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Animation Art Design

A Vast Array of Urban Street Art Aerially Photographed and Digitally Cataloged by Oddviz

October 15, 2018

Kate Sierzputowski

Istanbul-based collective oddviz uses photogrammetry to documents the world in three dimensions. By merging together aerial and ground-level images, the team is able to form high resolution representations of humans, landscapes, and objects to preserve their position and appearance in a web, video, or virtual reality-based medium. For their latest project, Inventory, the team captured elements from urban infrastructure that are often found covered with tags, graffiti, and stickers.

Oddviz started the project by photographing objects in their own neighborhood of Kadıköy-Istanbul, but have expanded the project internationally to include the ancient wells and fountains of Venice and Berlin, and the fire hydrants, telephone booths, utility poles and statues found during a week-long trip to Manhattan. By capturing the street culture that accumulates in public spaces, the group is protecting ephemeral materials that might never be catalogued in a museum or white-walled gallery. “Using photogrammetry, we are documenting and protecting street culture in 3-dimensions with high-resolution texture,” they explain.

The collective has created several 4k images of their collections, in addition to two videos that guide their audience through their finds in Manhattan and Venice. You can watch the videos here, and view previous works by oddviz on their websiteInstagram, and Vimeo.

"Manhattan II" (2018), diasec print, 106 x 250 cm

“Manhattan II” (2018), diasec print, 106 x 250 cm

"Manhattan I" (2018), diasec print, 150 x 266 cm

“Manhattan I” (2018), diasec print, 150 x 266 cm

"Kreuzberg I" (2018), diasec print, 150 x 266 cm

“Kreuzberg I” (2018), diasec print, 150 x 266 cm

"Kadıköy II" (2018), 90 x 150 cm

“Kadıköy II” (2018), fine art print, 90 x 150 cm

"Venice I" (2018), diasec print, 150 x 266 cm

“Venice I” (2018), diasec print, 150 x 266 cm

"Venice II" (2018), fine art print, 80 x 175 cm

“Venice II” (2018), fine art print, 80 x 175 cm

 

 



Animation Design

Satisfying Looped Animations Inspired by Interior Design Elements

October 2, 2018

Kate Sierzputowski

Motion graphics artist Andreas Wannerstedt designs short animated loops that present invented machines performing mesmerizing tasks. His videos are often inspired by real-world interior design, and incorporate elements such as rose gold, dark wood grains, and tropical Monstera leaves. The works are published under a series of iterations titled “Oddly Satisfying” which he posts to his Instagram and Vimeo accounts. You can see additional projects by the Swedish designer on his website. (via Vice)

 

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Photography

Rural Iceland Transformed Into A Rouge-Tinted World by Photographer Al Mefer

October 1, 2018

Anna Marks

Al Mefer transforms rural Iceland into a rouge-tinted world, producing images that make the area’s shrubbery look like candy floss, and moss-covered landscapes appear like red velvet cake. Mefer photographs a mixture of Icelandic topography, from iconic waterfalls to fields full of pink sheep. His photographs reveal the elements of the natural world that are often blurred into the background, such as the clustered patterns moss makes when growing on boulders, or how water froths was it spills over a waterfall.

Mefer’s project Dreamscapes of Iceland started while Mefer was traveling around the country with friends, and began to use a reflex camera to capture the country’s beautiful scenes. While exploring the Golden Circle, in the South of the country, Mefer photographed locations that would imprint an indelible memory upon him: Skógafoss’s waterfalls, cliffs and coastline, and Jökulsárlón’s glacial lake. “Iceland has been photographed a million times,” says Mefer, “I wanted to picture it in a way that it’d feel new yet as oneiric in the images as it is to see it live.”

The red and pink colors in Mefer’s photographs resemble the reddish hues inside the human body; the tones magnify the differences in texture and form between the living and non-living whilst having an emotional impact on the viewer. “Color affects us emotionally and I often focus my attention on it as a tool to rewrite reality,” he explains. Although some of Mefer’s photographs include people, a stillness is still captured in each photograph. “There’s a common trait among my projects to feel that the landscapes are mysterious and unexplored,” Mefer says. “They’re lonely even if populated.”

To view more of Mefer’s work visit his website and Instagram.

 

 



Art Photography

Digitally Altered Portraits Superimposed with Flowers, Antique Patterns, and Wildlife Illustrations by Tawny Chatmon

September 21, 2018

Kate Sierzputowski

Maryland-based artist Tawny Chatmon combines traditional portraiture with digital collage, layering elements of antique patterns, vintage botanicals, and wildlife illustrations onto images of her children and other relatives. Once printed, Chatmon often revisits the digital textures she has superimposed, physically adding layers of gold ornamental elements or paint.

“My camera remains my primary tool of communication, while my constant exploration of diverse ways of expression moves me to add several different layers using a variety of mediums,” explains Chatmon to Colossal, “After a portrait session is complete, I typically digitally manipulate my portraits and unite them with other photographic components to achieve a work that is a new expression—often lending to them the eyes of someone their elder and more wise, and almost always exaggerating their hair.”

