Whimsical tendrils of vines, foliage, wisteria, and chrysanthemums sprout from artist Ian Berry’s wild, overgrown garden plots. Densely assembled and often suspended from the ceiling, his recurring “Secret Garden” is comprised of blooms and leafy plants created entirely from recycled denim, producing immersive spaces teeming with indigo botanicals in various washes and fades.
Since its debut at the New York Children’s Museum of the Arts, Berry’s site-specific installation has undergone a few iterations. “The first one was made with children in mind… hence the more magical secret garden angle,” he says, “just wanting to (ensure they think about) where the material comes from, see what they can make, and seek out outdoor places within a city.” It’s since traveled to London, Barcelona, The Netherlands, France, Kentucky, and the San Francisco Flower Mart, where it’s permanently installed as a trellis lining the space’s windows.
The initial installation sourced damaged bolts from Cone Denim, specifically its now-shuttered White Oak Mill in North Carolina, which is known for its dedication to transparent cotton sourcing and commitment to using less water. Although much of Berry’s works recycle discarded jeans, jackets, and materials that are unusable for garments and employ environmentally conscious companies like Tonello to wash and laser the vines, sustainability is an ancillary element of his practice.
Instead, the East London-based artist focuses on generating a broader conversation about the ways communities change over time and a hope that people will find magic where it’s not necessarily expected. “The piece was born out of the idea that in New York, many children would grow up without a garden, and as much of my work is about the community in urban environments,” he shares. “I wanted afterwards for the parents and children to go and seek them out—and they did.”
“Secret Garden” is on view as part of Berry’s solo show Splendid Isolation, which is up through August 15 at Museum Rijswijk in the Hague, The Netherlands. In October, his work is headed to the Textil Museet in Sweden, where it’ll be until May 2022. Explore a larger collection of his textile-based floral pieces on his site and Instagram.
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Two new portraits this morning from one of my favorite artists Kumi Yamashita (previously). The first one is part of her Constellation series titled Mana #2. The portrait is made from a single unbroken sewing thread wrapped through a dense network of galvanized nails, a process that takes several months. The second artwork, Mother #2, is part of her ongoing Warp and Weft series where Yamashita works with a panel of black denim and then meticulously cuts threads from the fabric to form an image. If you happen to be in California, both works will be in a group show from April 20th through June 1st, 2013 at Scott White Contemporary Art in La Jolla. You can also now follow the artist over on Facebook.
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