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Art
Glitches Distort Art Historical Figures in Abstracted Marble Sculptures by Léo Caillard

All images © Léo Caillard, shared with permission
The oscillating curves of a sine wave become a disfiguring characteristic in Léo Caillard’s ongoing Wave Stone series. Carved in white Carrara marble and stone with green and gray ripples, the French artist’s sleek renditions of Aphrodite, Laocoön, and Venus appear to have warped, glitched, or transformed into a tight spiral. Much of Caillard’s work is anachronistic, and he tells Colossal that “the face of the statue connects the piece to its reality, a representation of a classical and iconic figure from the past,” while the abstractions create new gaps of negative space.
Caillard has a few exhibitions slated for the coming months, and you can follow news about those shows in addition to new works on his Instagram.
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Art
Ornate Rugs by Artist Faig Ahmed Ooze Onto the Floor in Drippy Fabric Puddles

All images courtesy of Sapar Contemporary, shared with permission
Azerbaijani artist Faig Ahmed (previously) has amassed a staggering archive of sculptural carpets that blur the boundaries of digital distortion and traditional craft techniques. Often monumental in scale, his fringed rugs are woven with classic, ornate patterns on top before they billow into a pool of glitches and skewed motifs.
Ahmed weaves conceptual and historical relevances into his most recent trio, which is on view as part of his solo show PIR at New York’s Sapar Contemporary through January 6, 2022. Each piece draws its name from a spiritual leader who profoundly impacted Azerbaijani culture, including Shams Tabrizi, Yahya al-Shirvani al-Bakuvi, and Nizami Ganjavi. The carpet inspired by Tabrizi, who was Rumi’s mentor, for example, “gradually dissolve(s) into a black woolen space of nothingness, much like the final stages of a mystic’s spiritual journey: annihilation (fana’) of one’s individual ego within the divine presence, like the flame of a candle in the presence of the sun.”
Visit Ahmed’s site to see behind-the-scenes photos of his process and to explore a larger collection of his fiber-based sculptures.

“Yahya al-Shirvani al-Bakuvi”

“Nizami Ganjavi” (2021), handmade wool carpet

“Shams Tabrizi”

Detail of “Nizami Ganjavi” (2021), handmade wool carpet

“Yahya al-Shirvani al-Bakuvi”
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Art
A Staggering Sculptural Rug by Artist Faig Ahmed Pours into an Amorphous Puddle

All images © Faig Ahmed, courtesy of Sapar Contemporary
Known for his sculptural textiles, Faig Ahmed fuses contemporary glitches and distortions with traditional weaving techniques. A recent artwork, titled “Doubts,” is one of his larger pieces that while conventionally shaped and patterned on top, appears to ooze out into a massive puddle. A stunning piece, the ornate motif blurs into swirls of color and an amorphous shape on the floor.
The Baku, Azerbaijan-based artist (previously) said in a statement that he began “Doubts” about one month prior to widespread lockdowns due to COVID-19.
Because of the quarantine, we had to close our textile studio several times and artwork on the loom was waiting for its time. A few days ago, after seven months, ‘Doubts?’ (was) cut off the loom. There are no more doubts in this carpet, destroying the geometric intelligible boundaries of the patterns—overflowing they geal on the floor—this is the limit of doubts.
To get an up-close look at the distorted carpet, check out the video below or head to Sapar Contemporary’s Instagram. Explore more of Ahmed’s fiber-based projects on Artsy.
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Design
Surging Fractals and Glitches Are Woven into Mesmerizing Blankets by Zouassi

All images © Zouassi, shared with permission
Wrap up in one of Zouassi’s earth-toned blankets, and you’ll find yourself in the center of a complex network of digital glitches and fractals. Each tassel-edged throw appears as if it’s covered in three-dimensional patches of fringe that swell and swirl from one corner to the next. Rather than screenprinting the abstract artworks, Zouassi had them woven directly into the entrancing threads.
Similar to the seemingly infinite shapes and patterns the digital artist shares on Instagram, look closely and see how each varying stitch contributes to the overall intricacy of the blanket’s network. Pick up your own cozy throw from the shop, and maybe even grab a phone case or print from Society6.
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Art
Glitched Paintings by Olan Ventura Give a Contemporary Twist to 17th Century Still Lifes

“Still Life of Flowers, Shells and Insects” (2019), acrylic on canvas, 76.2 x 101.6 cm. All images courtesy of the artist, the Working Animals Art Projects and Yavuz Gallery
Filipino artist Olan Ventura creates lavish acrylic paintings in the tradition of 17th century Dutch still lifes. Replicating the smallest details of iconic works such as Jan Davidsz de Heem’s Vase of Flowers (c. 1660), Ventura veers off course with striking glitches and drips that shoot off the canvas edges, seeming to pull grapes, lobsters, and roses from the past into the present. A statement on Yavuz Gallery explains that Ventura is interested in identity, technology, popular culture. Ventura holds a Bachelor’s of Fine Arts from University of the East, and has been exhibiting in solo shows for the last 15 years. His most recent show, Colour Feast, ran this spring at Yavuz Gallery in Singapore. Ventura keeps a low profile online, but you can explore more of his still life paintings on Yavuz’s website, and a wider range of his work on artnet. (via Hi-Fructose)

“Abundant Bouquet with Pomegranate” (2019), acrylic on canvas, 162.5 x 121.9 cm

“Still Life With Golden Goblet” (2019), acrylic on canvas, 121.9 x 137.2 cm

L: “Still Life with a Melon and Pears” (2019), acrylic on canvas, 45.7 x 61 cm / R: “Fruit Basket” (2019), acrylic on canvas, 45.7 x 61 cm

“Still Life of Flowers” (2019), acrylic on canvas, 101.6 x 76.2 cm

“Fruit Still Life” (2019), acrylic on canvas, 101.6 x 76.2 cm

Yavuz Gallery installation view

Yavuz Gallery installation view
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Art
Narrative Dramas Unfold in Robert Proch’s Multi-Dimensional Glitched Paintings and Murals
Robert Proch combines the aesthetics of street art and fine art in his dizzyingly complex paintings and murals. The artist engages multiple perspectives, glitched repetitions of figures, architectural motifs, and tightly controlled color palettes to create his distinctive style. Scenes tend to radiate out from a central perspective point, surrounded by abstracted shapes and atmospheric brushstrokes.
Proch’s artist statement describes his work as mini-narratives that “examine the modern human condition using vivid colors and tangible emotions. Sentimentality, ambition, fear, loss, hubris, greed, and friendship play their roles in snapshot dramas.”
The artist studied at the Academy of Fine Arts in Poznan, Poland, which is where he currently resides. Proch also explores his signature style in the mediums of drawing and wood bas-relief sculpture, which you can view on his website and Instagram. (via Booooooom)
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