concrete

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Art

Ghostly Figures Occupy Sculptures of Architectural Ruin by Diana Al-Hadid

July 26, 2019

Kate Sierzputowski

“Nolli’s Orders” (2012), Steel, polymer gypsum, fiberglass, wood, foam, paint, 156 x 264 x 228 inches, all images via Marianne Boesky Gallery

Diana Al-Hadid creates large-scale sculptures and installations that merge bodily forms with collapsing altars, columns, and other architectural forms. Headless bronze figures in repose appear to drip down concrete blocks, while organs surround fictional players like beautiful beasts. In each, the Syran-American artist references archaeological remains, creating ghostly figures that reference the ruins from societies past. In addition to traditional sculptural media like bronze, steel, and concrete, the artist also incorporates more experimental materials like beeswax, fiberglass, and foam. “For me to get a sculpture to lift off the floor…that’s the first way to rebel,” Al-Hadid explained about her gravity-defying work in an Art21 interview.

The Brooklyn-based artist has concurrent Nashville-based exhibitions at both the Frist Art Museum until September 2, 2019 and Cheekwood Estate&Gardens. You can see more of Al-Hadid’s sculptural work on her website and Instagram. (via Hi-Fructose)

“Synonym” (2016), Polymer modified gypsum, fiberglass, powder coated aluminum, pigment, 83 x 60 x 60 inches, Edition of 5, with 1 AP

“Suspended After Image” (2012), Wood, steel, polymer gypsum, fiberglass, high density foam, plaster, paint, 126 x 282 x 204 inches

Detail of “Synonym” (2016), Polymer modified gypsum, fiberglass, powder coated aluminum, pigment, 83 x 60 x 60 inches, Edition of 5, with 1 AP

Detail of “Antonym” (2012), Steel, polymer gypsum, fiberglass, wood, foam, paint, 68 x 63 x 54 inches

Detail of “In Mortal Repose” (2011), Bronze and concrete, 72 x 71 x 63 1/4 inches

Installation view of “Falcon’s Fortress” at Boesky Gallery, (2017), Photography Credit: Object Studies

Detail of “A Measure of Ariadne’s Love” (2007), Mixed media 84 x 108 x 96 inches

“A Measure of Ariadne’s Love” (2007), Mixed media, 84 x 108 x 96 inches

Installation view of “Phantom Limb,” NYU Abu Dhabi Art Gallery, 2016

 

 



Craft Design

Concrete Lamps

May 13, 2011

Christopher Jobson

These three concrete lamps by Henrik Karlsson are truly exceptional. Via his web site:

This is the first prototypes of 3 lamps I’ve made. I wanted to work with the contrast of the clean Scandinavian design and the rough imperfect concrete. The plan is to start producing and sell these in limited edition of each design. Each lamp will be numbered and signed. Since the are handmade, all lamps will have an unique look to them. [… ] This is a personal project and I’ve done everything from design, to the fabrication of the moulding shapes as well as the moulding of the lamps myself. I’ve also taken the product photos.

The heavy, utilitarian use of concrete is an interesting take on something that is generally designed to appear light or weightless. I really hope this project comes to fruition. Click images above for details.

 

 



Design

Concrete Clock

February 28, 2011

Christopher Jobson

A beautiful concrete clock by 22design studio, the design firm behind these equally exceptional concrete rings that flooded the internet a few months ago.