Her children not only serve as her models, but also her greatest source of inspiration while making work. Chatmon further explains that the layered portraits are driven by her “desire to contribute something important to a world I want my children to thrive in.” The artist’s work will be on display as part of The Art of Blackness Exhibition in Chicago, which opens at Block 37 on October 12, 2018. You can see more of her work on her website and Instagram. (via Beautiful Bizarre Magazine)

 

 



Animation

Hoards of Anonymous Figures React to a User-Controlled Character in an Interactive World by Universal Everything

September 18, 2018

Laura Staugaitis

UK design studio Universal Everything (previously) is in the midst of crafting an experimental open-world environment called Emergence, available in a preview film. In Emergence, the glowing yellow user-controlled character is surrounded by crowds of anonymous people who react to the character’s movements. The scenes are set in a variety of abstracted but familiar environments like city streets and under water. Presumably, the viewer will be able to control the figure in a VR or immersive gallery setting. Universal Everything explains the experience on their Vimeo page:

Emergence is an open-world environment, expressing the primal feeling of maintaining your individual identity whilst being part of a crowd. As you immerse yourself in a crowd of thousands, shafts of light beckon you closer. As you touch the light, the environment – its atmosphere, its gravity and the choreography of the crowd – transform in powerful ways, continually challenging your perception.

Universal Everything was founded by Matt Pyke, who leads a variety of digital artists, animators, musicians, and developers in creating a wide variety of digital projects. Another notable project from the studio is a Sydney Opera House’s Living Mural collaboration, where digital murals from artists around the world were projected on to the Opera House’s iconic nesting rooflines. You can see more from Universal Everything on Vimeo and Instagram, and the studio also has a solo exhibition of their work on view until February 2019 at Borusan Contemporary in Istanbul. (via The Awesomer)

 

 



Art

Humorous Digital Collages by Les Creatonautes Give Edible Objects Animalistic Additions

September 14, 2018

Kate Sierzputowski

A garlic-bodied bird, alligator-shaped brie, and winged salt shaker have all come out of the imaginative mind of French creative agency Les Creatonautes. This past year they have created a series of digital collages that combine sporting goods, animals, and edible objects. The project is a subtle gesture to our changing world, showcasing the evolution of society through absurd combinations and impractical animals.

“The world is in permanent change, it is in a transformation,” said Olivier Grossmann of Les Creatonautes to Colossal. “This transformation, often invisible, sometimes unexpected, is inevitable. Living organisms, landscapes, technologies, societies: everything changes constantly, at different rates. From this observation we decided to transform the world in our own way.”

The group started the project on January 1st, 2018 and has been publishing “transformations” each day since. You can see more of the oddball explorations on their Instagram.

 

 



Art

Colorful Brushstrokes Digitally Sculpted into Figural Compositions by Matthew Stone

September 10, 2018

Kate Sierzputowski

“Being Reliant, Not Being Reliant, Being Not Reliant” (2016), Digital print and acrylic on linen, 71 x 47 inches

“Being Reliant, Not Being Reliant, Being Not Reliant” (2016), Digital print and acrylic on linen, 71 x 47 inches

Matthew Stone explores the figure through a combination of painting and digital manipulation, presenting segmented busts and bodies splayed out in abstracted three-dimensional spaces. After painting a series of individual brushstrokes, Stone photographs the gestures and sculpts them around digital figures using several software programs. The wrapped figures hover, twist, and contort above embedded shadows which give the illusion of depth. The final scenes are then printed onto raw linen. These digital paintings were presented as part of Stone’s recent solo exhibition Healing With Wounds at Somerset House in London, which closed in late August. You can see more of his work on his website and Instagram.

“Noble Intentions”, Digital print and acrylic on linen, 47 x 35 inches

“Noble Intentions”, Digital print and acrylic on linen, 47 x 35 inches

“Fear of Not Being Needed” (2016), Digital print and acrylic on linen, 98 x 130 inches

“Fear of Not Being Needed” (2016), Digital print and acrylic on linen, 98 x 130 inches

“Freedom/Optimism” (2016), Digital print and acrylic on linen, 47 x 35 inches

“Freedom/Optimism” (2016), Digital print and acrylic on linen, 47 x 35 inches

“Healing With Wounds” (2016), Digital print and acrylic on linen, 47 x 35 inches

“Healing With Wounds” (2016), Digital print and acrylic on linen, 47 x 35 inches

“Don’t Leave Me” (2016), Digital print and acrylic on linen, 63 x 47 inches

“Don’t Leave Me” (2016), Digital print and acrylic on linen, 63 x 47 inches

“Accusatory (Upper Chest)” (2016), Digital print and acrylic on linen, 71 x 47 inches

“Accusatory (Upper Chest)” (2016), Digital print and acrylic on linen, 71 x 47 inches

 

 

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