationships between people and their interactions within space or with each other as they navigate their shifting surroundings.
In preparation for a new project, Vidal researches the history and culture of an area and the buildings that surround the wall where she plans to work. Her characteristically suspended structures, household objects, and geometric shapes (previously) cast shadows and appear to sail through compositions that connect thematically to neighborhood or special events. “All my murals play with their surroundings, reflecting and honoring the aesthetics and culture that surrounds them,” she tells Colossal. “I always do research, study the wall context, and paint a detailed sketch before going.”
Vidal’s painting “On Chairs” is also featured on the album cover of Tears for Fears’ latest album The Tipping Point. She is currently working toward a solo exhibition with Thinkspace Projects in New York in autumn of next year, and you can find more of her work on her website and Instagram.

“At work” (June 2022) in Covilhã, Portugal, for WOOL Urban Art Festival

“Neighborhood” (August 2022) in Horsens, Denmark, curated by Kunstbureau Kolossal.

“Behind” (July 2022) in Ludwigshafen, Germany, for Muralu Street Art

“Nonna” (July 2022) in Civitacampomarano, Italy, for CVTà Street Fest

A painted door in Civitacampomarano, Italy

Detail of “Behind”

“Neighborhood” in progress

“Public Space” in progress
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Art
New Paintings by Cinta Vidal Elude Gravity and Turn Architecture Upside Down

“Evenfall” (2021), oil on canvas, 28.75 × 23.62 inches. All images courtesy of Thinkspace Projects, shared with permission
Whether depicting a floating cluster of stairs and balconies or a living space separated by differing forces of gravity, a new series of paintings by Cinta Vidal (previously) establishes multiple perceptions of reality within a single work. The artist, who lives in the small town of Cardedeu near Barcelona, favors skewed perspectives that flip domestic objects and invert architecture, and her collection of oil paintings that comprise Concrete use that same style of distortion to question notions of individual space and community and the walled structures people build in their minds.
Rendered in a subdued color palette of grays and soft blues, the compositions precisely arrange multiple routes and manners of living into single, cement buildings. Each work “remind(s) viewers that they are not alone and to pay closer attention to the many pathways of life existing amidst the masses.”
Curated by Thinkspace Projects, Concrete will be on view October 2 through December 26 as part of Structure, a series of solo exhibitions at the Museum of Art and History in Lancaster. Vidal is also in the process of painting a large, outdoor mural nearby to accompany her smaller works, and you can follow her progress on Instagram.

“Eve” (2021), oil on canvas, 31.5 × 31.5 inches

“Eventide” (2021), oil on canvas, 39.37 × 39.37 inches

“Sunset” (2021), oil on canvas, 23.62 × 23.62 inches

“Twilight II” (2021), oil on canvas, 36.22 × 28.74 inches

“Nocturnal” (2021), oil on canvas tapestry, 143.70 × 70.87 inches
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Floating Worlds Drift By in Murals by Cinta Vidal

In Hong Kong. All images © Cinta Vidal, shared with permission
For Cinta Vidal, everything depends on how you look at it. The Barcelona-based artist is known for her gravity-defying projects that manipulate architecture and household objects to create inverted environments dissimilar to daily life. Like her smaller-scale inverted works, Vidal’s murals are concerned with human subjectivity and feature both peculiarly arranged architecture and objects like books, chairs, and even a canoe floating through the air. They cover walls throughout Los Angeles, Hong Kong, and Barcelona, among other cities around the world.
Whether it be a young girl seated on an oversized globe or a man peering over a balcony that’s tipped at a 90 degree angle, the works consider how perspectives are informed by a subject’s position.
Everyone has their own view on the world, and my work is my way of expressing this idea: it’s impossible to view something from every perspective at the same time. There’s always a choice, a perception. In my work there also lies a desire to take things out of context, releasing them into the air and, by doing so, giving them new value.
The artist tells Colossal that once she chooses a location to paint a mural, she studies the areas nearby. Vidal intends each project to become part of the existing environment, often prompting her utilize the color already on the building’s surface as her background. “Paint(ing) a mural is about interact(ing) with the wall and everything that surrounds it,” she writes. To get the latest on the artist’s creations, follow her on Instagram.

International University Barcelona.

