forests

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Photography

A Hazy Stream Drifts Across a Spring Landscape in an Enchanting Series of Long-Exposure Photos

All images © Jennifer Esseiva, shared with permission

Back in spring, Swiss photographer Jennifer Esseiva visited the remote forests of Vallorbe, Switzerland, as the trees and rugged, wooded terrain emerged from their winter stupor. There she captured the lush mosses and foliage that cloaked the area in a thick blanket of greenery and the recently thawed stream flowing through its midst. Now compiled in an enchanting series aptly titled Fairyland, the ethereal, long-exposure photos depict the trickling body of water as a hazy fog that clings to the landscape.

Esseiva plans to revisit the dreamy location this winter after snowfall, so keep an eye on her site and Instagram for updates. (via Moss and Fog)

Craft

Embroidered Landscapes Capture the Stillness of Pastoral Life through Dense Knots and Stitches

All images © Katrin Vates, shared with permission

French knots, chain stitches, and straight lines become peaceful countrysides and abandoned shacks overrun by moss and vines in Katrin Vates’s embroideries. Using bleached canvas as a base, Vates works with thread in natural color palettes of greens or autumnal hues that she lays in variable lengths and thicknesses: she conveys a glistening ocean through flat, even stitches in blues and white, while tufts of neutral tones become cropped fields and dried bushes. Vates rarely sketches a preliminary design and never attaches a hoop, which allows more freedom to adjust both the image and the ways weather and sunlight impact the scenes.

The Rockville, Maryland-based artist plans to release some of her pieces on Etsy in the coming months, and you can follow that launch, in addition to her forays into three-dimensional embroideries, on Instagram. (via Kottke)

Craft

Quaint Campsites and Forests Populate Miniature Scenes of Carved Wood

All images © Thibaut Malet, shared with permission

Based in Montpellier, France, Thibaut Malet (previously) spent much of his childhood in his father’s workshop, which housed the family’s cabinetry business. At 10-years-old, the third-generation woodworker began sculpting the organic material, although his creations were infinitesimal compared to his dad’s counterparts. Malet carved miniature scenes spotted in everyday life, imagining new, small-scale worlds. “It was a way to work with wood without using the too dangerous machines of my father. My parents organized a tiny workshop in a small room, and it was perfect,” he shares with Colossal.

Although Malet never studied the trade in an official capacity, he now works as a designer and wood artist after a few years as an architect and furniture maker, a background that’s evident in his tiny scenes. Malet carves quaint cabins and outdoor equipment, including canoes, ladders, and seating areas, nestled among the trees or at the base of a ravine. Each structure is unique, whether built as a simple A-frame or a more complex, vaulted chalet. Intentionally minimal, the scenes reflect the artist’s commitment to “working with the least amount of material. It’s a reflection on saving material and space,” he says. “I’ve always liked the challenge of making things as small as I can.”

Many of Malet’s scenic wood carvings, which you can follow on Instagram and Behance, are available for purchase in his shop.

Craft

Mossy Mazes and Dense Forests Embroidered into Textured Landscapes by Litli Ulfur

“The Inside,” 10 inches. All images © Litli Ulfur, shared with permission

Through a luxuriant series of embroideries, Litli Ulfur translates thick landscapes into lush entanglements of brown and green stitches. The abstract forms consider the intricacies of nature through an aerial perspective, contrasting micro- and macro-views in every inch. Each piece is created organically and uniquely, ensuring no two are alike.

The textured works are inspired by natural sources, like jungly forests and the human nervous system, that are reflected through French knots, tufts, and flat patches. “I was struck by certain similarities between the two—some of the trees in these forests (including oaks and beeches) were confusingly similar to the structure of human neurons. Their branches and roots bent in various directions creating a huge endless network,” she writes on Instagram about creating “The Inside.”

In a note to Colossal, Ulfur says her process begins with immersing herself in natural settings for a full sensory experience. “I celebrate this moment—being completely aware of it is crucial. I open myself up so I can consciously connect with it. I smell the scent, color. I feel the texture, experience the sound and taste,” she says. “Being alone with nature is really important to me. It gives me space to reflect on why I do what I do and feel what I feel.”

“Awake,” 10 inches

“Connection,” 10 inches

“The Tide,” 9 × 6.3 inches

“Connection,” 10 inches

“The Inside,” 10 inches

Photography

Hawaii's Dense Forests Envelop Abandoned Cars in Photographs by Thomas Strogalski

All photographs © Thomas Strogalski and shared with permission of the artist

Abandoned vehicles are swallowed by the surrounding forest in “Nature Takes Over,” a photo series by Thomas Strogalski. The German photographer, normally based in Düsseldorf, was on assignment in Maui, Hawaii for a client and found some spare time to pursue this personal project. “During my 5-week stay, I discovered striking irregularities within the lush, fascinating nature,” Strogalski tells Colossal. Old automobiles, from sedans and trucks to camper vans and R.V.s, the once-powerful machines have been subsumed beneath towering trees and twisting vines. “I am fascinated by the thought that in the end nature will take over man,” reflects Strogalski. “With peace, lasting continuity, flexibility in harmony with permanent adaptation, nature seems to reclaim what one wants to take away from it.” Explore more of the photographer’s professional and personal work on Behance and Instagram.

Animation Music

Forest Creatures Gather Together to Perform a Moonlit Rendition of an Opera

A songbird soloist accompanied by choruses of toads, turtles, and hedgehogs are conducted by  a squirrel in Maestro, a delightful new animated short by Illogic. Set in a moonlit forest, the wild symphony performs a war anthem from Vincenzo Bellini’s opera Norma. In an interview with Vimeo, the team explained that they sought to balance imaginativeness with believability within the confines of  their realistic universe. Illogic is based in Montpellier, France, where they recently opened an animation studio called Bloom Pictures. Take a behind-the-scenes look at how Maestro was made in the video below, and see more from Illogic, including the Oscar-nominated Garden Party, on Vimeo.