“Refuge”

At the Honolulu Museum of Art

At a public library in Cardedeu

“Floating Napa” in Napa Valley, California

In Calgary

“Backstage” in Long Beach

“Viewpoints” for Thinkspace in Los Angeles
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Art
Flipped Perspectives Explored in New Intimate Paintings by Cinta Vidal

“On Chairs,” Acrylic on wood, 32 x 32 cm
Barcelona-based artist Cinta Vidal has previously produced fictionalized architectural paintings that study how individuals with differing perspectives can view and inhabit the same world. Vidal crafts her visual metaphors by placing subjects onto floating islands, presenting each with a different vantage point depending on their chosen location. In her newer series of works, Vidal focuses more intently on intimate relationships, populating her suspended clusters of furniture, animals, and household objects with only two or three individuals rather than a larger population.
Her Couples series places pairs of characters in opposition to each other, exaggerating her previous explorations of human understanding. In these works two male figures sit back-to-back as they type on their own laptops, a woman peers longingly from an armchair as a man stands facing the opposite direction below her chair, and a boy photographer and woman stare at the same scene, but from flipped perspectives. These works show how two people might hold differing ideals, despite occupying the same community or household.
The included paintings will be presented alongside a mural in Vidal’s upcoming solo exhibition Viewpoints at Thinkspace Projects in Los Angeles from September 15 through October 6, 2018. You can view more of the artist’s gravity-defying works on her website and Instagram.

“Outing,” Oil on wood panel, 55 x 55 cm

“Working,” Acrylic on wood, 20 x 32 cm

“Couple 4,” Acrylic on wood, 13.4 x 32 cm (L) and “Couple 3,” Acrylic on wood, 13.6 x 32 cm (R)

“Four Cats Three Kids,” Acrylic on wood, 35 x 50 cm

“Living Together,” Acrylic on wood, 63.5 x 50 cm

“Couple 2,” Acrylic on wood, 11.2 x 32 cm

“Coworking,” Oil on wood panel, 80 x 80 cm

“Caravan,” Oil on wood, 36 x 36 cm
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New Inverted Architecture Paintings by Cinta Vidal

“Three cities and a house,” 2015
Barcelona-based Cinta Vidal (previously) produces complex architectural constructions to express how differently individuals can occupy the same world— each inhabitant carving out their own nook, cranny, and path within a similar environment. Her new acrylic on wood panels continue to serve as a metaphor for the difficulty of understanding those around us, especially while distracted by navigating our own complicated existence.
Vidal’s paintings set domestic and natural environments in their own gravity-defying orbit, making small planets out of Bauhaus homes, secluded camping spots, and cacti-filled parks. The characters included in each work seem unaffected by the others around them, many wistfully daydreaming or lost deep within a book.
This past December Vidal presented four works with Thinkspace Gallery at Scope Miami Beach and will also show a few with the same space at the LA Art Show from January 27-31. You can read more about Vidal’s process and architectural works on her blog here.

“Bauhaus neighbors,” 30×30 cm, acrylic on wood panel

“Together alone,” 2015

“Excursion,” 2015

Commissioned painting, 2015

“Free camping,” 50×50 cm, acrylic on wood panel

“Rock neighbors,” 2015
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Art
The Inverted Architecture and Gravity-Defying Worlds of Cinta Vidal
In her latest series of paintings, Barcelona-based artist and illustrator Cinta Vidal Agulló defies gravity and architectural conventions to create encapsulated scenes of intersecting perspectives. Painted with acrylic on wood panels, Vidal refers to the paintings as “un-gravity constructions” and says that each piece examines how a person’s internal perspective of life may not match up with the reality around them. The intersecting planes on many of her paintings are somewhat reminiscent of drawings by M.C. Escher, where every angle and available surface is inhabited by colorful characters going about their daily lives. She shares in a new interview with Hi-Fructose:
With these un-gravity constructions, I want to show that we live in one world, but we live in it in very different ways – playing with everyday objects and spaces, placed in impossible ways to express that many times, the inner dimension of each one of us does not match the mental structures of those around us. The architectural spaces and day-to-day objects are part of a metaphor of how difficult it is to fit everything that shapes our daily space: our relationships, work, ambitions, and dreams.
Vidal just opened a new exhibition of work at Miscelanea BCN in Barcelona and you can read an in-depth conversation with the artist on Hi-Fructose.
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